Emily Weiner's hypnotic art debuts at Miles McEnery Gallery
The First Art Newspaper on the Net    Established in 1996 Thursday, June 26, 2025


Emily Weiner's hypnotic art debuts at Miles McEnery Gallery
Emily Weiner, Passing Through, 2025, Oil on linen in painted wood frame, 61 1/2 x 46 1/2 x 2 inches, 156.2 x 118.1 x 5.1 cm.



NEW YORK, NY.- Miles McEnery Gallery opens an exhibition of works by Emily Weiner. The artist’s first solo exhibition at the gallery opens on 26 June at 511 West 22nd Street and remain on view through 15 August. The exhibition is accompanied by a fully illustrated digital publication featuring an essay by Mitch Speed.


🔥 Don't Miss Out! Shop the most popular books on Amazon right now and join the conversation.


Emily Weiner’s hypnotic scenes hover between the conscious and subconscious. Using symmetry, architectural cues, and planetary bodies, her compositions are trance-like and deeply resonant, luring the viewer into and beyond the painted surface. Despite featuring familiar forms (waxing and waning moons, poised hands, even F-holes from a violin) Weiner’s paintings do not insist on any single narrative.


💖 Keep ArtDaily thriving! Your generous gift makes a difference. Support us through PayPal or become a patron on Patreon.


Folded curtains, portals, and spotlights recur as theatrical elements throughout Weiner’s work, as if scenes on stage. But unlike theater—which often relies on illusion, concealing the inner workings behind the curtain—Weiner invites the viewer backstage, exposing the inner machinations. She crafts unique wooden and ceramic clay frames for each painting, which further immerse the viewer in her compositions. They stretch the pictorial space beyond the traditional bounds of the canvas, such that the resulting painting is not a static composition, but a shrine-like site of entry into an alternate dimension.

Most recently, Weiner began using CNC milling to shape her panels, employing trigonometric and logarithmic equations to create three-dimensional, tactile surfaces. Her use of Fibonacci sequences and wave functions subtly reference the underpinnings of the universe, the hidden mathematical rhythm that governs our existence. With a finely tuned balance of the technical and the intuitive, Weiner gives form to something just out of reach: a collective memory taking shape.

Emily Weiner (b. 1981 in Brooklyn, NY) received her Master of Fine Arts at the School of Visual Arts, New York, NY and her Bachelor of Arts from Barnard College at Columbia University, New York, NY.

Weiner has been the subject of solo exhibitions at Red Arrow Gallery, Nashville, TN; König Galerie, Berlin, Germany; König Galerie, Mexico City, Mexico; Entrée, Bergen, Norway; Pentimenti Gallery, Philadelphia, PA; and Huxley-Parlour, London, United Kingdom.

Recent group exhibitions have been held at König Galerie, Seoul, Korea; König Galerie, Berlin, Germany; König Galerie, Mexico City, Mexico; Whitespace Gallery, Atlanta, GA; Andrea Festa Fine Art, Rome, Italy; SE Cooper Contemporary, Portland, OR; Kunsthall Grenland, Porsgrunn, Norway; WeSpace Gallery, Shanghai, China; Red Arrow Gallery, Nashville, TN; Brackett Creek Exhibitions, Brooklyn, NY; and LAMB Gallery, London, United Kingdom.

Her work may be found in the collections of Pennsylvania Academy of the Fine Arts, Philadelphia, PA and Kunsthall Grenland, Porsgrunn, Norway. Weiner is the recipient of numerous awards and accolades for her work, including the Hopper Prize in 2022, and in 2021 was a recipient of the Current Art Fund, granted by Tri-Star Arts and the Andy Warhol Foundation for Visual Art. Weiner has held faculty positions at Pratt Institute, Brooklyn, NY; The School of Visual Arts, New York, NY; and the Watkins College of Art, Belmont University, Nashville, TN.

Weiner lives and works in Nashville,TN.










Today's News

June 26, 2025

New exhibition at Heather Gaudio Fine Art explores form and perception

Churchill in Bronze: Young Sculptor Rufus Martin unveils Bust of Sir Winston Churchill to mark VE Day 80

Points of Convergence: Tina Modotti & Edward Weston in Mexico, 1923-1926 opens at Throckmorton Fine Art

Hunger Magazine presents: "Back to Reality" an exhibition at the iconic Annroy Gallery

Library of Congress acquires manuscripts and papers of award-winning composer and lyricist Stephen Sondheim

Christie's announces M.C. Escher: The Art of Infinity

Lévy Gorvy Dayan to showcase rarely seen paintings by Francesco Clemente

Henrik Olesen and Isidore Isou deconstruct identity at Kunstmuseum Liechtenstein

Currier Museum of Art appoints Anastasia Kinigopoulo as new Curator of Modern and Contemporary Art

Forum Gallery unveils "Dawn to Dusk" a tribute to the unseen and the sublime

Bruce Silverstein Gallery presents In Sequence: From moment to story in contemporary photography

Virginia Museum of Fine Arts names Kate Moomaw-Taylor as its new Chief Conservator

Alfredo Jaar awarded 65th Annual Edward MacDowell Medal

The Pola Museum of Art presents an exhibition featuring the most recent works of Ryan Gander

Missoula Art Museum names Brandon Reintjes as new Executive Director

Sharjah Art Foundation announces curators of Sharjah Biennial 17

James Cohan now representing Ranti Bam

Grazer Kunstverein exhibits recent and newly commissioned work in sound and image by James Richards

Emily Weiner's hypnotic art debuts at Miles McEnery Gallery

Esther Schipper announces Martin Boyce's second solo exhibition with the gallery

Hugh Hayden: American Vernacular to open at the Frye Art Museum




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
(52 8110667640)

Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful