Matthew Rolston's "Vanitas" exhibition meditates on mortality in Los Angeles
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Matthew Rolston's "Vanitas" exhibition meditates on mortality in Los Angeles
Matthew Rolston, Untitled (Profile), Palermo, 2013 © Matthew Rolston Photographer, Inc. All rights reserved; courtesy of Fahey/Klein Gallery, Los Angeles.



LOS ANGELES, CA.- Photographer and artist Matthew Rolston, in partnership with Fahey/Klein Gallery, Los Angeles, ArtCenter College of Design, Daido Moriyama Museum / Daido Star Space, and Leica Gallery, Los Angeles, present a multi-venue Los Angeles exhibition of his latest series Vanitas: The Palermo Portraits, alongside the release of a special limited-edition monograph on Nazraeli Press.

In production for well over a decade, Vanitas represents a cumulative effort by Rolston to aesthetically capture the fraught human relationship to death through the medium of photography, a profound narrative, as seen through the decaying faces of mummified individuals in Palermo, Sicily’s Catacombe dei Cappuccini. These vivid, painterly compositions bring forth an interwoven meditation on beauty, mortality and art through Rolston’s uniquely photographic lens.

The monumentally scaled, richly hued Vanitas prints will be framed in patinated gold leaf, in a manner suggestive of and in tribute to the works of Francis Bacon, and, in a significant departure from typical edition practice, they will be offered as unique objects, more in the tradition of painting than photography.

Four individual works will be on view in a solo exhibition at Fahey/Klein Gallery, Los Angeles, which will display the most extensive presentation of the Vanitas series, including the monograph’s cover photograph.

At ArtCenter College of Design, Rolston will further present a triptych of the Vanitas work as a wall-sized installation at the College’s South Campus, curated by Julie Joyce, Director, ArtCenter Galleries and Vice President, Exhibitions. This presentation will be the only triptych on exhibition; the central panel appears on the clamshell cover of the forthcoming Vanitas monograph, a signature of the series. These three works, hung in ArtCenter’s Mullin Transportation Design Center, comprise two images of mummified children flanking one of an elderly adult, brought together in the style of an altarpiece, where the sacred and mundane, youth and elder age, collide.

A single work will be shown at a solo exhibition that will open with a book launch and artist signing at Daido Star Space in downtown Los Angeles on September 30, 2025. Organized in collaboration with the Daido Moriyama Photo Foundation in Tokyo, the presentation echoes the institution’s interest in cross-cultural approaches to photography.

Leica Gallery, Los Angeles, will present another solo exhibition of an additional single work from Vanitas, accompanied by a public artist talk and book signing. At a venue rooted in the technical and material traditions of photography, this presentation will highlight the painterly, craft-driven aspects of Rolston’s Vanitas project.

Together, these four distinct presentations introduce Vanitas as a ‘mostra diffusa’, an exhibition intentionally distributed among multiple venues. This multi-venue presentation across Los Angeles reflects a conscious departure from the contemporary conventions of exhibition production, recalling art historical traditions in which singular works were presented in isolation.

All works, regardless of exhibition venue, will be available exclusively through Fahey/Klein Gallery, Los Angeles, which will also offer an artist-signed edition of the exhibition’s accompanying monograph.










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