The First Art Newspaper on the Net    Established in 1996 Monday, December 6, 2021


Contemporary Art Museum St. Louis Presents Gedi Sibony: My Arms Are Tied Behind My Other Arms
Gedi Sibony, Its Origins Justify its Oranges, 2008, Wood, colored lights, 85 x 64 x 11 inches, Courtesy of the artist and Greene Naftali Gallery, New York.



ST. LOUIS, MO.- The Contemporary Art Museum St. Louis presents the first monographic museum exhibition with New York-based artist Gedi Sibony: My Arms Are Tied Behind My Other Arms. Along with a selection of the artist’s recent pieces, including the carefully balanced Partly Me Manners (2008) and the multipart Probably Eight or Half of Each (2007), the exhibition features major new works in a site-specific installation for the Contemporary’s Main Galleries.

Sibony challenges the sculptural demands of space, weight, and materiality. Retrieved objects—carpeting, cardboard, vertical blinds, plywood, hollow-core doors, metal pipes, and fragments of salvaged scraps—form the physical backbone of his process. While the prominence Sibony gives to castaway materials might suggest a destitute spirit of decay and ruin, his sculptures are elegant, graceful, and human. If they seem wobbly and discreet, the playful, finished pieces are arranged in space with boldness and precision. Mixing subtlety and wit, the artist pushes a sense of the “almost” to an extreme: the objects are almost invisible, almost solid, almost blank. He often leaves his materials as he found them, making only slight changes in placement and shape that seem accidental. What emerge are the fundamental power of bare essentials and the effortless magic of the mundane.

Sibony’s work addresses political and ecological concerns in addition to sculptural ones. His materials are unneeded objects, but salvaged before they become trash. His economy of means add nothing to an existing state of industrial overabundance.

His sculptures are something new for the world, but don’t use up many of its resources. Sibony gathers what comes his way and redistributes it efficiently. With so little to look at, the heightened viewing experience itself takes on a prominent role. The appearance of a new shadow or a small change in perspective allows one impression to slip towards another. What initially seems fragile becomes musical, and what looks forgotten turns out to be closely related to nearby works. Using light, silence, and hints of humor, Sibony’s work achieves a nonchalant awkwardness, a proud nudity, and an overall implausibility. Art, just like life, isn’t a safe destination but an always-incomplete process of finding whatever we want to find, and Sibony steers his viewers towards the hidden but omnipresent harmonies in the world.

A monographic catalogue published with JRP-Ringier accompanies the exhibition and includes an introduction by the curator, an essay by French curator François Quintin, and an interview with the artist by Dia Art Foundation Director Philippe Vergne. Gedi Sibony: My Arms Are Tied Behind My Other Arms is organized by Contemporary Art Museum St. Louis Chief Curator Anthony Huberman.

Support for Gedi Sibony: My Arms Are Tied Behind My Other Arms is generously provided by Charlotte and Bill Ford, Peter and Jill Kraus, and Martin and Rebecca Eisenberg. Special thanks to Greene Naftali Gallery, New York; Art: Concept, Paris; and Galleria Zero, Milan. General support for the Contemporary’s exhibitions program is generously provided by the Whitaker Foundation; The Andy Warhol Foundation for the Visual Arts; William E. Weiss Foundation; Regional Arts Commission; Missouri Arts Council, a state agency; Arts and Education Council; Nancy Reynolds and Dwyer Brown; and members of the Contemporary Art Museum St. Louis.

Over the past few years, Sibony’s work has become increasingly visible in prominent group exhibitions such as Greater New York 2005 at P.S.1 Contemporary Art Center, the 2006 Whitney Biennial, and, more recently, the New Museum’s inaugural exhibition Unmonumental in New York, underlining the contemporary relevance of his practice. The Contemporary Art Museum St. Louis is the first to recognize Gedi Sibony in a significant one-person museum exhibition. Other recent one person exhibitions include FRAC Champagne-Ardenne, Reims, France (2008); Kunsthalle St, Gallen, St. Gallen, Switzerland (2007); Midway Contemporary Art, Minneapolis (2007); and gallery exhibitions at Galerie Neu, Berlin (2008); Greene Naftali, New York (2008), Zero…, Milan (2008); and art:concept, Paris (2007). Sibony was born in 1973 in New York, New York.










Today's News

January 24, 2009

Christie's Announces a New Sales Platform for Old Masters and 19th Century European Art

Joslyn Art Museum's Wood Exhibition is Tour-de-Force of Woodcut Art

Unconcerned, But Not Indifferent - Man Ray - Opens at Hague Museum of Photography

Günter Brus. Post-direct Art - Drawings, Picture Poems, Photographs and Graphics Exhibition

Refugee Memorial Project Runs Diameter of Earth at ASU Art Museum

Show Features Luminaries of the Craft and Their Insightful Takes on Boom and Bust

Contemporary Art Museum St. Louis Presents Gedi Sibony: My Arms Are Tied Behind My Other Arms

Camera Work Gallery Presents Work By Haase and Susanne Schapowalow

Guilty Pleasures & Obama-rama Open at Projects Gallery

Museum voor Moderne Kunst Arnhem Presents Running force. Albert Van Der Weide

Yto Barrada & Hala Elkoussy Open at Goteborgs Konsthall

Tabitha Vevers: Narrative Bodies Opens at DeCordova Museum and Sculpture Park

Cabinet and Ornamental Wares: Painted Porcelain of the 19th and 20th Centuries

Into the Garden: Painted Paper Construction by Takayo Nodo Opens Today

China: Journey To The East Opens at Bristol's City Museum & Art Gallery

Exhibition Brings Video Works by Berlin Artist to Northwest - Nathalie Djurberg

Spencer Museum of Art the Climate Change at the Poles exhibition

Innovations in the Third Dimension: Sculpture of Our Time at The Bruce Museum

Unique Force: The Art of Carolyn Wyeth at the Brandywine River Museum

Cultural Politics and Contemporary Art at The Ackland Art Museum

Extremely Hungary Festival Launches this Weekend with Performances at Carnegie Hall




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez

Royalville Communications, Inc
produces:

ignaciovillarreal.org avemariasound.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. The most varied versions
of this beautiful prayer.
Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful