Museum looks at prospective ecological disasters through lens of Dust Bowl

The First Art Newspaper on the Net    Established in 1996 Wednesday, May 15, 2024


Museum looks at prospective ecological disasters through lens of Dust Bowl
Arthur Rothstein (1915-1985) / Vernon Evans (with his family) of Lemmon, South Dakota, near Missoula, Montana on Highway 10. Leaving grasshopper-ridden and drought-stricken area for a new start in Oregon or Washington, 1936 / gelatin silver print. Image courtesy of the Spencer Museum of Art at the University of Kansas.



LAWRENCE, KS.- In a pair of interrelated exhibitions, Conversation XV: Dust and 1 Kansas Farmer, the Spencer Museum explores both the Dust Bowl of the 1930s and the relevance of its lessons for farmers, environmentalists, artists, and scientists today.

The Dust Bowl represents a remarkable moment in human history. Tremendous artistic documentation of the Dust Bowl, much of it federally-sponsored, is etched into the collective American memory. Images created by such artists as Dorothea Lange, Arthur Rothstein, Herschel Logan, and others have become iconic symbols representing both the hardship suffered by rural Americans in the 1930s and the humanity that triumphed in its wake. These images endure not only as expressions of the spirit of an era, but also as historic documents containing significant information that allows researchers to comprehend the ecological disaster that sparked the Dust Bowl and the transformation of the land following the storm.

Conversation XV: Dust was inspired by the selection of The Worst Hard Time by Timothy Egan as the University of Kansas Common Book for 2013-14. In The Worst Hard Time, Egan, a reporter for the New York Times, chronicles the tumultuous journeys of twelve families weathering the Dust Bowl in rural America. The objects on display in the Dust exhibition tell similar stories using artists’ tools, primarily the camera. In an Arthur Rothstein photograph taken in 1936, an unsmiling man leans against his car with a bundle tied to it; the words “Oregon or Bust” have been scrawled beneath the car window. The man, Vernon Evans, is fleeing a grasshopper-ridden, drought-stricken area with his family in tow, hoping for a new start out west. Closer to home, a photograph of a desolate Kansas farmhouse and plot of land foregrounded by a sign proclaiming “THIS PLACE FOR SALE” was taken in 1938, capturing the widespread dispossession that sent so many Americans searching for new homes and new lives. Thomas Hart Benton’s expressive lithograph depicting the fictional Joad family, central to the plot of The Grapes Wrath, tells perhaps the most famous Dust Bowl narrative of all, and is included in this exhibition.

Simultaneously on view in the Museum lobby, posters created by KU advanced graphic design students are inspired by the prolific work of Dust Bowl artists and scientists. The series, 1 Kansas Farmer, makes sly reference to the billboards spotted along Kansas highways declaring that “1 Kansas farmer feeds 155 people and you.” Each poster addresses a specific environmental issue facing Kansas farmers today, turning frequently to the lessons of the Dust Bowl for context while visually representing cutting-edge research collected by the Biofuels and Climate Change: Farmers Land Use Decisions (BACC:FLUD) project. This project, currently being conducted by scholars at the University of Kansas and Kansas State University, examines how Kansas farmers make decisions about land use with a focus on how information about biofuels and climate change factors into the equation. Extensive interviews with Kansas farmers are included in both the research and the resulting posters, alongside photographs by Kansas artist Larry Schwarm, who compellingly documents the conditions on Kansas farms as part of the BACC:FLUD initiative.










Today's News

August 4, 2013

Rafael Lozano-Hemmer transforms the 1,400 foot long Park Avenue Tunnel in New York

Marilyn Monroe's 51st anniversary memorial special exhibition opens at The Hollywood Museum

The Skyscraper Museum mounts "Urban Fabric: Building New York's Garment District"

World's second tallest building, designed by United States firm Gensler, tops out in China

Rome diverts traffic to protect Colosseum blackened by pollution and in poor state

Dominique Lévy to inaugurate new gallery with masterworks by Fontana, Klein, and Twombly

Australia opens 'world's smartest' aquarium, the US$31.4 million National Sea Simulator

Rarely seen Ron Mueck sculptures go on display at Wolverhampton Art Gallery

Sailor prince sword and Royal Dragoons helmet amongst top lots on Bonhams Arms and Armour Sale

Aktis Gallery exhibits Ballets Russes artists at Salon Point Art Monaco August 1 - 5

Museum looks at prospective ecological disasters through lens of Dust Bowl

Jeremy Deller exhibition and new site-specific installation by Sara Barker open at Jupiter Artland

Modern luxury meets Soviet retro chic as Moscow's vast GUM shopping arcade turns 120

Artists' sketches and interviews give unique insight into sculpture exhibition

Stalin statue to return to hometown museum

Award-winning pastelist exhibits at the Customs House Museum

Exhibition of original motorcycles and other new work by Ian Barry opens at Michael Kohn Gallery

Recent videos by Mary Reid Kelley subject of artist's first solo museum show

Joseph Hart and Anne-Lise Coste open solo exhibitions at Halsey McKay Gallery




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful