German Limbach Commission rejects claim on Nazi-era Guelph or "Welfenschatz" Treasure sale

The First Art Newspaper on the Net    Established in 1996 Tuesday, April 16, 2024


German Limbach Commission rejects claim on Nazi-era Guelph or "Welfenschatz" Treasure sale
A photo taken on May 9, 2009 shows visitors looking at a golden crucifix containing relics, being part of the so-called Guelph Treasure or "Welfenschatz" of gold, silver and gem-studded relics, at the Kunstgewerbemuseum in Berlin. A German mediation panel on Nazi-era art claims ruled on March 20, 2014 against the heirs of Jewish collectors in a dispute over the 1935 sale of a collection of medieval church artifacts.
AFP PHOTO / DPA / ALINA NOVOPASHINA.

By: Frank Zeller



BERLIN (AFP).- A German panel ruled Thursday against the heirs of Jewish collectors seeking to recover a trove of precious medieval church artifacts, saying its sale in 1935 was not made under Nazi duress.

The dispute centres on the Guelph Treasure or "Welfenschatz" of gold, silver and gem-studded relics believed to be worth hundreds of millions of euros (dollars) in total.

The more than 40 pieces, the largest publicly owned collection of German ecclesiastical art, are kept in a Berlin museum of the Prussian Cultural Heritage Foundation.

The case comes at a sensitive time after news last year of a vast stash of long-lost art found in a Munich flat sparked complaints of German foot-dragging on returning Nazi loot.

The state-backed Limbach Commission found that the former Jewish owners did not sell the Welfenschatz treasure under duress and received a fair market price from the state of Prussia.

The mediation panel on Nazi-era art claims said it was "aware of the severe situation of the art dealers and their persecution in the Nazi era".

But it added that it saw no evidence of "a persecution-induced forced sale" and that the price was normal "on the art market after the world economic crisis" following the 1929 stock market crash.

The panel -- whose rulings are non-binding but seen to carry moral weight -- said "it can therefore not recommend the return of the Welfenschatz to the heirs of the four art dealers and any other former co-owners".

State Culture Minister Monika Gruetters said that, although the German government often favours restitution, in this case she "hopes that the Jewish heirs will accept the recommendation of the commission".

Lawyers for the claimants said "the decision causes us consternation and is incomprehensible for us and our clients as well as for those at home and abroad who know the details of the history of the Guelph Treasure."

Gem-studded crucifixes
Under Adolf Hitler's reign, the Nazis confiscated what they deemed "degenerate art" and stole, or bought under duress for a pittance, art from persecuted Jewish collectors.

The Limbach Commission, with a former state president, a top court judge and historian among its eight members, in mid-January heard the dispute on the Welfenschatz claim launched in 2008.

A lawyer for the claimants had argued that all the art dealers and their relatives eventually "lost their personal and professional existence in Germany due to racial persecution".

The German panel however argued that in 1935 all sides had voluntarily consented to the deal for the treasure, which was then being held out of the Nazis' reach in Amsterdam.

The syndicate of Frankfurt art dealers had in 1929 bought the collection of then 82 pieces for 7.5 million Reichsmark. It included gem-studded crucifixes and other ornate Christian artifacts, some dating back to the 11th century.

The group of dealers then saw its value drop sharply amid the Great Depression and sold off about half of the pieces, mostly in the United States, for a total of 2.7 million RM.

The dealers, Zacharias Hackenbroch, Isaac Rosenbaum, Seamy Rosenbaum and Julius Falk Goldschmidt, sold the remaining objects for 4.25 million RM to Prussia, which was then led by Hermann Goering, the Gestapo secret police founder and air force chief.

The heritage foundation now holding the treasure welcomed the panel's "carefully considered recommendation", saying it was in line with its own "years of intensive provenance research" into the collection.

It said it had in the past handled more than 50 claims for restitution and always reached "fair and just solutions with legitimate claimants", returning over 350 works of art and more than 1,000 books.

"In all previous restitution cases, the Prussian Cultural Heritage Foundation has been able to agree on a solution with claimants, but not in this case," it said.



© 1994-2014 Agence France-Presse










Today's News

March 21, 2014

Sotheby's Hong Kong announces Fine Chinese Paintings Spring Sale to be held on 7 April

German Limbach Commission rejects claim on Nazi-era Guelph or "Welfenschatz" Treasure sale

Smithsonian collaborates with team of paleontologists to reveal new species of Large, feathered dinosaur

Marianne Boesky Gallery and Dominique Lévy announce worldwide co-representation of Frank Stella

Astrup Fearnley Museet opens the first major exhibition in Oslo by artist duo Elmgreen & Dragset

American photographer Nan Goldin's first major exhibition in Rome opens at Gagosian Gallery

Sharon Percy Rockefeller becomes Chairman of National Gallery of Art Board of Trustees

Shepard Fairey designs print of Ai Weiwei in support of universal freedom of expression

Pinakothek der Moderne opens exhibition of photo-montages by Florence Henri

Bonhams appoints Patrick Meade as CEO and James Hendy as COO in the U.S.

Extensive exhibition at The Broad MSU explores the artistic possibilities of language

Heaven, hell, purgatory Revisited by contemporary African artists at MMK Museum für Moderne Kunst

A rare time capsule of fine art: The George D. Horst Collection to be sold at Freeman's

Exhibition of works by New York-based artist Leigh Ledare opens at Mitchell-Innes & Nash

Noel Barrett to auction Flora Gill Jacobs' personal collection of dollhouses and miniatures on April 11-12

Danish artist Jeppe Hein awarded The ARKEN Prize 2014

Fingernails on a blackboard: Sharon Hayes' first project with Andrea Rosen Gallery opens in New York

Henry Moore Institute organizes "Photographing Sculpture: How the Image Moves the Object" exhibition

Lawrence of Arabia collection sells for £192,000 at Bonhams

Exhibition of new works on paper by Ivorian contemporary artist Armand Boua opens at Jack Bell Gallery

Meiji mixed metalwork shines at Bonhams Fine Japanese Sale in New York

Japan's Abe to visit Anne Frank house following vandalism




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful