Groundbreaking works by Pop Art's biggest names on view at the Cantor Arts Center

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Groundbreaking works by Pop Art's biggest names on view at the Cantor Arts Center
Roy Lichtenstein, Mirror #2, (Six Panels), 1970. Oil and Magna on canvas. Collection SFMOMA, gift of Harry W. and Mary Margaret Anderson. © Estate of Roy Lichtenstein.



STANFORD, CA.- For the past 50 years, Bay Area art collectors Harry and Mary Margaret Anderson have passionately assembled one of the most outstanding private collections of 20th-century post-war American art in the world. On September 21, more than 100 extraordinary works from their collection— donated to Stanford University—will be on view in a new museum adjacent to the Cantor Arts Center: the Anderson Collection at Stanford University. To celebrate its new neighbor, the Cantor presents an exhibition of spectacular Pop Art works on loan from SFMOMA’s own Anderson collection. The show, Pop Art from the Anderson Collection at SFMOMA, runs August 13, 2014 through October 26, 2015.

Connie Wolf, the Cantor’s John & Jill Freidenrich Director, along with Janet Bishop, SFMOMA’s curator of painting and sculpture, arranged the loan in part so that SFMOMA can continue to display its collection while its building is closed for construction. The 10 works in Pop Art include Robert Rauschenberg’s Collection; a silkscreen self-portrait by Andy Warhol; serial paintings of Rouen Cathedral by Roy Lichtenstein; James Rosenquist’s monumental painting Leaky Ride for Dr. Leakey; Robert Indiana’s iconic Love painting; and major works by Jim Dine, Jasper Johns and Claes Oldenburg. For a full list of works in the exhibition, see "Works in Pop Art from the Anderson Collection at SFMOMA" below.

“These works are of superlative quality—among the best examples of Pop Art on the West Coast,” said Hilarie Faberman, the Cantor’s Robert M. and Ruth L. Halperin Curator of Modern and Contemporary Art. “With this exhibition plus the Anderson museum, we can introduce Cantor visitors and the Stanford community to the ‘best of the best’ in contemporary art works—what would normally only be on view in centers for contemporary art such as New York, Chicago and San Francisco.”

Works in Pop Art from the Anderson Collection at SFMOMA

· Jim Dine (U.S.A., b. 1935), Blue Clamp, 1981. Acrylic on canvas with English C-clamp, 84 1/4 inches. x 96 1/2 x 5 inches.

· Robert Indiana (U.S.A., b. 1928), Love, 1973. Acrylic on canvas, 48 1/4 x 48 1/4 inches.

· Jasper Johns (U.S.A., b. 1930), Land’s End, 1963. Oil on canvas with stick, 67 x 48 1/4 inches.

· Roy Lichtenstein (U.S.A., 1923–1997), Mirror 1, 1977. Paint on bronze, 44 3/8 x 25 1/8 x 11 5/8 inches.

· Roy Lichtenstein, Rouen Cathedral Set V, 1969. Oil and Magna on canvas, 63 5/8 x 141 7/8 x 1 3/4 inches.

· Roy Lichtenstein, Mirror #2, 1970. Oil and Magna on canvas, 95 7/8 x 108 3/8 inches.

· Claes Oldenburg (b. Sweden, 1929), Funeral Heart, 1961. Enamel paint, plaster and muslin, 57 x 39 3/4 x 5 1/2 inches.

· Robert Rauschenberg (U.S.A., 1925–2008), Collection, 1954–1955. Oil, paper, fabric, wood and metal on canvas, 80 x 96 x 3 1/2 inches.

· James Rosenquist (U.S.A., b. 1933), Leaky Ride for Dr. Leakey, 1983. Oil on canvas, 78 x 198 inches.

· Andy Warhol (U.S.A., 1928–1987), Self-Portrait, 1967. Acrylic and silkscreen enamel on canvas. 72 1/8 x 72 1/8 inches.










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