NEW YORK, NY.- The Fall season at the Grolier Club opened with the public exhibition Evermore: The Persistence of Poe devoted to one of the most influential authors of the nineteenth century and the chilling master of the macabre, Edgar Allan Poe. On view through November 22, 2014, Evermore showcases an extraordinary array of approximately 200 printed materials and objects drawn from Grolier member Susan Jaffe Tane’s personal holdings, widely recognized as the finest Poe collection in private hands.

Co-curated by Ms. Tane and bibliographer and scholar Gabriel Mckee, the show presents an in-depth look at Poe’s life, his world, and his influence into the present day, with original manuscripts and letters by Poe, daguerreotypes, artifacts, rare first edition books, and unique material related to Poe’s family and friends. Also on display are a number of items that show Poe’s influence on American and world culture after his death, including artwork, comic books, movie posters, sound recordings, and toys.

Among the highlights of the exhibit are several recently discovered items never before shown in a public exhibition. Most notable is the only known manuscript copy of “The Conqueror Worm,” generally regarded as one of Poe’s best and bleakest poems. This copy was thought lost until its rediscovery in 2013.

An autograph letter written by Poe to author and editor James Russell Lowell is another newly discovered piece. In this letter, Poe writes to Lowell, editor of the Boston periodical The Pioneer, to offer him his short story “The Tell-Tale Heart.” Lowell accepted the piece, which made its first appearance a few weeks later in the first issue of The Pioneer (also included).

Recently unearthed artifacts of Poe’s life are shown here as well, most notably an engraved engagement ring given by Poe to his childhood sweetheart, Sarah Elmira Royster. Poe and Royster’s relationship ended shortly after he entered the University of Virginia in 1826. More than two decades later, the two reconnected, and in August 1849 they became engaged. But they never married: Poe died only two months later in Baltimore. The ring was kept by Poe’s sister Rosalie, and remained within the family and unknown to scholars until 2012.

A previously unknown portrait of Poe made from life is also on public view for the first time: a cut-paper silhouette of the author, made in Richmond by master silhouette artist William James Hubard. This portrait was owned by Nathaniel P. Willis, an associate of Poe, and was kept in private collections until its rediscovery in 2013.

Other outstanding items include the only complete manuscript of a tale (“Epimanes”) in private hands; first editions of Poe’s major works, and, most significantly, one of only two privately-held copies of Tamerlane and Other Poems. In addition, there are Poe’s annotated personal copies of two books, and other important association copies; two daguerreotypes of Poe; and a fragment of his coffin. Substantial primary material illustrating Poe’s life and influence include autograph letters by his mother, Maria Clemm, and his sister, Rosalie Poe. Among the celebrated illustrated editions in the exhibition is an unparalleled copy of Mallarmé and Manet’s edition of Le Corbeau, widely considered the greatest 19th-century livre d’artiste, as well as fine editions illustrated by such artists as Gustave Doré, Arthur Rackham, Edmund Dulac, and Aubrey Beardsley. There are also noteworthy examples of later adaptations of Poe’s material in popular culture, such as original comic book art, movie posters, toys, an Edgar statuette, sheet music, and ephemera that underscore the persistence of Poe.