Last chance to see: 'ZERO: Countdown to Tomorrow, 1950s-60s' at the Guggenheim Museum
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Last chance to see: 'ZERO: Countdown to Tomorrow, 1950s-60s' at the Guggenheim Museum
Installation view: ZERO: Countdown to Tomorrow, 1950s–60s, Solomon R. Guggenheim Museum, New York, October 10, 2014–January 7, 2015. Photo: David Heald © Solomon R. Guggenheim Museum, New York.



NEW YORK, NY.- Described by the Wall Street Journal as “one of the most cheerful and informative shows in New York this season,” ZERO: Countdown to Tomorrow, 1950s–60s is the first large-scale survey in a United States museum dedicated to the history of the experimental German artists’ group Zero (1957–66) and ZERO, an international network of artists that shared the group’s aspiration to redefine and transform art in the aftermath of World War II. The exhibition features work by the three core members of Group Zero—Heinz Mack, Otto Piene, and Günther Uecker—and by more than 30 artists from 10 countries who comprised the larger ZERO network, including Lucio Fontana, Yayoi Kusama, Yves Klein, Piero Manzoni, Jesús Rafael Soto, Jean Tinguely, and herman de vries. These artists found common cause in the desire to use novel materials drawn from everyday life, nature, and technology and to develop innovative techniques and formats such as room-scaled installations, kinetic artworks, and live art actions. Focusing on the points of intersection, exchange, and collaboration that define the ZERO artists’ shared history, the exhibition is at once a snapshot of a specific group and a portrait of a generation. ZERO: Countdown to Tomorrow, 1950s–60s celebrates the pioneering nature of ZERO art and the transnational vision advanced by this network of artists during a pivotal decade.

ALSO ON VIEW:
Other current exhibitions include V. S. Gaitonde: Painting as Process, Painting as Life, the first retrospective museum exhibition dedicated to the work of celebrated Indian modern painter Vasudeo Santu Gaitonde, on view through February 11, and Wang Jianwei: Time Temple, the first of three commission-based exhibitions realized through The Robert H. N. Ho Family Foundation Chinese Art Initiative at the Guggenheim Museum, which features new work, including multimedia installation, film, and live performance, by Beijing-based artist Wang Jianwei, on view through February 16.

The exhibition is organized by Valerie Hillings, Curator and Manager, Curatorial Affairs, Abu Dhabi Project, Solomon R. Guggenheim Foundation, with Edouard Derom, Curatorial Assistant, Solomon R. Guggenheim Museum.










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