White backlash as statue of British colonialist Cecil Rhodes comes down in South Africa
The First Art Newspaper on the Net    Established in 1996 Friday, May 2, 2025


White backlash as statue of British colonialist Cecil Rhodes comes down in South Africa
A picture taken on April 9, 2015 shows the defaced statue of British colonialist Cecil Rhodes being tied by straps to a crane, before its removal at the University of Cape Town. South Africa's oldest university voted on April 8 to remove the monument from its campus after a month of student protests against a perceived symbol of historical white oppression. AFP PHOTO / RODGER BOSCH.

By: Lawrence Bartlett



CAPE TOWN (AFP).- Black students celebrated the fall of a statue of British colonialist Cecil Rhodes at the University of Cape Town Thursday, as some white groups protested what they see as threats to their heritage.

Cheers went up as a crane removed the huge bronze statue from its plinth at South Africa's oldest university after a month of student demonstrations against a perceived symbol of historical white oppression.

Some students in the crowd of hundreds slapped the statue as it came down amid ululating and cries of "amandla" (power), while others splashed red paint on it and wrapped Rhodes' head in paper.

The government welcomed the removal of the statue, which was given the go-ahead by the mainly white university council in a vote on Wednesday night.

"It marks a significant... shift where the country deals with its ugly past in a positive and constructive way," Sandile Memela, spokesman for the arts and culture ministry, told AFP.

The university, which is regularly ranked as the best on the continent, was built on land donated by Rhodes, a notoriously racist mining magnate who died in 1902.

A decision on the statue's final destination is yet to be made, but it is likely to end up in a museum.

The protests began last month when a student flung a bucket of human excrement at the statue, prompting other attacks on colonial statues around the country.

Memela said the government did not encourage the violent removal of statues, and would host "a consultative conference in the next few weeks where the country can adopt an official position" on statues and other colonial symbols.

Earlier, the youth wing of white Afrikaner solidarity group AfriForum handed a memorandum to parliament in Cape Town to "demand protection" for their heritage.

The Afrikaners are descendents of mainly Dutch settlers from the 17th and 18th centuries and dominated South Africa's white-minority government before the end of apartheid in 1994.

Symbols of history 
They are no fans of Rhodes, who was on the British side in the Anglo-Boer war at the turn of the 20th century, but have seen statues of their own heroes come under attack in the wake of the university protests.

Afrikaner men, some of them in quasi-military outfits, demonstrated on Wednesday at the statue in Pretoria of former president Paul Kruger -- which had been splattered with paint -- and at the monument to the leader of the first settlers, Jan van Riebeeck, in Cape Town.

"The Afrikaner is -- from a historical perspective -- increasingly being portrayed as criminals and land thieves," AfriForum said in a statement.

"If the heritage of the Afrikaner is not important to Government, our youth members will preserve our own heritage." 

Their attitude is in contrast to that of the university council, which voted to remove Rhodes after accepting that his statue made black university students uncomfortable on campus.

Its disappearance is unlikely to end the debate over the pace of racial transformation, which goes beyond symbols to encompass economic and social divisions 21 years after the end of apartheid.

Despite the appearance of white men in military-style garb and fiery rhetoric from the radical black Economic Freedom Fighters calling for all symbols of white rule to be destroyed, much of the public debate has been calm and thoughtful.

"No, there is not a race war coming," Jonathan Jansen, the first black vice-chancellor of the University of the Free State, wrote in South Africa's The Times newspaper Thursday.

"The reason is simple: the overwhelming majority of South Africans, black and white, believe in a middle path somewhere between reconciliation and social justice."

The grounds of parliament epitomise this view, which reflects the policy of racial reconciliation espoused by liberation hero and late president Nelson Mandela.

Mandela's bust dominates the entrance to parliament, not far -- for the moment at least -- from statues of former Afrikaner prime minister Louis Botha and Britain's Queen Victoria.



© 1994-2015 Agence France-Presse










Today's News

April 10, 2015

AGO's Matthew Teitelbaum appointed new Director of Museum of Fine Arts, Boston

Exhibition of Richard Prince's Untitled (original) series opens at Gagosian New York

Leaf from legendary 'Blue Qur'an' leads Arts of the Islamic World Auction at Sotheby's

Metropolitan Museum announces inaugural Spring 2016 programming for The Met Breuer

Contemporary and Modern masters highlight Christie's Spring Season of Prints & Multiples

Backpack strap used by Moonwalker Edgar Mitchell during the Apollo 14 Mission up for sale

Sotheby's to present a magnificent private collection of Swiss mechanical marvels

White backlash as statue of British colonialist Cecil Rhodes comes down in South Africa

Exhibition of rare photographs by European and American artists opens at Edwynn Houk Gallery

Royal Collection to publish a children's story written and illustrated by Queen Victoria

RM Sotheby's to offer awesome Ferrari 250 GT 'SWB' Berlinetta Competizione in Villa Erba auction

Exhibition at Sprüth Magers London presents a group of inkjet photo collages by David Maljkovic

Exhibition of works by the African artist Ouattara Watts opens at Galerie Boulakia

Exhibition of sculptures from reclaimed wood and textiles by Shelley Spector on view in Philadelphia

Exhibition of recent single-channel videos opens at the Dallas Museum of Art

New York's World Trade Center observatory to open in May

Group exhibition gathering four international artists opens at Tiwani Contemporary

Sean Lynch represents Ireland at the Venice Biennale

Bonhams to auction five masterpieces of the Meiji period

Grayson Perry produces exclusive collection for Turner Contemporary's shop

Exhibition of new work by Isabel Nolan on view at Kerlin Gallery in Dublin

Camden Arts Centre presents a new film by British artist Simon Martin

Site-responsive installations by Alois Kronschlaeger on view at Cristin Tierney Gallery

East meets west in Bonhams' 19th Century European Paintings Sale




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
(52 8110667640)

Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful