Golden Waters: Light installation by Grimanesa Amorós extends from Soleri Bridge in Scottsdale

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Golden Waters: Light installation by Grimanesa Amorós extends from Soleri Bridge in Scottsdale
The vertical and horizontal lines of the installation are a metaphor for the dynamic balance between urban and natural forces that can be experienced simultaneously.



SCOTTSDALE, AZ.- Golden Waters, a temporary light installation by artist Grimanesa Amorós, which extends from the famous Soleri Bridge, is on view now until September 30, 2015. Scottsdale Public Art, a leader of defining art in the public realm, is the sponsor of the installation.

Inspired by and reflecting the natural elegance of the Arizona canal, a nearly fifty mile long body of water that runs through Scottsdale, Golden Waters is mounted on a secure structure attached to the bridge, designed by artist, architect and philosopher Paolo Soleri. The hovering light sculpture extends parallel to the canal channel eighty feet west of the bridge. Golden Waters’ LED tubing system appears to rise from the canal waters below, celebrating the union of light and water.

The vertical and horizontal lines of the installation are a metaphor for the dynamic balance between urban and natural forces that can be experienced simultaneously. Golden Waters hopes to engage the viewer by emphasizing a unique perspective on nature and landscape.

Grimanesa Amorós was born in Lima, Peru and lives and works in New York City. She is a multidisciplinary artist with diverse interests in the fields of social history, scientific research and critical theory, which have greatly influenced her work.

Amorós researches the locations, histories and communities of the installation sites. Her process remains organic and instinctive. This intuitive relationship to technology is a distinctive feature of Amorós’ practice. Her works incorporates elements from sculpture, video, lighting, and technology to create site-specific installations to engage architecture and create community.

Grimanesa Amorós has often drawn upon important Peruvian cultural legacies for inspiration for her large-scale light- based installations, which she has presented around the globe from Mexico, Tel Aviv and Beijing to New York’s Times Square. She continues to be inspired from Peru’s history for her art but she does not hold an essentialist or nostalgic view of her subject. She often gives talks at museums, foundations and universities where her lectures not only attract future artists but students and faculty engaged with science and technology. It feels somewhere in the art of Grimanesa Amorós, the past is meeting the future. Amorós has exhibited in the United States, Europe, Asia, Middle East and Latin America.










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