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"In Living Color: Andy Warhol and Contemporary Printmaking" opens at the Philbrook Museum
Keith Haring, Pop Shop V, 1989. Screenprint Collection of the Jordan Schnitzer Family Foundation ©ARS, New York, NY.



TULSA, OKLA.- Philbrook Museum of Art opens In Living Color: Andy Warhol and Contemporary Printmaking from the Collections of Jordan D. Schnitzer and his Family Foundation on Sunday, October 18 following a well-received year-long tour to several museums across the U.S. This exhibition, organized and traveled by the Joslyn Art Museum (Omaha, Nebr.), includes over 110 works by Warhol and 17 other artists working since 1945, including Keith Haring, John Baldessari, Edward Ruscha, Louise Bourgeois, Helen Frankenthaler, and Richard Diebenkorn. Reflecting a range of aesthetic concerns and conceptual underpinnings, In Living Color highlights artists who invest in the power of their color palettes. Dispatching a seemingly endless array of colors, Andy Warhol depicted the world with the volume turned up. His example reverberates throughout contemporary printmaking.

Philbrook Curatorial staff selected this traveling presentation for their 2015-2017 Special Exhibition Series to highlight a period of contemporary art history not readily available to Tulsans. “This exhibition allows Philbrook visitors to examine the ways these artists use color as a tool to challenge how audiences understand otherwise ubiquitous and iconic imagery of popular culture,” remarked Dr. Sienna Brown, Philbrook’s Nancy E. Meinig Curator of Modern and Contemporary Art. “Furthermore, In Living Color, which is drawn from the collections of Jordan D. Schnitzer and his Family Foundation, involves this thoughtful collector whose passion to share these vibrant and riveting works is visible through his personal participation.” Mr. Schnitzer will present two lectures to Philbrook Members during their preview events and has underwritten several related programs. In Living Color: Andy Warhol and Contemporary Printmaking from the Collections of Jordan D. Schnitzer and his Family Foundation will remain on view through January 17, 2016 before traveling to Jacksonville, Fla.

Andy Warhol (1928–1987) once famously quipped, “I like boring things.” Indulging this inclination throughout his career, he depicted the mundane, the everyday, the obvious, and the overused. Encompassing three decades of Warhol’s work, In Living Color examines how the artist’s “boring things” came to life through his exuberant use of color. The leading figure of American Pop Art, a movement that took shape in the 1950s, Warhol focused his attention on the social and political turbulence and unprecedented consumerism that emerged as the United States began to recover from World War II. Drawing inspiration from the rapidly changing world around him, Warhol pursued an approach to making art that was more inclusive and aware of the day-to-day conditions of contemporary life. Seeking to downplay the role of originality in art, Warhol and his fellow Pop artists adopted mechanical means of generating images, such as screenprinting, a technique that allowed for the production of multiple identical editions. In Living Color features some of Warhol’s most iconic screenprints, including his portraits of Marilyn Monroe and Mao Zedong, the splashy camouflage series, and his controversial Electric Chair portfolio.

Drawn exclusively from Portland, Ore.-based collector Jordan Schnitzer’s extensive holdings, which include over 9,000 contemporary prints, the exhibition is divided into five sections — Experimentation, Emotion, Experience, Subversion, and Attitude. Each section places a significant body of work by Warhol in conversation with prints made by fellow artists who use color as a tool to shape how viewers read and respond to imagery. The artists featured in In Living Color may not all respond directly to Warhol, yet his example reverberates throughout post-war printmaking. Just as Warhol’s vivid sunset images are thought to have been inspired by the views from his beach house on Long Island, Richard Diebenkorn’s seminal Ocean Park series reflects the intense sunshine and splashy color of the Southern California neighborhood where he kept his studio for nearly twenty years. Helen Frankenthaler was similarly motivated by her surroundings. While she often resisted identifying specific subjects in her work, Frankenthaler once explained: “I think of my pictures as explosive landscapes, worlds, and distances held on a flat surface.” Her three woodcuts in the exhibition subtly recall the golden hues of sunrise, the expanse of an insect’s milky wings, and the earthy shades of an evergreen forest.

With his signature mix of bravado and practiced deadpan, Warhol dug below the surface of contemporary culture to uncover the absurdities, prejudices, fallacies, and contemporary culture. More than thirty years after his death, Warhol’s work continues to shape our perceptions of common images and objects with humor, wit, and the occasional barb.










Today's News

October 18, 2015

Landmark exhibition in Minneapolis traces Eugène Delacroix's influence on modern art

National Gallery of Art announces second round of acquisitions from the Collection of the Corcoran Gallery

First retrospective in Spain on the Swiss artist Max Bill opens at Fundacion Juan March

"In Living Color: Andy Warhol and Contemporary Printmaking" opens at the Philbrook Museum

United Nations' Blue Helmets to protect world's heritage from Islamic State: Italy

Stéphane Mallarmé's rare and perfectly preserved collection sold at Sotheby's Paris

Video and large-scale wall drawing addressing women and modernism by Andrea Geyer on view at MoMA

Cooper Hewitt launches campaign to take Design in the Classroom Program nationwide

Exhibition of works by Swiss-American artist Christian Marclay opens at Staatsgalerie Stuttgart

Newly discovered sketch of Captain Cook death bay in Hawaii at Bonhams sale

NYPL focuses on women printmakers in exhibition showcasing rare works from the 16th to the 19th century

German artist Cornelius Völker opens first exhibition on the West Coast at Hosfelt Gallery

The Fishing Hut by Niall McLaughlin Architects wins the 2015 Stephen Lawrence Prize

Christie's announces Seven Centuries of Science sale now officially open for bidding

The Serralves Museum of Contemporary Art opens exhibition featuring the work of Helena Almeida

50 black and white photographs by Magnum photographer Ian Berry on view at Lucy Bell Gallery

Exhibition of eight new oil paintings by Jordan Casteel on view at Sargent's Daughters

Washington DC based artist Hedieh Javanshir Ilchi opens exhibition at RandallScottProjects

Hurricane Sandy wedding photo restored and returned to owner

Exhibition at British Library celebrates the cultural dynamism of West Africa

Queen Máxima to open "The Future of Fashion is Now" in Shanghai

Gouache on wove paper by Alexander Calder soars to $109,250 at Cottone Auctions




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