Exhibition explores the dynamic relationships between objects, individuals, and communities
The First Art Newspaper on the Net    Established in 1996 Sunday, August 10, 2025


Exhibition explores the dynamic relationships between objects, individuals, and communities
Juan Alonzo Villabrille y Ron (Spanish, 1663–1728), Head of St. John the Baptist on a Platter, ca. early 17th century. Wood with traces of polychrome. Vanderbilt Art Association Acquisition Fund Purchase.



NASHVILLE, TENN.- The Vanderbilt University Fine Arts Gallery announces Out of the Vault: Stories of People and Things, an exhibition curated by Vanderbilt students that explores the dynamic relationships between objects, individuals, and communities. This exhibit will be on view from April 26 until September 9, 2016. The Fine Arts Gallery is located in Cohen Memorial Hall, 1220 21st Avenue South, on the western edge of the Peabody College campus.

Objects in museum collections often were created decades, centuries, or millennia before visitors come into contact with them. OUT OF THE VAULT investigates the journeys twelve works of art across space and time and the meanings attached to them by the people with whom they have come into contact. This exhibition shows that objects have agency and can have stories of creation, life, death, and rebirth as complex and diverse as our own. These pieces, ranging in origin from ancient Mesoamerica to contemporary Nashville, are featured from the Vanderbilt University Fine Arts Gallery collection.

While the objects differ in material and original purpose as much as in current functionality and provenance, the students have reflected on some of the universals in their essays for an online catalog, created to accompany the exhibition. It is available on an interactive interface in the gallery for visitors to delve deeper into the ideas behind the exhibit, the students’ scholarship, and more. Vivian Saxon, writing about a headrest from the Sepik River valley in Papua New Guinea states, “The power of things extends ideologically—similar objects reflect similar ideals…This object has twofold utility: it is both a headrest and a window. A headrest for the Sepik dreamer…and a window for the rest of us, those who come with curiosity to admire a culture that we have never encountered.” Similarly, Rebekah Smith reflects on how technological change has affected the purpose of Revolutions per Minute: The Art Record, writing that when published in 1982, it was “unique in its ability to transcend the physical confines of the art gallery, but in the age of internet, this is now taken for granted.” Most of these objects carry stories of the cultures in which they were created and insight into the similarities and differences of the modern era in which they are displayed.

Included in the exhibition are: - Pre-Columbian gold pendants - Carved wood sculpture from Baroque Spain - Carved wood objects from China - Sculpture with Christian religious symbolism - Everyday objects including a lamp, headrest, and carved wooden cassone chest - Bronze sculpture - A contemporary ceramic water-carrier - A compilation of sound art pieces










Today's News

April 29, 2016

From bullet holes to Lenin's head: Berlin lays bare its history in new exhibition

Rare Finnish masterpiece unseen in public since 1892 to be sold at Sotheby's

African & Oceanic art at Bonhams Los Angeles sale illustrates influence on modern artists

Gemeentemuseum Den Haag acquires large painting by American artist Lee Lozano

Solomon R. Guggenheim Museum presents recent art from the Middle East and North Africa

Elaine Wynn pledges $50 million lead gift to LACMA's campaign; A. Jerrold Perenchio adds to his historic gift

Christie's 250th anniversary celebrations will be launched with "Defining British Art"

A complete set of 24 Picasso silver plates to lead Sotheby's HK's "Boundless: Contemporaty Art Sale"

"Disguise: Masks and Global African Art" brings historic and contemporary masquerade to life

Exhibition explores the surrealist revolution of thought and the evolution of the avant-garde

Lego admits 'mistake' in Ai Weiwei bricks row

Works by American icons lead Sotheby's Spring Sale of American Art

Harland Miller's first solo exhibition in Germany opens at Blain/Southern

Exhibition explores the dynamic relationships between objects, individuals, and communities

Galerie Lelong in New York opens a group exhibition of three Cuban painters

Unlimited: Presenting 88 ambitious and large-scale works spanning six decades

Auctions America brings eclectic showcase of automotive history and design to Santa Monica

"Stage Design by Ming Cho Lee" on view at the Museum of Chinese in America

Radcliffe Bailey's fifth solo exhibition at Jack Shainman Gallery opens in New York

The San Diego Museum of Art opens "Brush and Ink: Chinese Paintings from The San Diego Museum of Art"

Westonbirt Arboretum opens the UK's longest treetop walkway to the public

Queen Elizabeth 'love' letter sold at auction

Russian artist on trial for torching security service HQ door

Spanish government in tug-of-war with family over Lorca archive




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 




Founder:
Ignacio Villarreal
(1941 - 2019)


Editor: Ofelia Zurbia Betancourt

Art Director: Juan José Sepúlveda Ramírez

Royalville Communications, Inc
produces:

ignaciovillarreal.org facundocabral-elfinal.org
Founder's Site. Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful