New and previously unseen work by German artist Wolfgang Tillmans on view at Regen Projects

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New and previously unseen work by German artist Wolfgang Tillmans on view at Regen Projects
Wolfgang Tillmans, Atlantique, b, 2016. Inkjet print on paper, clips, 63.39 x 95.28 inches (161 x 242 cm) © Wolfgang Tillmans, Courtesy Regen Projects, Los Angeles.

LOS ANGELES, CA.- Regen Projects presents an exhibition of photographs by German artist Wolfgang Tillmans. For his seventh solo show at the gallery Tillmans brings together a broad selection of new and previously unseen work that spans the various themes, visual motifs, and processes developed over the course of his career.

For nearly three decades Tillmans has challenged and expanded the field of contemporary photography. His distinct multi-faceted visual aesthetic comprises complex installations filled with evocative pictures that capture places and the pulse of its youth culture, experimentations with abstraction and scale, and methods of image making that abandon the camera, all of which have helped push forward the limits and possibilities of the medium.

The exhibition revisits long-standing interests present in the artist’s oeuvre. A recent picture depicting a pair of black shorts draped on a banister references an early motif expressed in ‘grey jeans over stairpost,’ taken in 1991. Several startlingly pink large-scale abstract works from his signature Freischwimmer/Greifbar series are prominently affixed onto the gallery walls. Examples of Tillmans’s interest in exploring the fundamental qualities of the photographic process, these non lens-based photographs are the result of light exposed onto color photographic paper. Shown together these works challenge common perceptions of the real and question how photographic processes change our conception of the world around us.

Referencing both art history and the modern world, several images of the Atlantic Ocean are depicted in the tradition of naturalism, dating back to Gustave Courbet. Endlessly open onto a seemingly infinite horizon line they can be seen as visual metaphors evoking the seminal ‘sea changes’ in our contemporary global society. Populating the installation are intimate portraits of friends, collaborators, and what the artist terms ‘free humans.’ Elsewhere a freely composed still life explores the potential of a bunch of vegetables bought in a market in Jamaica, Queens. In a world that is constantly generating and disseminating new images these glimpses of vernacular quotidian life encourage the viewer to question what it means to make a portrait or a still life today, when the artist is fully aware of everything that that impossible task encompasses.

On display in the center of the gallery is a sculptural table installation from his Truth Study Center, which was on view as part of his first traveling US museum retrospective in 2006-7. For this particular iteration Tillmans will employ the tables in a new method, addressing concepts of time and truth from a personal as well as scientific point of view.

As with all of his exhibitions, each installation is site specific and Tillmans pays particular attention to the architectural qualities of the space in which his works are displayed. The result creates elaborate configurations that combine different sizes and orientations of prints that are hung both framed and unframed to the walls. Within the exhibition space each image intermingles to form new constellations of meaning and possibilities for aesthetic dialogue. When viewed as a whole, the exhibition presents a light hearted portrait of the world in which we live, undertaken with a deep awareness of just how endangered the freedoms and liberties we enjoy today really are.

Wolfgang Tillmans (b. 1968 Remscheid, Germany) studied at Bournemouth and Poole College of Art and Design, United Kingdom, graduating in 1992. He lives and works in Berlin and London.

In 2017 he will have major solo exhibitions at the Tate Modern in London (February 15 – June 11) and at the Beyeler Foundation in Basel (May 27 – October 1). Previous one-person exhibitions include Serralves Museum of Contemporary Art, Porto (2016); National Museum of Art, Osaka (2015); Metropolitan Museum of Art, New York (2015); Beyeler Foundation, Basel (2014); Kunstsammlung Nordrhein-Westfalen, Dusseldorf (2013); Les Rencontres d’Arles, Arles (2013); Museo de Arte de Lima, Lima (2013); Kunsthalle Zürich, Zurich (2012); Museu de Arte Moderna de São Paulo, São Paulo (2012); Moderna Museet, Stockholm (2012); Zachęta National Gallery of Art, Warsaw (2011); Serpentine Gallery, London (2010); and the Walker Art Gallery, Liverpool (2010).

His work has been included in significant survey exhibitions including Manifesta 10, The State Hermitage Museum, St. Petersburg (2014); Fundamentals, the 14th International Architecture Biennale, La Biennale di Venezia, Venice (2014); the Berlin Biennale (2014, 1998); the British Art Show 5 and 7, United Kingdom (2000, 2010); the 3rd Moscow Biennale of Contemporary Art, Moscow (2009); the 51st and 53rd Venice Biennale, Venice (2005, 2009); Turin Triennial, Turin (2008); 55th Carnegie International, Carnegie Museum of Art, Pittsburgh (2008) and the 2nd Ars Baltica Triennial of Photographic Art, Kiel (1999).

Recent monographs and publications by the artist include Wolfgang Tillmans: On the Verge of Visibility (Serralves Foundation, 2016); Conor Donlon (Walther König, 2015); What’s Wrong with Redistribution (Walther König, 2015); Your Body is Yours (National Museum of Art, Osaka, 2015); The Cars (Walther König, 2015); Wolfgang Tillmans (Phaidon Press, 2014); Neue Welt (Taschen, 2012); FESPA Digital/Fruit Logistica (Walther König, 2012); and Wolfgang Tillmans: Abstract Pictures (Hatje Kantz, 2011).

Tillmans has been the recipient of numerous awards, including the Hasselblad Foundation International Award in Photography (2015); Royal Academician Award (2014); Turner Prize (2001); Ars Viva Prize (1995); and Wirtschaft Prize (1995), among others.

Work by the artist is included in prominent museum collections internationally, including Tate, London; National Portrait Gallery, London; Centre Georges Pompidou, Paris; Stedelijk Museum, Amsterdam; Louisiana Museum of Art, Humlebæk; Moderna Museet, Stockholm; Museum Ludwig, Cologne; National Museum of Art, Osaka; The Museum of Modern Art, New York; Guggenheim Museum, New York; Hirshhorn Museum and Sculpture Garden, Washington, D.C.; Art Institute of Chicago, Chicago; Walker Art Center, Minneapolis; Hammer Museum, Los Angeles; Los Angeles County Museum of Art, Los Angeles; and Museum of Contemporary Art, Los Angeles.

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