Grayson Perry exhibition celebrated at The Gallery at Windsor

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Grayson Perry exhibition celebrated at The Gallery at Windsor
Installation shot of the Making Meaning exhibition at The Gallery at Windsor. Courtesy Windsor. Photo: Scott Rudd.



VERO BEACH, FLA.- Windsor Founders, Galen and Hilary Weston hosted a VIP weekend to celebrate the opening of Making Meaning, an exhibition by the internationally acclaimed British artist Grayson Perry RA at The Gallery at Windsor, Vero Beach, Florida. The exhibition, which runs until 27 April 2018, launches a new three-year curatorial partnership between The Gallery and the Royal Academy of Arts in London.

The guest list included high society and art world elite, including Royal Academy President Christopher Le Brun, Royal Academy Artistic Director Tim Marlow, Brooklyn Museum Board Vice Chair Stephanie Ingrassia, interior designer Alessandra Branca, Canadian television presenter Valerie Pringle, director of Victoria Miro Oliver Miro, Dali Museum Board Chair Karen Lang Johnston, writer and editor James Reginato, Executive Director of the Vero Beach Museum of Art Brady Roberts, and Helmut and Danna Swarovski of the famed Swarovski crystal family.

Following the Private View of the exhibition, guests attended a conversation between Grayson Perry and Tim Marlow. This was followed by a celebratory dinner hosted by the Westons at their Windsor oceanfront home.

The exhibition offers an overview of Grayson Perry’s work, exploring themes of Britishness, identity, craftsmanship and the art establishment. It includes some of his major works in ceramic, tapestry, sculpture and etching, as well as featuring vignettes from some of the artist’s recent museum shows. The exhibition has been curated by Erin Manns, Director of Exhibitions, Victoria Miro, London. There is fully illustrated catalogue published by Windsor Press and the RA, with an essay by Jenny Uglow and an interview with Grayson Perry by Tim Marlow and Christopher Le Brun.

Turner Prize winner Grayson Perry RA is a vivid chronicler of contemporary life, boldly tackling subjects that are universally human, such as identity, gender, social status, sexuality and religion. Autobiographical references – to the artist's childhood, his family and his transvestite alter ego Claire – can be read in tandem with questions about décor and decorum, class and taste, and the status of the artist versus that of the artisan. Perry uses the seductive qualities of ceramics and other traditional art forms, including cast iron, bronze, printmaking and tapestry, to make stealthy comments about society, past and present, and its pleasures as well as its injustices and flaws.

Celebrating its 250th year, the RA is an independent institution led by eminent artists and architects; its purpose is to promote the creation, enjoyment and appreciation of the visual arts through exhibitions, education and debate. The three-year curatorial collaboration builds on the exhibition programme of renowned artists who have shown at The Gallery at Windsor, with recent exhibitions of Christopher Le Brun PRA, Peter Doig, Jasper Johns Hon RA, Per Kirkeby Hon RA and Ed Ruscha Hon RA.










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