Su-Mei Tse's first solo exhibition in China opens at Yuz Museum
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Su-Mei Tse's first solo exhibition in China opens at Yuz Museum
Su-Mei Tse, Vertigen de la Vida (Dizziness of Life), 2011. In collaboration with Jean-Lou Majerus. Moving sculpture with sound, brass, glass, step motors, synchronized sound system, pedestal. Sculpture: 95 x 75 x 75 cm. Pedestal: 121 x 50 x 50 cm. Music in collaboration with Giancarlo Vulcano. Collection Mudam Luxembourg – Musée d’Art Moderne Grand-Duc Jean. Acquisition 2018 © Photo: Rémi Villaggi / Mudam Luxembourg.



SHANGHAI.- Edouard Malingue Gallery announced Su-Mei Tse's first solo exhibition in China, 'Nested' at Yuz Museum Shanghai curated by Christophe Gallois, Mudam Luxembourg and Wen Shi, Yuz Museum Shanghai.

Marked by her cosmopolitan origins between Europe and Asia, and by an attention to the sonorous dimension of the world, the practice of Su-Mei Tse involves issues such as time, memory, musicality, and language. Taking various forms – sculptures, videos, photographs, installations – her artworks always operate between different fields: sound and image, nature and culture, mental space and sensory experience for example.

The question of the appearance of meaning, or its evanescence, is at the heart of the work of Tse. The simplicity of the forms the artist produces contrasts with their evocative power, with the plurality of the readings that emanate from them. Her works often seem to crystallise, in the guise of an “image”, an impression, an emotion or a remembrance – those intense and fleeting experiences, which, as in the title of one of her artworks, constitute the “dizziness of life”. In the same way, they also explore the ability of images, objects and sounds to trigger the imagination of the viewer.

This exhibition is the result of several years of research in different geographical contexts, starting with Italy and Asia. It brings together a large body of recent and new works, including a major installation produced locally in Shanghai, Stone Collection II. New directions are apparent in her work, such as contemplation, our relation to the vegetable and the mineral, the multiplicity of modes of existence, and the possibility of a sensitive relationship with the past.

The exhibition was conceived to be like a notebook: a form that brings together impressions that have occurred in everyday life – be they visual, sound, or memory related – and blends them in a subjective and intuitive way, allowing a whole network of echoes and correspondences to be deployed. At Yuz Museum, they gradually unfold along the galleries, creating a poetic and intimate space for everyone to be “nested” for a moment of silence and simplicity in the metropolitan city.

Su-Mei Tse was born in 1973 in Luxembourg. She lives and works in Luxembourg and Berlin. Tse is an internationally-celebrated artist who rose to prominence in 2003 when she represented Luxembourg at the Venice Biennale and was awarded the prestigious Leono d’Oro award for her tripartite installation Air Conditioned. Her work has since been exhibited nationally and internationally including solo shows at Aargauer Kunsthaus, Aarau (2018); Mudam Luxembourg, Luxembourg (2017); Joan Miró Foundation, Barcelona (2011); Isabella Stewart Gardner Museum, Boston (2009); Art Tower Mito, Japan (2009); Seattle Art Museum, Seattle (2008); PS1, New York (2006); Casino, Forum d’Art Contemporain, Luxembourg (2006); Renaissance Society, Chicago (2005); Moderna Museet, Sweden (2004). Group exhibitions include Kunstmuseum Bonn, Germany (2009); National Gallery of Art, Poland (2009); Singapore Biennale (2008); Kunsthaus Zurich (2006); De Appel, Amsterdam (2005); Sao Paulo Biennale (2004). Tse has had recidencies in the Villa Medici, Academy of France in Rome, Italy from 2014 to 2015, in MIT List Visual Arts Center and MIT Media Lab, Cambridge, USA in 2008, and etc. She has additionally been the recipient of multiple prizes, including the Prize for Contemporary Art by the Foundation Prince Pierre of Monaco (2009) and the Edward Steichen Award, Luxembourg (2005).










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