CAGLIARI.- For the first time, Magazzino Italian Art Foundation works together in partnership with an Italian museum to present exhibitions in the spaces of Palazzo di Città of the Musei Civici di Cagliari which will be on view until December 8th, 2019.

The American institution is represented through fifteen carefully selected works by the main Arte Povera artists from the Olnick Spanu Collection, considered one of the largest and most complete collections of Arte Povera in the world. The story is enriched by the telling of the construction of Magazzino Italian Art Foundation through the photographs of Marco Anelli, presented for the first time in Italy with a series of unpublished works following exhibitions in New York and Washington D.C.

The two exhibitions together define the making of the great cultural project of Magazzino Italian Art Foundation – located one hour from New York City. Magazzino Italian Art Foundation is devoted to presenting Italian Postwar and Contemporary Art, with a strong focus on the Arte Povera group, an explosive moment of artistic creativity recognized among the main movements of the national art of the second half of the 20th century in the United States, more specifically in the Hudson Valley, an area historically representative of American art and culture. The main creators of the project and co-founders of Magazzino Italian Art Foundation are Nancy Olnick and Giorgio Spanu, born in New York and Sardinia respectively, who have been collectors of Contemporary Art for years.

The collaboration with the Musei Civici di Cagliari develops a relationship and an ideal bond, aligned by intentions and visions, which bring the Olnick Spanu Collection to the Contemporary Art Collection of the Musei Civici.

ARTE POVERA: FROM THE OLNICK SPANU COLLECTION
The exhibition presents fifteen works of twelve prestigious artists associated with the Arte Povera group: Giovanni Anselmo, Alighiero Boetti, Pierpaolo Calzolari, Luciano Fabro, Jannis Kounellis, Mario Merz, Marisa Merz, Giulio Paolini, Pino Pascali, Giuseppe Penone, Michelangelo Pistoletto, and Gilberto Zorio.

The masterpieces from the Olnick Spanu Collection come to Sardinia for the first time, many of them directly from the United States, to recount with completeness, synthesis and clarity the disruptive strength and the totalizing character of a group of artists that under the leadership of Germano Celant, represented the last Italian artistic avant-garde movement of the last century. The movement was born in the 60s in the main centers of Italian cultural production until it was recognized internationally, where it is still represented in the most important contemporary art institutions in the world.

The works on display include: Senza titolo by Giovanni Anselmo, Oggi nono giorno dodicesimo mese dell'anno 1000 nove 100 ottantotto, Legno Ferro and Dama by Alighiero Boetti, Senza titolo by Pier Paolo Calzolari, Basta la vista and Gioiello: Eco by Luciano Fabro, Senza titolo by Jannis Kounellis, Igloo by Mario Merz, Senza titolo by Marisa Merz, Itaca by Giulio Paolini, Samurai by Pino Pascali, Palpebra by Giuseppe Penone, Sfera di giornali by Michelangelo Pistoletto and Senza titolo by Gilberto Zorio.

MARCO ANELLI: BUILDING MAGAZZINO
Twenty-seven photographs form the exhibition of Marco Anelli, a Roman-born New York based photographer. The works on display are part of a large body of work published entirely in the book Marco Anelli: Building Magazzino (Skira Rizzoli, 2017). The selection of large-format prints includes 12 portraits of the workers who participated in the construction of Magazzino Italian Art and a series of 15 photographs depicting the different phases of the construction of the building.

Anelli did not just want to document the construction of Magazzino Italian Art, but to testify to the humanity, emotions and experiences of those who made this project a reality, making it, from every point of view, a work of art in itself. As a result of his inclusive approach, the photographer’s intimate vision unfolds in time, proposing a constant dialogue between architecture, landscape and the workers, a story connected with the thread of art, in the name of which the project comes to life and becomes an art project in its own right.