Gold Rush daguerreotypes capture transformation of the West in Nelson-Atkins exhibition

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Gold Rush daguerreotypes capture transformation of the West in Nelson-Atkins exhibition
Unknown maker, Gold miners with sluice, California, ca. 1852. Daguerreotype Quarter plate, 3 1/4 × 4 1/4 inches. The Nelson-Atkins Museum of Art, Kansas City, Missouri, Gift of Hallmark.



KANSAS CITY, MO.- From the moment the first cry of “Gold!” was heard at Sutter’s Mill in 1848, thousands of people made the journey to California to find their fortune. Daguerreotypists also made their way west, not in search of gold, but to capitalize on the readymarket of potential customers. Golden Prospects: California Gold Rush Daguerreotypes opened at The Nelson-Atkins Museum of Art in Kansas City Sept. 6.

“The California Gold Rush was the first broadly significant event in American history to be documented in depth by photography,” said Julián Zugazagoitia, Menefee D. and Mary Louise Blackwell CEO & Director of the Nelson-Atkins. “This revealing exhibition utilizes the Nelson-Atkins deep collection of American daguerreotypes, providing an insightful look at this historic event through the eyes of the earliest photographers.”

The exhibition features more than 90 daguerreotypes (and ambrotypes) of the California gold rush. Studios were established in the larger cities, but some adventuresome daguerreotypists traveled into the gold fields in photographically outfitted wagons. Images were taken of miners working in the gold fields using various mining technologies, large-scale riverbed and hydraulic mining operations, small gold towns, and the rapidly expanding cities of San Francisco and Sacramento. Inside, studio portraits were taken of miners.

“The California gold rush exposed many complicated issues that have continued relevance today, including immigration policy, water rights, and environmentally devastating mining practices,” said Jane Aspinwall, Associate Curator, Photography. “California daguerreotypists were documenting essentially new territory: both the physical landscape and the region’s unprecedented mix of races and nationalities were unfamiliar.”

Gold rush daguerreotypes provide an extraordinary glimpse into the transformation of the American West: the evolution of mining technology, the diversity of nationalities and races, the growth of cities and towns, and the people who participated in these activities—while revealing a high level of technical and artistic accomplishment. The exhibition is accompanied by a catalogue. An audio tour that tells the stories of the Gold Rush is easily accessed on the Smartify app. It runs at the Nelson-Atkins through Jan. 26, 2020. It then travels to the Peabody Essex Museum (4/4–7/12/20) and Yale University Art Gallery (8/28–11/29/20).










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