In Belgrade, a struggle to excavate an urban Nazi camp
The First Art Newspaper on the Net    Established in 1996 Wednesday, November 20, 2024


In Belgrade, a struggle to excavate an urban Nazi camp
Serbian citizen Ester Bajer, who was born in a former Nazi camp, known as "Staro Sajmiste" poses in her house in Belgrade, on August 23, 2019. The former camp, known as Staro Sajmiste, used as a concentration camp during the Nazi occupation of Serbia of the World War II, sits on prime real estate in the Serbian capital, flanking the left bank of the Sava river across from the city's historic heart. OLIVER BUNIC / AFP.

by Sally Mairs



BELGRADE (AFP).- Moments after she was born in a wartime Nazi concentrationcamp in Belgrade, Estera Bajer was furtively smuggled out in a bag.

Nearly eight decades on, she has one wish: to live to see a memorial built at the site where her mother and some 7,000 other Jewish women, children and elderly people were taken to their deaths during the Holocaust.

"So the next generations can see and know what happened there," says the petite, bright-eyed 77-year-old, at her apartment in Belgrade's suburbs.

The former camp, known as Staro Sajmiste, sits on prime real estate in the Serbian capital, flanking the left bank of the Sava river across from the city's historic heart.

Yet few visitors -- or locals -- would know it exists.

Its central tower is crumbling, while the lawn beneath it is strewn with children's seesaws and washing lines.

Surrounding buildings have been converted into homes and businesses, including a restaurant in what was the morgue.

The camp's former hospital, restored by a local businessman who bought the building from the government in the 1980s, has hosted a nightclub, gym and restaurant over the years.

Owner Miodrag Krsmanovic opened a kindergarten last year too, in what, he told AFP, he hoped was a "new beginning for this entire area".

But he shuttered it a few months ago after it was decried in the local media as disrespectful to the dead.

The only sign that this run-down corner of the city was the site of mass internment and death -- initially of Jews and Roma, and later of thousands of mainly Serb prisoners -- is a small plaque.

A larger monument was erected in 1995 further out on the river bank.

"You'd never know it was once a concentration camp," laments Bajer.

Jews, Serbs, Roma
Jovan Byford, an historian based in Britain, said he had long been "troubled" by the site's neglect, adding that the reasons behind it have changed with the times.

The buildings, which as well as the central tower comprise a circle of separate pavilions, were first built as a fairground in 1937.

Four years later, Nazi occupiers seized the infrastructure as a place to lock up Jewish women and children.

They had already executed nearly all of Serbia's Jewish men, mostly by firing squad at another location.

In spring 1942, after around several hundred Roma were also interned, a special gas van was brought from Germany to empty the camp.

It made around 65 trips from the site through downtown Belgrade to a mass grave outside the city, killing its occupants on the way with an exhaust pipe that had been diverted inside.

By August, Serbia was declared free of Jews.

Ninety percent of the Jewish population -- which numbered 16,000 in what was Serbia at that time, according to Israel's Yad Vashem Holocaust memorial centre -- had been murdered.

However the suffering on the left riverbank continued.

Until the end of World War II, the site remained a concentration camp for more than 30,000 mostly Serb political prisoners, resistance fighters and forced labourers -- a third of whom died from torture and disease.

Buried histories
When the new communist Yugoslavia rose after the war, there was a push to focus on the future and sweep troublesome divisions under the rug.

The camp's buildings became dorms for youth brigades, who travelled from across Yugoslavia to build up that side of the river, known today as New Belgrade.

In the 1950s, artists set up studios there.

"Everybody was in that frame (of mind): that we are building something new, something better, and what happened in history was bad and let's try to forget," says Robert Sabados, president of the Federation of Jewish Communities in Serbia.

Bajer, who spent her first three years in an orphanage before being adopted by non-Jewish relatives after the war, learned about her family's history as she grew older.

But it was a topic only discussed at home.

"Nobody was talking about (what happened there) during the former Yugoslavia," she says, of Staro Sajmiste.

After communism collapsed and Yugoslavia was riven by wars in the 1990s, buried histories like that of Staro Sajmiste surged back to the surface.

Since then, several attempts to build a museum at the site have been hampered by a lack of political will and funds and have not advanced for over a decade.

Last month, Serbian President Aleksandar Vucic acknowledged there had been "mistakes... in regard to the memorial centre" and promised "faster progress".

The government says it is drafting a law for the museum plans.

'Warning'
Byford, who sat on a former committee to design a memorial, says authorities have long been resistant to sacrificing a precious riverside property to non-commercial purposes.

"If someone made a decision to build a shopping centre there, they would relocate people very quickly," he said.

Further complicating the issue are competing visions of who the memorial should remember.

In recent decades, Serb nationalists have tried to "appropriate" the site as a symbol of the broader persecution of Serbs during WWII, particularly at the hands of Croatia's Nazi puppet state, says Byford.

As a result, the Jewish community wants full autonomy to design parts of the museum focusing on Jews.

"We don't want it politicised," said Sabados.

But he added that it was in all Serbs' interests to excavate their history.

A museum, he said, would be "a warning for everyone; that it's possible that this can happen to anyone."


© Agence France-Presse










Today's News

September 12, 2019

Pérez Art Museum Miami presents What Carried Us Over: Gifts from Gordon W. Bailey

Following Neanderthals' footsteps to learn how they lived

Piguet to offer complete dinosaur skeleton

In Belgrade, a struggle to excavate an urban Nazi camp

Marc Chagall's immigration letters & self portrait to be offered at Guernsey's

$16.4M sales kick off Sotheby's Asia Week auctions in New York

Thieves again target lead work by German artist Kiefer

Colossal Tony Cragg sculpture offered at Bonhams contemporary sale

The Art Institute of Chicago presents an examination of midcentury art and design

LAUNCH LA announces the death of Marion Lane at the age of 56

Michael Rosenfeld Gallery showcases a new body of paintings by William T. Williams

Timothy Taylor Gallery opens exhibition of works by Simon Hantaï, Pierre Soulages and Antoni Tàpies

Amy O'Neill's film The Zoo Revolution on view at Paula Cooper Gallery

Solo exhibition of recent paintings by Mariano Ferrante opens at Art Projects International

Felix LA announces 2020 exhibitor list

Artists, scholars, curators and collectives come together for Seismic Movements: Dhaka Art Summit, Bangladesh

Knife used to stab Bolsonaro to become museum exhibit

104-year-old Hupmobile Model HA Tourer for sale with H&H at its next live auction online

Maddox Gallery opens an exhibition of works by London-based photographer Haris Nukem

Miyako Yoshinaga opens its second solo exhibition of works by Mikiko Hara

The Winter Show announces exhibitors for 2020 edition

New monumental art at Christie's Sculpture Garden

The Ringling Archives serve as temporary home for Selby Gardens rare botanical collection

Chantal Drake promoted at the Dixon Gallery and Gardens

Car insurance can be your lifeline in times of unfortunate events

How to Write a Persuasive Essay Step by Step: Definitive Guide

How to Install a VPN on a FireTVStick

Stay Afloat Financially: How to Get Money in Between Art Deals

Show Me the Money! How to Get Funding for Your Next Big Art Project

Hotel Artwork: The Top 4 Best Art Hotels Around the World




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful