Evolve or perish: Virus reshaping art auction market

The First Art Newspaper on the Net    Established in 1996 Thursday, April 25, 2024


Evolve or perish: Virus reshaping art auction market
In this file photo Amedeo Modigliani’s 1917 painting, “Nu Couché (Sur Le Côté Gauche)” is displayed at right as "Tete de Femme (Lorette)," a 1916 painting by Henri Matisse, is auctioned at Sotheby's in New York on Monday night, May 14, 2018. Karsten Moran/The New York Times.

by James Pheby with Thomas Urbain in New York



LONDON (AFP).- The coronavirus pandemic poses a huge global challenge to auction houses large and small, but those that have embraced technology could prosper as nervous investors seek a safe haven, according to experts.

Major London-based house Sotheby's has closed its London, Hong Kong, Dubai, Geneva, Milan, Paris and New York offices, throwing their marquee May auctions into doubt.

Main rival Christie's, meanwhile, said it was "working swiftly" to reschedule postponed auctions.

"It's a threat to all of us, but I do think we'll get through it," Giles Peppiatt, director for modern and contemporary African art at fellow London-based auction giant Bonhams, told AFP.

Although no longer able to hold live auctions, the pandemic has accelerated the move to online sales.

"We thank our stars that we have online bidding," said Peppiatt.

"When online sales first started, all the auctioneers thought it would suck the life out of the auctions.

"But it's amazing that the thing we feared most at the time is probably going to be our saviour."

Jen Zatorski, president of Christie's America, told a media conference call that the company had responded by accelerating the reprogramming of its online sale platform using its own technology developed over the last decade.

"The art market and our clients are ready and wishing for this type of digital engagement and transaction," she explained.

'Defining moment'
The outbreak poses different challenges for various sized auction houses, and for different segments of the market, experts said.

"I think small auction houses... will really struggle through this because they just don't have the... liquidity to ride it out," Clare McAndrew, CEO of Arts Economics, told AFP.

But Pierce Noonan, the chairman and CEO of London-based auction house Dix Noonan Webb, said that nimble smaller firms could thrive.

"Number one: It's going to be technology," he said. "This is a defining moment."

His house, which specialises in small collectibles such as watches and jewellery, is planning to hold a live online sale next week, with the auctioneer presiding from home, if necessary.

A cut of the proceeds will go to Britain's National Health Service.

"Our website traffic, it's never been busier," he added, explaining that people were stuck at home with little else to spend their money on.

'Art survives'

Having tangible assets could also become more attractive as other investment options collapse.

A "sad truth is that art survives disaster," art economics expert Kathryn Brown, from Britain's Loughborough University, told AFP.

"People continued to buy art during the First World War. You can look at correspondence between the poet Guillaume Apollinaire, writing from the trenches to a dealer in Paris, telling him what art to buy."

Christie's president Jussi Pylkkanen said they had not experienced "falling appetite from our buyers."

A bigger issue could be supply, explained McAndrew.

"The problem is people might perceive it as a poor time to sell."

So those in search of a cut-price Picasso could be disappointed.

"This idea of panic offers is a little bit rubbish," she said. "They tend to sell from the bottom of the pile."

This seemed to be borne out by Christie's US chairman Marc Porter, who explained that "we have not seen, yet, people who need to raise capital immediately".

'Heat of the moment'
The outbreak could hit different parts of the market more harshly, believes Peppiatt.

"It's the areas where the market money... is a little bit more 'hot' -- in the sense this is a bit more speculation -- that could be a bit more vulnerable," he said, pointing to the mainstream contemporary market.

Live auctions could even shift to Asia as it eases lockdowns.

"As long as all the correct people have been made aware and all the correct people have seen the works, you should get pretty much the same price," he said.

Despite shifting business online and the creation of virtual galleries, there will still be a crucial role for live auctions after the dust settles, according to the experts.

"There's no doubt also that with a live auction, buyers tend to bid a bit more freely because they get wrapped up in the auction, in the heat of the moment, the drama, the theatre," said Peppiatt.

"I think for major works of art -- when you're talking over £100,000 ($120,000) -- people do like to try to get in front of the picture themselves."


© Agence France-Presse










Today's News

April 13, 2020

Evolve or perish: Virus reshaping art auction market

Eli Wilner & Company offers museums a fully-funded frame restoration grant opportunity

Anne Frank's diary more relevant than ever, 75 years on

Museum of Fine Arts Ghent offers a virtual tour of the exhibition Van Eyck. An Optical Revolution

Massimo De Carlo launches Virtual Space: A new walkable and flexible immersive experience

Hundreds of Decorative Arts & Design fans join Lyon & Turnbull's auction from comfort of homes

Goodman Gallery digital programme brings 3D virtual gallery tours, and online exhibitions

Art To Stop Covid19: Charity auction to support healthcare staff in Italy

Ronald Lewis, preserver of New Orleans African American culture, dies at 68

Traditional Japanese seal system hampers telework for some

Steidl publishes 'Chris Killip: The Station'

Major, never performed Sir John Tavener work discovered by Grange Park Opera, Surrey

Don't box them in. Their dancing belongs to the world.

Latvian National Museum of Art presents virtual exhibition from its video art collection

Bach in my heart, and my heart in his hands

The Bass moblizes its virtual Instagram gallery to present video works from the collection

West Dean College launches short course tutor series by its arts and crafts experts

New South Wales artists sought for Sydney Metro art

Rizzoli publishes a visual autobiography of counterculture/street artist/entrepreneur Craig Costello AKA KR

The Parrish Art Museum offers workshops direct from the artist's studio

Manchester Museum uploads engaging digital content onto a mobile site

Daylight Books publishes 'Family Resemblance' by Eric Mueller

500 years ago, this port linked east to west. Its fate was to fade away.

Broadway benefit for pandemic assistance sunk by labor dispute

Silent streets for water festival in Myanmar lockdown

2020's Best Hacking Tools for Android Devices

The most common part that goes defective in your HVAC system




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful