The First Art Newspaper on the Net    Established in 1996 Wednesday, July 6, 2022


Stedelijk Museum opens the most comprehensive overview of Bruce Nauman's work in the Netherlands to date
Installation view Bruce Nauman, 5 June 2021 until 24 October 2021, Stedelijk Museum Amsterdam. Photo: Peter Tijhuis.



AMSTERDAM.- The Stedelijk Museum presents a comprehensive overview of the American artist Bruce Nauman. For over fifty years, Nauman has continually tested and reinvented what an artwork can be. His use of an eclectic range of media and unbridled urge to experiment makes him a key figure within art today. Nauman is an important source of inspiration and a benchmark for younger generations of artists. His interest in ambiguity and shades of meaning relates to everyday human experience, where certainty is not always guaranteed. The exhibition reflects Nauman’s preoccupation with themes such as the body, language, control, and the artist’s studio. His art works are disruptive, penetrating, absurd, and playful, and often a physical as well as mental experience.

Rein Wolfs, director of the Stedelijk Museum: “Nauman’s work gets under your skin. It cries out for concentration and reflection. Deeper layers of meaning reveal themselves, almost unconsciously. Something that is at odds with today’s craving for fast-paced action and instant gratification. Nauman’s oeuvre offers a fascinating and disruptive experience: raw, confrontational, sometimes a slap in the face. His work touches on the deepest of human emotions: isolation, frustration, alienation, unease, restlessness, and boredom. Bruce Nauman is preoccupied with life’s existential dichotomies, the essence of our existence and what it is to be an artist.”

Expanding boundaries

Since the 1960s, Bruce Nauman (1941, Fort Wayne, Indiana, United States) has been reshaping the boundaries of art. For Nauman, everything starts with an idea, which can take shape in many ways—as a sculpture, text, sound, neon light, or filmed action or interaction. In the late 1960s, when neon lighting was exclusively used in advertising signage, Nauman embraced this visually appealing, entrancing medium in his art. He often plays with the formal and psychological nature of language, with works that contain puns, anagrams, or palindromes, such as Eat/Death (1972).

Nauman also frequently uses his own body, elevating the most commonplace actions to art, like in the video installation Washing Hands Abnormal (1996).

Driven by the question of what it means to be an artist, he physically explores the boundaries of his studio in several video works, to conclude that everything he does in that space must be art: "(If) I was an artist and I was in the studio, then whatever I was doing in the studio must be art.”

Confronting

Nauman engages with major themes in his work that affect many: life, death, sex, love, violence, frustration, and helplessness. His commentary on the human condition is at the very heart of his oeuvre and leads to confrontational images and messages. For example, the monumental neon work One Hundred Live and Die (1984) consists of ultra-short one-liners that flicker on and off, one by one, which can be read as an ever-changing series of declarations about life and death. Death also permeates the sinister Carousel (1988), in which a steel merry-go-round from which gray animal carcasses are suspended jerkily rotates. The colorful neon work Seven Figures (1985), on the other hand, looks cheerful, and yet the figures performing sexual acts in an endless repetition move so mechanically and monotonously, stripped of any erotic tension, that the effect is both hilarious and discomfiting.




Absurd and disruptive

Bruce Nauman’s work is disruptive—he plays with expectations and perceptions. Many of his works invite interaction. Visitors can enter the labyrinthine Double Steel Cage (1974), and are obliged to keep moving in order to catch a fleeting image of themselves in Going Around the Corner Piece with Live and Taped Monitors (1970). Movement is also essential to read the text of The True Artists Helps the World by Revealing Mystic Truths (1967). Which raises the question, does Nauman actually mean this statement to be taken seriously, and do we agree?

At times, Nauman’s work is also tragicomic and absurd, like Clown Torture (1987), one of his earliest and best-known video installations. A clown performs a series of repetitious actions in a variety of situations that always end in failure; the work gradually transforms slapstick humor into horror. Black Marble Under Yellow Light (1981–1988) is physically disorienting and challenges visitors’ perceptions. Are the marble blocks and floor in this space level or not?

One of the central themes in Nauman’s oeuvre is repetition, which appears in his work as endless movements, loops, and rotation. The artist also often returns to his earlier works in new artworks. Walks In Walks Out (2015), the exhibition’s most recent piece, references his studio walks of the 1960s.

Bruce Nauman and the Stedelijk

Both museums and private collectors in the Netherlands purchased work by Bruce Nauman early in his career. As a young artist, he participated in the groundbreaking group exhibition Op losse schroeven (1969) at the Stedelijk, on which occasion the museum acquired the neon work My Name as Though It Were Written on the Surface of the Moon. The Stedelijk continued to collect his work; in the mid-1990s, Rudi Fuchs added a number of important pieces to the collection, such as Seven Figures, Setting a Good Corner and Washing Hands Abnormal.

The exhibition

Following previous exhibitions, which focused on specific parts of his oeuvre, this is the largest overview of Bruce Nauman’s work in the Netherlands to date. The exhibition consists of more than forty works, including several large, room-filling (video) installations. The selection includes works that have rarely been shown and traces the central themes that characterize Nauman’s oeuvre. The emphasis is on works that propelled his creative focus in a new direction and spatial works that invite the viewer to share in an immersive experience.

Catalogue

The survey is accompanied by a publication that includes introductory essays and a conversation between Bruce Nauman, Nicholas Serota, former director of Tate Modern, and Andrea Lissoni, former curator International Art (Film) Tate Modern, both of whom co-curated the exhibition. (Dutch/English, 176 pages, Tate Publishing, ISBN 978-90-500621-4-5)










Today's News

June 9, 2021

A collector's rare treasures set records at Sotheby's

Christie's New York Magnificent Jewels achieves $26,559,250

American Impressionist paintings on view at the Palmer Museum this summer

Koller announces highlights included in the Modern, Contemporary & Swiss Art auctions

Rijksmuseum presents Ellsworth Kelly in the Rijksmuseum Gardens

Stedelijk Museum opens the most comprehensive overview of Bruce Nauman's work in the Netherlands to date

Kunsthaus Hamburg opens Carlos León Zambrano's first institutional solo exhibition

New consultancy firm established by two former art museum directors

"Reflections" a show by Nazli Madkour

Magnificent portrait of the King of Swaziland for sale in Paris

Delaware Art Museum's new board slate epitomizes its vision for the future

Kunstnernes Hus opens one of Ida Ekblad's largest exhibitions in Scandinavia to date

New musical about 19th-century New York plans Broadway run

She-Bam Pow Pop Wizz! The Amazons of Pop celebrates MAMAC's 30th anniversary

Stunning arms & armour to be offered by Thomas Del Mar

Bruneau & Co. Auctioneers announces an online-only Estate Fine Art & Antique auction

Matadero Madrid presents the project Contra la Raza [Against Race]

Tel Aviv Museum of Art receives $15M supporting comprehensive upgrade of main building

Fabio Torre's second solo show in the United States opens at ClampArt

Almine Rech now represents American artist Haley Josephs

Marianne Boesky Gallery now representing Danielle Mckinney

Rare Posters Auction #84 presents 500 rare and iconic works

Martin Creed neon sculpture installed on Parrish Art Museum's facade

Art Rotterdam 2021: A European first. First international art fair to take place again

After Divorce You and Your Former Spouse are No Longer a Couple

Saving on the Cost of Professional Video - Without Compromising Your Brand

6 Tips And Tricks For A Hassle-Free Photoshoot

Difference Between Reverse Osmosis and Distilled Water

Fire Watch Guard Services For Hot Work

A beginner's guide to painting miniatures

Seven Ways To Stay Inspired & Motivated As An Artist




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful