Museum Brandhorst opens Alexandra Bircken's largest solo show to date
The First Art Newspaper on the Net    Established in 1996 Saturday, December 21, 2024


Museum Brandhorst opens Alexandra Bircken's largest solo show to date
Alexandra Bircken next to „New Model Army“ (2016) at Museum Brandhorst Udo und Anette Brandhorst Sammlung. © Alexandra Bircken. Photo: Haydar Koyupinar, Bayerische Staatsgemäldesammlungen, Museum Brandhorst, Munich.



MUNICH.- Alexandra Bircken is a sculptor best known for her objects and installations that incorporate an unusual range of materials: from everyday objects such as hair-dye packaging, rocking horses and sawn-up motorcycles, through textiles in handmade and machine-processed form to organic matter such as wood, leather, bones, or even a placenta. Anything that surrounds us can become a sculptural medium. Her approach is characterized by an examination of the human body, its needs, desires, and relationship to its environment.

Bircken has played a significant role in shaping central themes of sculpture since the 2000s. Updating concepts and approaches first explored in Arte Povera and textile art, Birken expands them to include questions of technology, albeit with an analog approach. Highly topical questions such as the need for protection of the individual, gender identity and its ambivalence, and the relationship between humans and machines are taken up and thematized in her sculptures and installations.

This exhibition is the largest solo show of the 1967 Cologne-born artist and brings together works from throughout her practice: from the first sculpture completed in Bircken’s store-front studio “Alex” in Cologne in 2003 to installations that she conceived especially for the space at Museum Brandhorst. Rather than proceeding chronologically, this show uses themes and formal concepts to progress through the artist’s oeuvre, attempting to capture her sculptural repertoire of forms from “A–Z”: from Bircken’s exploration of textiles to the relationship of the human body to its environment and to her vibrant and organic-seeming machines.

“I am concerned with our immediate environment. The architecture in which we move, as well as the fabrics in which we wrap ourselves. Ultimately, it always comes back to the protection and, at the same time, the vulnerability of our bodies. Our skin is also a shell and at the same time the interface between inside and outside. This is where I start.” --Alexandra Bircken

Curator: Dr. Monika Bayer-Wermuth










Today's News

July 27, 2021

The work of John Stobart embarks for East & West-Coast art fairs

Blum & Poe opens the first major U.S. survey of work by Yukinori Yanagi

Exhibition offers a fresh look at Dürer's brilliance and influence on later artists

The Wallace Collection's 'Dance to the Music of Time' on loan for first time in 121 years

Hauser & Wirth's new location on Isla del Rey opens with exhibition by Mark Bradford

Museum Brandhorst opens Alexandra Bircken's largest solo show to date

Exhibit celebrates the woman whose camerawork captured celebrities, surrealists and the zeitgeist of her era

Exhibition showcases an international selection of 18 emerging artists

AFIKARIS Gallery unveils joint exhibition of artists John Madu and Ousmane Niang

'The Sylvio Perlstein Collection: From Dada to Now' opens at the Tel Aviv Museum of Art

Art fair Foto Tallinn 2021 announces participants

Anthea Behm's first solo exhibition with 14a opens in Hamburg

A hit parade of offerings from the Estate of Phyllis McGuire tops the pops at Heritage Auctions

Scottish Goldsmith's Trust award winner's work to feature in Hamilton & Inches exhibition

Henri Vernes, prolific writer of French adventure novels, dies

Review: At Wagner's festival, a 'Dutchman' never sails

New release showcases an eclectic trove of music, poetry and spoken word made between 1978 and 1996

Macron backs heritage bid of remote Polynesian islands

Almodovar, Campion to compete for top prize at Venice film festival

National Museum Wales to acquire work by Artes Mundi artist Prabhakar Pachpute

National Arts Council, Singapore appoints artistic team to represent Singapore at 59th Biennale di Venezia

Pop-up exhibition by The Met's Civic Practice Partnership artist in residence Miguel Luciano opens in East Harlem

H.R.H. Princess Margaret's Art Deco bracelet worn for her 19th birthday portrait to be offered at auction

How to Enhance Security For Your Crypto Assets

5 Tips for Students to Learn Japanese Calligraphy

Why Basement Repair Is Important and How To Fix It?

What to consider before joining the bitcoin era trading community

What Makes Cosmetics Photography a Niche of Its Own?




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
(52 8110667640)

Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful