The First Art Newspaper on the Net    Established in 1996 Wednesday, September 28, 2022


Destination Crenshaw moves ahead with a first round of public sculptures
Overhead view of Destination Crenshaw’s Sankofa Park featuring designs for works by Maren Hassinger, Kehinde Wiley and Charles Dickson. Rendering by Perkins&Will, courtesy of Destination Crenshaw.

by Jori Finkel



LOS ANGELES, CA.- A new, bronze sculpture by Kehinde Wiley of a 21st-century African woman on horseback, part of his popular series that radically updates Confederate war monuments, is heading to South Los Angeles. The city’s Cultural Affairs Department voted Wednesday to approve the placement of Wiley’s artwork, along with six others, in a 1.3-mile-long, $100-million cultural corridor under development. Called Destination Crenshaw, the stretch is devoted to bringing Black art and design to new, outdoor community spaces.

These artworks, by Wiley, Charles Dickson, Melvin Edwards, Maren Hassinger, Artis Lane, Alison Saar and Brenna Youngblood, are expected to be installed by the end of next year. The plan is to commission at least 100 sculptures, murals and other artworks by 2027, creating “the largest public art exhibition by Black artists in this country,” said Jason Foster, president and chief operating officer of Destination Crenshaw.

Destination Crenshaw, a nonprofit organization, has received a mix of public and private funding. It has raised $61.5 million of a projected $100 million, including a $3 million grant announced this week from the Getty Foundation. The Getty has also pledged conservation support for the public art.

Foster, on the project’s website, declared, “Destination Crenshaw is Black design for Black LA.” The idea of an economic development project rooted in Black culture grew from concerns that a pending Metro light rail line, built at ground level for this section of Crenshaw Boulevard, would disrupt small businesses. The initiative has facilitated grants for local businesses and will bring greenery as well as art to the area to draw pedestrians, with the planting of 822 trees and the creation of 10 new pocket parks designed by the firm Perkins & Will.

Wiley’s monument, for example, will appear in the newly created Sankofa Park at the corridor’s northern edge. An earlier bronze from the same series, “Rumors of War,” showing a young Black man in a hoodie on horseback, was unveiled with great fanfare in Times Square in 2019 before it was moved to the Virginia Museum of Fine Arts. In a twist this time, the heroic equestrian will be female.

For the same park, Hassinger is creating a pink fiberglass sphere and planting motion-sensor LED lights around it to make the sculpture seem alive or alert. Nearby will be Dickson’s large stainless-steel sculpture of three Senufo ritual figures under a canopy of cars, celebrating the dealerships that used to line Crenshaw and the lowrider culture still alive today. The artist’s plan is to hire local auto body shops to paint the cars different colors.

Further south, Saar is creating a pair of 13-foot-tall bronze sculptures, male and female, with enormous hairdos or “conks” that rise several feet. She is fashioning the hair from a mix of found objects that speak to local creativity, such as a trumpet and frying pan.

Participating artists live or work in Los Angeles or did so for at least five years, said Joy Simmons, the project’s lead art adviser. She said 30 other artists have been “shortlisted” for future commissions and will be invited to submit proposals.

This article originally appeared in The New York Times.










Today's News

October 15, 2021

U.S. charges once-rising artist with selling Raymond Pettibon forgeries

Sotheby's ramps up NFT operations

Powerful auction veterans aim new company at Asian market

Shredded Banksy canvas sells for record £18.58 million

Frieze London art fair returns after pandemic break

Julie Bargmann wins global Oberlander Prize with $100,000 award

Anne Imhof's stylish (and shareable) provocations

Exuberant art and cable car can lift a poor, violent place only so high

An Italian art haven along the Hudson

Nicola Vassell Gallery now representing Ming Smith

The Beatles are back with a happier ending

Hake's Nov. 2-3 Premier Auction led by Capt. America hero prop shield screen-used by Chris Evans in 'Avengers: Endgame'

Mary Bloom, photographer to the dog stars, dies at 81

This pristine beach is one of Japan's last. Soon it will be filled with concrete.

Review: 'Thoughts of a Colored Man' preaches to the choir

Destination Crenshaw moves ahead with a first round of public sculptures

Review: The Met's 'Turandot,' strongly sung, garishly staged

Netflix, UNESCO team up for Africa talent hunt

Le Carré's final, elegiac novel released posthumously

Pan-African film fest defies pandemic and jihadists

A female conductor joins the ranks of top U.S. orchestras

An 'allegory for our times': The Royal Ballet's 'Dante Project'

Yunior Garcia: Cuban playwright takes on the government

The Barnes Foundation announces appointment of James Claiborne, Curator of Public Programs

Parimatch bookmaker - the leader company on the sports betting market

How Does Art Contribute To Alcohol Recovery?

A Guide For Speciality Mortgage Loans And Everything That Comes Along

5 Tips for a Beginner at a Canadian Online Casino

What Features Should You Check When Buying a Jacobsen Golf Mower?




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful