The First Art Newspaper on the Net    Established in 1996 Wednesday, August 17, 2022


Kusthalle Mainz presents 'Walid Raad: We Lived So Well Together'
Installation view: Walid Raad, Better be watching some clouds, 2022, bedruckte PVC-Folie, Maße entsprechen den Raummaßen, Courtesy the artist. Photo: Norbert Miguletz.



MAINZ.- Walid Raad is known for his performances, installations, videos and photographs. His works engage art and its histories, global conflicts, and the Lebanese civil wars with beautiful and highly crafted images and captivating stories. Swiftly and nimbly he spans continents and centuries, exposing the viewer to a maelstrom of images and words, of passed-down traditions and direct experience. He gently leans on historical and/or fictional objects, exposing explicit and implicit forms of violence hidden within. Walid Raad’s artistic approach may be compared to that of a historian and/or archaeologist and/or magician: He somehow penetrates an extensive system of passageways that connect continents, people, acts of war and natural catastrophes. The documents, artefacts and narratives that he creates start off from seemingly personal stories but soon unfurl to connect to matters of global finance, geo-political conflicts, and counter-intuitive, otherworldly phenomena. In the process he weaves delicate new networks in which the recipients repeatedly get lost, however stringent they remain.

Walid Raad’s solo exhibition at Kunsthalle Mainz, We Lived So Well Together, focuses on new works exhibited for the first time in the German-speaking world. It presents a collection of stories and documents that engage how the world of locusts, waterfalls, flowers, flies, and other arthropods intersect with the history of the modern Middle East. We see, for example, odd collages of flowers and politicians in documents attributed to an intelligence officer who worked for the Lebanese army during the civil war. The collages turn out to be illustrations of the code-names attributed to various foreign heads of state. Raad also explores the locust invasion of Palestine, Lebanon and Syria in 1915 during the First World War, which eventually led to the downfall of the Ottoman Empire, and the emergence of most Middle Eastern states.

As part of the exhibition, Walid Raad will conduct tours—titled “Walkthroughs”—in Kunsthalle Mainz in the first and last weeks of the show. In We Lived So Well Together: A Walkthrough Raad talks about his creative process, narrates the historical and fictional events that shaped his works. With a style that is all his own, he weaves the works and the visitors through a web of references that extends from the Ottoman Empire, the First World War and into the present.

Curated by Stefanie Böttcher.










Today's News

February 15, 2022

Kunstmuseum Den Haag acquires Dutch beach scene by Max Beckmann

'Poussin and the Dance' juxtaposes the old master's work with new dance commissions

Redwood Library & Athenæum acquires a clock sculpture by contemporary artist Nari Ward

David Zwirner opens an exhibition of works by R. Crumb, Aline Kominsky-Crumb, and Sophie Crumb

Philbrook acquires major Marisol work

The Antebellum Period through the Civil Rights Movement highlighted in Hindman's African Americana Auction

Hauser & Wirth presents a selection of small and large-scale sculpture by Thomas J Price

Nicolás Guagnini's first solo show in an Italian institution opens at MACRO Museum of Contemporary Art of Rome

Ivan Reitman, director of 'Ghostbusters,' is dead at 75

Suchitra Mattai's first solo exhibition with Hollis Taggart opens in New York

Alphonse Mucha, ski and winter posters, vintage Grand Prix imagery & more at Swann

Heritage Auctions' event commemorating Abraham Lincoln and his times surpasses $4.26 million

John Michael Kohler Arts Center announces new Deputy Director of Programming and Chief Curator

Toledo Museum of Art welcomes Robert Schindler as William Hutton curator of European art

The Barry Art Museum presents 'Motion/Emotion: Exploring Affect from Automata to Robots'

An audition season begins at the Philharmonic

'Life As It Is' by John Myers to be published by RRB PhotoBooks

Kusthalle Mainz presents 'Walid Raad: We Lived So Well Together'

Tamsin Dillon is named next Executive Director of Socrates Sculpture Park

New York artists in need can apply for $1,000 a month

Beethoven returns for the age of Black Lives Matter

Michael Wajszczuk joins Heritage Auctions as Timepieces Consignment Director

The estate of Robert W. Woodruff will be auctioned Feb. 26 by Ahlers & Ogletree

The Neon Museum hires longtime gaming and hospitality branding executive Mike Dini

How lengthy Does Delta Eight Make an Impact on Your System?

The Classic Combination of Watercolors and Landscapes - What Other Subjects Can You Utilize Watercolors for?

Prince of Wales Watercolor Exhibition - Why the Timeless Style Remains Popular




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful