Younès Rahmoun's fourth solo exhibition at Imane Farès opens in Paris
The First Art Newspaper on the Net    Established in 1996 Thursday, November 7, 2024


Younès Rahmoun's fourth solo exhibition at Imane Farès opens in Paris
Manzil-Hawd / Manzil-Jabal (House-Basin / House-Mountain), 2022 (detail). Two sculptures each composed of seven red copper plates and one element in transparent resin, 100 x 120 x 55 cm, courtesy of the artsit and Imane Farès, Paris.



PARIS.- Imane Farès is presenting the fourth solo exhibition of Younès Rahmoun at the gallery. A journal with a text by Sandrine Wymann, director of the Kunsthalle Mulhouse, accompanies the exhibition.

“It would be tempting to say that Younès Rahmoun’s art is about traveling, that he is a pilgrim in a quest for the absolute who wanders with his feet on the ground and wisdom in his mind. Ever since the first drawings he made while living with his older brother in the family home of Tétouan, in Morocco, up until the new artworks and installations of this latest exhibition, he has been traveling in an infinite space, seeking transcendence. He patiently progresses through a mystical and artistic practice, keen to attain moments of grace and to foster such moments within the viewer. Each of Younès Rahmoun’s artworks and exhibitions is a new spiritual experience.

It all begins with the house. A recurring motif in his work, the house is first of all the family home where he had a tiny bedroom under the stairs, which he rapidly sublimed in his early artistic research. He first recreated this bedroom in lifesize, in various places, thus composing a continuous project with the Ghorfa series. Today, the living space appears in the more generic form of the house as a reference point that connects the artist with his childhood. The house is a reassuring space where he retreats to meditate and recapture the lost serenity of the maternal womb. It is also a universal reference that opens his practice to dialogue and defines it as a practice of sharing. In the past few years, the house has taken a simpler form with material qualities that evoke spiritual values: it is often transparent, elevated and luminous."

—Sandrine Wymann, excerpt from the exhibition journal

“Younès Rahmoun typically begins an artwork by collecting numbers, shapes, and objects from his surroundings. He then uses repetitive, familiar gestures to manipulate these elements and give form to everyday, ephemeral, or barely visible activities, such as praying, rolling dough, and breathing. His religious beliefs and his identification as a practicing Muslim also inform his work. He repeatedly employs numbers that are significant in Islam, such as seven and ninety-nine, and chooses to orient his installations in the direction of Mecca. His artistic practice cannot be reduced to, or fully explained by, his religious beliefs and their attendant symbolism. His longstanding interests in Buddhism, meditation, and Sufism are equally visible, as are the basic shapes and materials of everyday life: cones, cylinders, grids, and spheres and light, brick, jute, and earth. While he works primarily in sculpture, his exhibitions also include photographs, drawings, preparatory plans, videos, and other objects that relate to the sculpture’s place of production or that document artworks made outside of the gallery or museum walls. These elements allow Rahmoun to experiment with connecting the place of an artwork’s production to the site of its exhibition.” — Emma Chubb

Younès Rahmoun (b. 1975 in Tétouan, Morocco, where he lives and works) is one of the most widely exhibited North African artists of his generation. He and his art school cohort were the first in the country to have formal training in “l’art contemporain,” thanks to his mentor, Faouzi Laatiris.

Recent museum exhibitions include Little Worlds, Complex Structures, VCUarts – Virginia Commonwealth University School of the Arts in Qatar (2018), De la mer à l’océan, L’appartement 22, Rabat (2016). His work has recently been shown at Museo Nacional Centro de Arte Reina Sofía (Madrid), Palais de Tokyo (Paris), Tripostal (Lille), Victoria & Albert Museum (London), L’heure rouge, the Dakar Biennale (2018) and Viva Arte Viva, the 57th Venice Biennale (2017).

A forthcoming retrospective of his work since 1996, curated by Emma Chubb, will be held at the Smith College Museum of Art (Northhampton, USA) in 2024.










Today's News

February 28, 2022

Ukraine War Bares U.S. Army Delay in Creating New 'Monuments Officers'

Matthias Bitzer's first exhibition in China opens at Almine Rech Shanghai

Michael Stipe, another outsider at the art fair

Royal Academy of Arts brings together nearly all of James Abbott McNeill Whistler's depictions of Joanna Hiffernan

The Mediterranean will be at the heart of ARCOmadrid 2023

Ticket from Jackie Robinson's pro debut, jersey from Mickey Mantle's final game set records at Heritage Auctions

Nathalie Herschdorferne appointed director of Photo Elysée, Musée Cantonal pour la Photographie

signs and symbols opens an exhibition of works by Carol Szymanski

On March 12, The Armond Conti Collection of Model Trains, Part 1, goes up for bid

Slow Burn: Exhibition at The Phillips Museum of Art explores East Asian gardens and transformation

Lenbachhaus extends "Group Dynamics: Collectives of the Modernist Period" until June 12

Family Reunion: Portraits by Timothy J. Clark now on view at Chadwick A. Boseman College of Fine Arts Gallery

Museum der Moderne Salzburg opens an exhibition of photographs by Marion Kalter

Exhibition marks New York debut of large-scale immersive work by Kim Faler

The writer who brought real-life Brooklyn to soap operas

Heidi Hahn presents a new body of work at Kohn Gallery

Michelle Poonawalla displays her tiger sculpture at Supertree Grove, Gardens by the Bay

Urban infrastructure, security, retail, and gentrification feaatured in new exhibition at Abrons Art Center

Discovery of silver stashed away since the 1920s

Alexei Ratmansky, with family in Kyiv, leaves his ballet in Moscow

FRAMED 2022: A new outdoor gallery for Battersea

Younès Rahmoun's fourth solo exhibition at Imane Farès opens in Paris

Photo London lines up a strong seventh edition: Nick Knight announced as this year's Master of Photography

Para Site appoints new Executive Director

Three best sites to buy YouTube views, likes and subscribers for promoting your YouTube Channel

Your manual for Exeter Holiday Rentals




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful