The First Art Newspaper on the Net    Established in 1996 Wednesday, August 17, 2022


Invisible Landscapes by Edward Hutchison opens at Bankside Gallery and The Wykeham Gallery
Edward Hutchison, Veteran Oak 5, 36 x 36cm.



LONDON.- Opening this spring, Invisible Landscapes presents new work by artist Edward Hutchison which encourages us to deepen our connection with the natural environment.

The exhibition, presented across two galleries, brings together over 90 paintings created by the artist over the past two years, and it will raise funds for the UN Refugee Agency’s work in Ukraine (UNHCR). Moved by reports and images of the devastation that has occurred in Ukraine following the Russian invasion – and as an advocate for the fundamental importance of the natural environment to our wellbeing – Hutchison will donate 50% of proceeds from all sales to support the UNHCR’s work in Ukraine.

From the energy of complex root systems to the vigour of the dawn chorus, the life force of ancient oak trees to the harmony of wildflowers, artist Edward Hutchison works in watercolour to create evocative abstract images that shed light on intimate elements of nature.

Described by Hutchison as ‘conversation pieces to prompt the urban world to take nature seriously’, the artist’s practice has evolved through many years of close observation as he is also an acclaimed landscape architect, the landscape designer for many multidisciplinary projects including The London Eye, The Indoor Cricket School at Lord’s Cricket Ground, the Peace Garden and Herbert Gallery in Coventry and the Main Square with the Médiatèque in Nîmes, France.

For Hutchison, spending time in the landscape is where it must start. “I find it essential to draw, paint and physically experience the landscape in order to form thoughts first hand,” he says, describing how this can be a “humbling experience”. The exhibition opens with drawings and paintings made en plein air, from the Kent countryside to the drama of the Mani Peninsula in Southern Greece.

This leads to research which, for Hutchison, further inspires his practice. To develop a series of soil paintings, the artist carefully observed microbiological activity under a microscope, and the resulting pictures capture the extraordinary vivacity of this ordinarily unseen world.

The ‘wood wide web’ – the discovery by Dr Suzanne Simards of a network of tree roots and fungi that allows trees ‘to talk to each other’ – is imagined as an intricate, linear form, a complex circuit in calm tones.

And in a wonderfully vibrant series entitled ‘The Dawn Chorus’, Hutchison proposes that the symbiotic relationship between birds and plant life extends to the possibility of bird song promoting plant growth – a theory suggested by research showing that the productivity of orange groves is increased if classical music is played in the early stages of growth.

The chorus becomes a “concert” when Hutchison describes an effusion of wildflowers, and the “delight and pleasure” they evoke is captured in paintings which, the artist says, are as much about the complex pattern of spaces between the rich mixture of plants as they are about the colours and shapes of the flowers.

The powerful presence of veteran oak trees in Richmond Park – some of which are over 750 years old – inspires contemplation of their past, explored in paintings focusing on the swirls of their bark and heartwood, and in the ‘Spirit of the Woods’ series, Hutchison seeks to capture “a magical spirit that needs protecting” in the face of on-going deforestation.

It is this advocacy for the environment that underpins Edward Hutchison’s practice. ‘A war artist for environmental causes’ is how the artist has been described, creating paintings with purpose. Hutchison, who attended COP26, cites a lack of understanding amongst decision- makers as being detrimental to the environment, and intends his paintings to be both stimulating and thought-provoking.

Edward Hutchison says: “Invisible Landscapes is an expression that draws our attention to the need to recognise the hidden energies and powers in landscape, enabling us to live more in harmony with the environment. These energies may be difficult for us to appreciate but with rapid advances in technology elsewhere, it may not be too long before we begin to better understand the intricate mysteries of the living world. These paintings attempt to suggest some of the interesting theories and ideas currently at the edge of common knowledge about landscape.”

Invisible Landscapes: Edward Hutchison opens at Bankside Gallery, London on 27 April (until 8 May) and at The Wykeham Gallery, Hampshire on 25 April (until 4 May). All paintings are for sale.

Citing Victor Pasmore and Gordon Baldwin – by whom he was taught – as early influences, Edward Hutchison initially studied at Hammersmith School of Art and Building before going on to qualify as an architect and landscape architect. Under the tutelage of Sir Hugh Casson, P.R.A. at The Royal College of Art in London, Hutchison learned both the enjoyment and necessity of being able to express his thoughts and designs in detailed sketches made en plein air.

Hutchison became an Associate at Foster and Partners - working on projects including the Main Square in Nîmes, France - before establishing Edward Hutchison Landscape Architects in 1991, since which time the consultancy has been commissioned to work on internationally acclaimed projects including: the Judiciary Courts in Bordeaux, France (with Richard Rogers Partnership); The British Embassy and Residence in Damascus, Syria; Pierhead, Liverpool (with Allies and Morrison); the approach to the London Eye (with Marks Barfield Architects); the Peace Garden, Coventry Cathedral (with Pringle, Richards & Sharratt); Indoor Cricket School, Lord’s Cricket Ground (with David Morley Architects); Lloyd’s Register of Shipping (with Richard Rogers Partnership); St John’s College, Cambridge (with van Heyningen and Haward) and many more.

A professional lifetime spent drawing on site led to the publication of Hutchison’s book Drawing for Landscape Architecture (Thames and Hudson, 2011 and now in now in second edition). Over and again, Hutchison emphasises the necessity to experience directly the energy and vitality of an environment, to be able to appreciate fully the dynamism of the cycle of organic natural life.

Previous exhibitions include the Garden Museum, Bankside Gallery, Three Colt Gallery and Wykeham Gallery, Hampshire.

Edward Hutchison advocates for the environment. He has presented to Government and attended COP26 in Glasgow. In 2021, Hutchison co-founded Landscape Matters, a quarterly magazine and debate series to explore landscape concepts and concerns, and to “break down the silo thinking” that surrounds landscape.










Today's News

April 26, 2022

A tiny Brontè book, sold for $1.25 million, to return home

Tampa Museum of Art announces historic $25 million lead gift to Centennial Capital Campaign

Library of Congress acquires Neil Simon papers

A fresh look at the collection at Hamburger Kunsthalle: "Impressionism: Franco-German Encounters"

Christie's launches art relief initiatives for Ukraine

Popeye And Olive Oyl Tank rolls to world-record $105K at Milestone Auctions' April 9 Antique Toy Spectacular

Scotland + Venice presents Alberta Whittle and 'deep dive (pause) uncoiling memory'

Iconic Auctions to offer Jimi Hendrix's 1967 Fender Sunburst Stratocaster

Arghavan Khosravi's potent paintings explore oppression and liberation

West Chelsea Contemporary announces its newest exhibition: Icons and Vandals

Freeman's revamps luxury offerings with new talent and fine jewelry and watches auction offerings

Over The Influence presents an exhibition of new works by LA native Jonni Cheatwood

Invisible Landscapes by Edward Hutchison opens at Bankside Gallery and The Wykeham Gallery

Polish Pavilion at the Venice Biennale presents Małgorzata Mirga-Tas: Re-enchanting the World

Broadway's first 'Funny Girl' revival shows why it took so long

In 'Lucia' at the Met, a modern woman comes undone

Celebrate the 200th birthday of Frederick Law Olmsted at Planting Fields' newly-restored Heather Garden

Turkish philanthropist is convicted and sentenced to life over protests

'Chun Kwang Young: Times Reimagined' officially opens at the Palazzo Contarini Polignac

'Romey Stuckart: Within and Without' honors the late Idaho artist

Alice Workman and Jemma Hickman join forces to launch new gallery, Bo Lee and Workman

Chris Bailey, who gave Australia punk rock, dies at 65

Enrico Fermi Award presented to Stafford L. Warren, inventor of the mammogram to be auctioned

'Sonic the Hedgehog' reaches $360K to pace $5 million Heritage Auctions Video Games event




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful