Stephen Friedman Gallery opens a solo exhibition by Anne Rothenstein
The First Art Newspaper on the Net    Established in 1996 Saturday, July 13, 2024

Stephen Friedman Gallery opens a solo exhibition by Anne Rothenstein
Installation views: ‘Anne Rothenstein’, solo exhibition, Stephen Friedman Gallery, London (2022). Courtesy Stephen Friedman Gallery, London. Photo by Mark Blower.

LONDON.- Stephen Friedman Gallery is presenting a solo exhibition by Anne Rothenstein.

Focusing on portraiture, interiors and landscapes, the show brings together a group of new paintings that Rothenstein has created in the last two years. It is the artist’s first exhibition with the gallery.

Rothenstein’s enigmatic paintings are characterised by a dreamlike quality. Mysterious figures populate flattened landscapes and interiors. Her protagonists, often androgynous and vulnerable, provide intriguingly subtle suggestions of narratives. Drawing inspiration from found imagery, personal experience and memory, Rothenstein works instinctively to communicate atmosphere and psychological tension.

The artist’s landscapes depict transient or dimly lit scenes such as final moments of sunsets and moonlit nights. They are rendered with sinuous lines and a distinctive palette built up of thin washes of oil. By painting directly on wood panel, Rothenstein allows the grain to become part of her compositions. Through her experiments with scale and distortion, and by simplifying details, the artist is visibly driven by shape and texture.

‘Moonlight’ depicts a female figure reclining on a bed, perhaps asleep or gazing out of a window at the night’s sky. Rothenstein’s palette is consistent throughout the painting: the dark scene is permeated with blue tones. Calm and contemplative, the figure is harmoniously entwined with the bed.

Speaking of her artistic process, Rothenstein says: “My reasons, or intentions, when making a particular painting are quite mysterious to me. The spark is always lit from an existing image, a photograph or another painting, and I often don’t discover why that image leaped out at me or what it is I’m exploring until the work is finished. Sometimes I never find out. It is almost entirely intuitive. Finding a rhythm, searching for balance, alert to missteps, to what is happening, to changes of direction.

I am telling myself a story much of the time and asking questions. Who is this, where is this place, what is going on? This is what I think of as the noise of a painting. And of course, what I am trying to reach is the silence. There is a wonderful Philip Guston quote: “if you’re really painting YOU walk out.” That is what I mean by reaching the silence.”

By painting using her intuition, Rothenstein invites a multitude of interpretations and conclusions from viewers.

Rothenstein is self-taught and lives and works in London. Born in 1949, the daughter of the late Michael Rothenstein and Duffy Ayres, she grew up in a lively and distinguished community of artists in the Essex village of Great Bardfield. Following a foundation course at Camberwell School of Art in the mid-1960s, Rothenstein worked as an actress for over a decade before gradually returning to painting.

Rothenstein has had solo shows at Beaux Arts Gallery, London and at England & Co, London. A two-person exhibition by Rothenstein and Irina Zatulovskaya took place at Pushkin House, London in 2018. Recent group exhibitions include ‘Framed in Friendship: A Legacy of Art in Sheffield’, Graves Gallery, Sheffield Museums, Sheffield, Yorkshire (2022); ‘Proximity’, Candida Stevens Gallery, Chichester, West Sussex (2022); ‘Antisocial Isolation’, Saatchi Gallery, London (2021); ‘Body and Soul’, Royal West of England Academy, Bristol (2019). Rothenstein’s work has been included in the Summer Exhibitions at The Royal Academy of Arts, London in 2018, 2020 and 2022.

A new painting and two new collage works by Rothenstein were included in ‘From Near and Far’, a group exhibition co-curated by art historian Katy Hessel and artist Deborah Roberts, which opened at Stephen Friedman Gallery in June 2022.

The artist’s work is included in the collection of Fry Art Gallery, Saffron Walden, Essex. Rothenstein has been designing covers for The London Review of Books since 2012.

Today's News

September 24, 2022

Opening Paul Allen's treasure chest

Artsy to Auction new Stanley Whitney painting to benefit reproductive rights and criminal justice reform

Broadening our view of abstract art with works from the Arab world and beyond

Now on view at Friedman Benda: Nendo sees Kyoto

In Istanbul's private retreats of the sultans, time stands still

African American art at Swann - Oct 6: Norman Lewis, Winfred Rembert, Elizabeth Catlett & more

The magnificent poem jars of David Drake, center stage at the Met

From prison to the art gallery

Olga de Amaral opens her first solo show in London at Lisson Gallery

Gió Marconi opens André Butzer's sixth solo show with the gallery

Stephen Friedman Gallery opens a solo exhibition by Anne Rothenstein

A two-venue survey exhibition featuring artwork by Gladys Triana opens in Connecticut

Paradigm Gallery opens its second solo show with Sarah Detweiler

Peter Doroshenko is appointed Director of The Ukrainian Museum in New York

Sarah Darro named curator and exhibitions director at Houston Center for Contemporary Craft

Exhibition at David Nolan Gallery pays homage to four women art dealers

National Gallery opens Cressida Campbell with announcement of major new acquisition

How a sooty old piano helped Beth Orton reach a new creative peak

Hilary Mantel, prize-winning author of historical fiction, dies at 70

In 'Joyce's Women,' two great Irish writers square up

Delicious Gift Basket Ideas To Brave Up Holiday Shopping For Family

File Management: From Clutter to Organization

How Much Money Can You Withdraw from Your 401(k) Account?

How to find the best gun deals at auction

Explore Top Reasons to Invest in a Titanium Wedding Band

How to Choose the Perfect Wedding Band

How to Choose the Perfect Wedding Ring for Your Style

Job software: does it really help you find a job?

Some Quick Plantar Fasciitis Treatments You Need to Consider

The Top 15 Trends in Men's Wedding Bands

Tying the knot: A guide to choosing the perfect men's wedding ring

ESG Australia: Meaning and Importance

How to Boost Your Business's Online Presence

What is the difference between clipping path and masking? - Briefly Explained

Dental Crown Cleansing Tips: A Comprehensive Guide to The Treatment

10 Creative Ideas for Decorating Large, Empty Walls at Home

Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .


Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Royalville Communications, Inc
Founder's Site. Hommage
to a Mexican poet.

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful