Kojin Karatani wins $1 million Berggruen Prize

The First Art Newspaper on the Net    Established in 1996 Friday, April 26, 2024


Kojin Karatani wins $1 million Berggruen Prize
The Japanese philosopher is the recipient of this year’s award, which is given to thinkers whose ideas have “provided wisdom and self-understanding in a rapidly changing world.”

by Dan Bilefsky



NEW YORK, NY.- Over his long paradigm-busting career, philosopher Kojin Karatani has recast Immanuel Kant and Karl Marx for a new generation. He has offered a trenchant critique of the limits of global capitalism. And he has engaged with other leading thinkers like Jacques Derrida, becoming one of the most important literary critics and philosophers in his native Japan.

Now, Karatani has been named the recipient of the 2022 Berggruen Prize, a $1 million award given annually to a thinker whose ideas have “provided wisdom and self-understanding in a rapidly changing world,” according to the Berggruen Institute, the Los Angeles-based foundation that funds the prize. Karatani has been a visiting professor at Columbia University and Yale University, where he was a contemporary of eminent critics and theorists Paul de Man and Fredric Jameson. He is the first Asian laureate of the prize, which was first awarded in 2016.

Karatani, 81, was selected from hundreds of nominees in the fields of philosophy, social science, economics, human rights and theoretical physics. Previous Berggruen Prize winners include Canadian philosopher Charles Taylor, former U.S. Supreme Court Justice Ruth Bader Ginsburg and Paul Farmer, a pioneer in global health care.

Announcing the award, the Berggruen Prize jury lauded Karatani as a polymath whose scholarly breadth has encompassed philosophy, literary theory, economics, politics and aesthetics, among other disciplines. It observed that his clarion call for reciprocity and fairness had particular resonance at a time when war and economic crises were buffeting the world.

Karatani said by email that he was delighted and surprised by the award, initially thinking that the news that he had won, which arrived by email, was a “scam.” Befitting a man who has challenged the perils of state authority, he said he planned to donate at least part of the prize money to social movements. The money may also give him more time to pursue his passions outside philosophy: hiking the hills and woods of his Tokyo neighborhood, and playing baseball on a team with other writers and scholars.




Karatani’s work became influential across Asia before it was well-known in the West — shaping ways in which Asian scholars took up the challenge of analyzing their national cultures with a critical eye.

Nicolas Berggruen, chair of the Berggruen Institute, said that Karatani had promoted a modern form of “reciprocity” he had observed in ancient Ionian culture and that he had sought to apply it in contemporary Japan, calling for the creation of citizens assemblies that would exercise democracy from the bottom up. Karatani had also been an important voice during the reckoning that took place after the devastating Fukushima nuclear disaster in northern Japan in 2011, calling for the collusive power of the state to be tamed.

Among his most important philosophical works is “Transcritique,” in which he deconstructs Kant through the prism of Marx, and Marx through the prism of Kant. In another seminal work, “The Structure of World History,” he turns Marx on his head, focusing his critical gaze on modes of exchange in societies such as trade rather than on the means of production.

Born in 1941 in Amagasaki, an industrial city in central Japan, Karatani first came to prominence as a literary critic while at Hosei University in Tokyo. At the age of 27, he won the Gunzo prize, a prestigious Japanese literary award, for a probing essay on Natsume Soseki, who is regarded among his compatriots as the first major fiction writer of modern Japan. As a literary critic, Karatani’s tastes have been encyclopedic, offering original readings of writers as eclectic as William Shakespeare and Ludwig Wittgenstein.

In 2000, Karatani organized the New Associationist Movement, which aimed to promote a counterpoint to the neoliberal notion that capitalism was inevitable. He has written more than 20 books and edited the influential Japanese intellectual journal “Critical Space,” which dominated Japanese intellectual circles for more than a decade before it closed in 2002. In 2006, he retired from teaching in Japan to devote himself full time to writing and lecturing.

On a break from writing, he said he was currently reading the Old Testament. The current global upheaval, he added, had echoes in his life’s work. “I feel that the current world situation is heading toward the final stage of a crisis.”

This article originally appeared in The New York Times.










Today's News

December 10, 2022

T. Rex skull brings $6.1 million at Sotheby's, well below estimate

That mysterious object on a Florida beach? It's a shipwreck.

Exhibition at Thaddaeus Ropac presents new works by German artist Imi Knoebel

Stadiums as high art in a World Cup fantasyland

Solo exhibition of new paintings by Dave McDermott on view at GRIMM

Rijksmuseum shows four centuries of women artists

'Peter Sacks: Resistance' on view at the Rose Art Museum

National Museum of Asian Art opens "Unstill Waters: Contemporary Photography from India"

Pamela Rosenkranz installs "Old Tree" as the third High Line Plinth commission in spring 2023

Kojin Karatani wins $1 million Berggruen Prize

Sealed 1st-edition Pokémon Booster Box leads Heritage Trading Card Games Auction above $2 Million

New sculptural works by Vince Skelly on view at Adams and Oldman

Galerie Bene Taschen opens a solo exhibition featuring works by Miron Zownir

The Frye Art Museum opens three new exhibitions

Jim Stewart, unlikely entrepreneur of soul music, dies at 92

Smithsonian American Women's History Museum announced $1 million gift from Deloitte

Review: Who committed the 'Ohio State Murders'? Who didn't?

Fotomuseum in Maastricht presents the exhibition 'Back Home'

Loyola Marymount University's latest SOM-Designed buildings provide dynamic spaces for media production and performance

Skoto Gallery extends its third solo exhibition by African-American artist Noah Jemisin until January

"Rythms of the Deep: By Her Highness Sheikha Maytha Bint Obaid Al Maktoum" at Firetti Contemporary

"Hans Op de Beeck: Works on Paper" solo exhibition at Galerie Ron Mandos

Exhibition "Aidan Koch:Tides and Trees" at 14a Gallery

A Guide to Collecting Your Winnings in Singapore Sports Betting

A Beginner's Guide to Playing Live Casino Games: What You Need to Know Before You Start

5 Gift Ideas For Her To Surprise Her This Wedding Anniversary

Does Panera Bread Serve Breakfast All Day? [ Answered! ]

The Benefits of Tracking for Your Business: Why You Should Start Today?

WHAT'S THE DIFFERENCE BETWEEN A BEACH UMBRELLA AND A RESTAURANT UMBRELLA

Ecommerce business in 2023

Why Architecture Is Art to Some (and Why It Isn't to Others)

Teach your dog to fetch the correct way - the guidelines you can use!

Kitchen renovation can be an exciting home improvement project - Here are a few tactics to follow

Mr Dripping astonished everyone with the live painting of Sebastian Vettel

Here are 6 Essential Tips for a Beautiful Vanity Design




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful