Master Drawings New York announces exhibitors and early highlights for February fair
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Master Drawings New York announces exhibitors and early highlights for February fair
Berlin Master of Mary of Burgundy, The Triumph of David, from a Book of Hours, Southern Netherlands, possibly Ghent, c.1480, Miniature on parchment, 153 x 110 mm, Courtesy of Les Enluminures, Chicago, Paris, and New York.



NEW YORK, NY.- Master Drawings New York has announced the exhibitors for the 2025 fair on view February 1-8. The annual show, a well-established and highly anticipated art fair held at more than two dozen galleries on New York’s Upper East Side, will open with a preview event on Friday, January 31. The exhibiting galleries will feature exceptional and rare works on paper from the 15th to the 21st centuries, as well as paintings and sculpture. The 19th edition of Master Drawings New York presents 28 exhibitors from New York, Los Angeles, Chicago, London, Paris, Madrid, Amsterdam, Berlin, Düsseldorf, Zurich, and Vienna, including:

Abbott & Holder, London • Agnews, London • AH Arts LLC, New York • Ambrose Naumann Fine Art and Harry Gready, New York • C.G. Boerner, Düsseldorf and New York • Christopher Bishop Fine Art, New York • Colnaghi Elliot Master Drawings Ltd., London, Madrid, and New York • David Nolan Gallery, New York • Didier Aaron, Paris, London, and New York • Galerie Charles Ratton & Guy Ladrière, Paris • Galerie Gmurzynska, New York, Zug, and Zurich • Graham Shay 1857, New York • Guy Peppiatt Fine Art, London • Hazlitt Ltd., London • Jill Newhouse Gallery, New York • Les Enluminures, New York, Paris, and Chicago & Sam Fogg, London • L U L O • P A M P O U L I D E S, London • Marty de Cambiaire, Paris • Mireille Mosler Ltd., New York • Nicholas Hall and W. M. Brady & Co., New York • Nonesuch Gallery, London • Perspective Fine Art, Amsterdam and Vienna • Robert Simon Fine Art, New York • Shepherd W&K Galleries, New York and Vienna • Sprüth Magers, Berlin, London, Los Angeles, and New York • Stephen Ongpin Fine Art, London • The Maas Gallery, London • Victoria Munroe Fine Art, New York

New exhibitors include: Galerie Charles Ratton & Guy Ladrière, Les Enluminures, Nonesuch Gallery, The Maas Gallery, Perspective Fine Art, Galerie Gmurzynska, AH Arts, and C.G. Boerner.

“Following the success of the 2024 fair, which debuted under our new management, we are greatly looking forward to this next edition of Master Drawings New York, which will once again feature an extraordinary group of galleries that are international experts in the field,” said Christopher Bishop, President, Master Drawings New York and Director, Christopher Bishop Fine Art.

MDNY HIGHLIGHTS

Perspective Fine Art, Amsterdam and Vienna, will present an exhibition of drawings, paintings, and prints by Dutch artist Jacoba van Heemskerck (1876-1923). Although she was a member of the European avant-garde at the beginning of the 20th century, her name has not been well known in America. The exhibition at Perspective Fine Art marks the first showing of her work in the United States. Heemskerck was friends with Piet Mondrian, and they worked alongside each other, moving in the same artistic and theosophical circles for several years. Van Heemskerck’s work is rare on the art market, since the majority of her oeuvre was bought and inherited by her life partner Marie Tak van Poortvliet, whose collection ended up in Dutch institutions.

Mysticism's Muse, an exhibition of European drawings and paintings with a focus on Symbolist works from around 1900, will be on view at Mireille Mosler Ltd., New York. Simeon Solomon (1840-1905) was mostly remembered for his scandalous behavior. The last artist to join the Pre-Raphaelite Brotherhood, Solomon’s promising career took a tragic turn after the queer artist’s 1873 arrest for “indecent exposure.” Convicted of sodomy, Solomon fell from grace, yet his art remains a testament to his artistic prowess. Who is He that Cometh from Edom with Dyed Garments from Bozrah?, 1862, foreshadows Solomon’s own inner conflict. Depicting God returning from battle in blood-stained clothes, it is a haunting image of suffering and prophecy that resonates with the young artist’s adventures.

An exhibition of work by George Condo with a mix of paintings and works on paper will be presented by Sprüth Magers, Berlin, London, Los Angeles, New York.

Les Enluminures, Chicago, Paris and New York, will present a rare group of European miniatures from the 1300s and 1400s by celebrated artists only rarely on the market, such as Maestro Daddesco, Girolamo dai Libri, Giovanni di Paolo, and the Berlin Master of Mary of Burgundy. These are pages that have been removed from their original manuscripts due to 19th-century attitudes to art and conservation, when the value of art superseded the interest in preserving the texts that accompanied them. Over the last centuries and increasingly today miniatures have an important role to play in private and public art collections and can be found in major museums and with collectors worldwide. Whereas complete manuscripts by many of these artists are rarely found on the market today and, if offered, are often prohibitively expensive, illuminated manuscript pages can be acquired and admired as "art."

The great drawing traditions of India and Persia, highlighting the assimilation of European pictorial traditions by the artists working in these contexts, will be on view at Sam Fogg, London. Master drawings by three of the greatest of all Mughal artists, Basawan (fl. 1580-1600), Govardhan (fl. 1595–1640), and Payag (fl. 1591-1658), as well as a magnificent sheet by their great Persian contemporary Muhammad Zaman (fl. 1649-1704), will be exhibited. These scenes of the pleasures of love and nature originate from the refined court cultures of Isfahan, Tabriz, and the Rajput courts of India.

Galerie Charles Ratton & Guy Ladrière, Paris, will present Jephta’s Daughter, a red chalk drawing by François Boucher, c. 1731. The image depicts the Old Testament judge Jephta, who promises before fighting the Ammonites to sacrifice, in case of victory, the first person he would meet after the battle, who turns out to be his own daughter Iphis, accompanied by musicians and playing the tambourine.

A red chalk drawing by Isaac Grünewald (1889-1946) Standing Nude, c. 1910, will be a highlight at Ambrose Naumann Fine Art and Harry Gready, New York. This work likely dates to the time Isaac Grünewald spent in the Academie Matisse. Grünewald was Matisse's favorite student from the Academie.










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Master Drawings New York announces exhibitors and early highlights for February fair




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