Exhibition of new photographs by David LaChapelle opens at Paul Kasmin Gallery
The First Art Newspaper on the Net    Established in 1996 Sunday, November 24, 2024


Exhibition of new photographs by David LaChapelle opens at Paul Kasmin Gallery
David LaChapelle, Land Scape Kings Dominion, 2013. Chromogenic print, 72 x 96 inches, 182.9 x 243.8 cm, edition of 3. Image courtesy of the artist and Paul Kasmin Gallery. © 2013 David LaChapelle Studio.



NEW YORK, NY.- Paul Kasmin Gallery presents LAND SCAPE, an exhibition of new photographs by David LaChapelle, January 17 – March 1, 2014 at 293 Tenth Avenue, New York, comprised of two series: Refineries and Gas Stations. A fully illustrated catalogue, published by Damiani, with texts by Shana Nys Dambrot, accompanies the exhibition.

“The sites depicted in LaChapelle’s LAND SCAPE represent the globally networked industrial infrastructure of oil production and distribution. The gas stations and refineries that populate iconic locations are staged as architectural avatars of a planet coping with the stresses of peak-oil -- even as the buildings’ dazzling spectacle and retro-future aesthetic distracts from the dangers of their function. Both bodies of work use handcrafted scale models, constructed of cardboard and a vast array of recycled materials from egg cartons to tea canisters, hair curlers, and other by-products of our petroleum-based, disposability-obsessed culture.” --Shana Nys Dambrot, LAND SCAPE

The Gas Station series was shot on location in the rainforest of Maui, and the Refineries were photographed in the expansive deserts and along the majestic coastlines of California. In the Gas Station photographs, the rain forest envelops the fueling stations acting as an organic force that is both generative and destructive; it represents the source of fossil fuels, but it also has the power to re-engulf these man-made creations. Their eerie, subtly surrealist lighting and composition suggest art-historical influences from Edward Hopper to Ed Ruscha.

In the Refineries series, LaChapelle treats these scenes as shrines to the product and the lifestyle it makes possible. Bathed in an ethereal light and aglow with an otherworldly quality, we are as captivated as we are repelled. While decoding the construction materials and contemplating the surroundings provides delight, what the artist would like us to remember are the decidedly unmagical consequences of what occurs in the refineries.

LaChapelle draws on an immense lexicon of art historical references, current events, and popular culture, to make visually compelling images, each unique in their narrative and evocative content. His work is included in numerous public and private collections, and has been exhibited internationally at museums and institutions including the Musée D’Orsay, Paris; the Brooklyn Museum, New York; the Museum of Contemporary Art, Taipei; the Tel Aviv Museum of Art; the Los Angeles County Museum of Art (LACMA); The National Portrait Gallery, London; and the Fotographfiska Museet, Stockholm, Sweden. The National Portrait Gallery in Washington, DC will include LaChapelle’s work in the show American Cool, February – September 2014. LaChapelle lives and works in Maui, Hawaii.










Today's News

January 21, 2014

Prado Museum analyses the rise, evolution and decline of the subject of the "Furias"

Royal and aristocratic heirlooms from important European dynasties to be auctioned by Sotheby's London

Rembrandt unravelled: Seven new books provide new insights into Rembrandt's etchings

Joseph Wright of Derby portrait donated to the nation under the Cultural Gifts Scheme

Literature goes online for free in Norway; 135,000 works now online, will eventually reach 250,000

Three American art exhibitions from the 1960's to today open at the Musée d'art moderne Saint-Étienne Métropole

Exhibition of new photographs by David LaChapelle opens at Paul Kasmin Gallery

Turkish masterpieces from important collections on view at Antik A.S. in Istanbul

1960s fashion sketches 100% sold at Palm Beach Modern's Jan. 11 auction of Tiziani: Lagerfeld+Liz archive

Highly acclaimed new video work by Willie Doherty on view at Kerlin Gallery in Dublin

Spink 2014 January auction of rare stamps, covers, coins and banknotes achieved excellent results

Sotheby's sets new auction record for single malt whisky selling it for US$628,205

Riga launches stint as one of two European capitals of culture with an emotional ceremony

SP-Arte announces list of galleries for 2014 and 'Solo' a new exhibitor sector

The Mosaic Rooms in London opens two exhibitions

2 m² of Fashion: Lookout Gallery in Warsaw displays works of artists who seldom appear in galleries

Solo exhibition of new work by Yngve Holen on view at Stuart Shave/Modern Art

Neuberger Museum puts public spin on once private diary

Solo exhibition by celebrated Chinese artist Chen Fei opens at Galerie Perrotin, Hong Kong

Time in a bottle: The history of feminine luxury glass explored in "Bohemian Boudoir"

Auschwitz museum launches online Holocaust awareness in Arabic, Farsi

"A Tale: Max Pellegrini and Italo Cremona" opens at the Italian Cultural Institute of New York




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful