'Gilbert & George: Films and Video Sculptures, 1972-1981' opens at Lehmann Maupin
The First Art Newspaper on the Net    Established in 1996 Sunday, November 24, 2024


'Gilbert & George: Films and Video Sculptures, 1972-1981' opens at Lehmann Maupin
Gilbert & George, The World of Gilbert & George (video still), 1981. 16mm color film transferred to video, dimensions variable. Courtesy the artists and Lehmann Maupin, New York and Hong Kong.



NEW YORK, NY.- Lehmann Maupin presents a group of seminal films and video sculptures by pioneering artists Gilbert & George. Among the longest-enduring artist duos, they have had sustained influence on the contemporary art world for the past fifty years. The exhibition Films and Video Sculptures, 1972-1981 will be shown in the gallery’s 201 Chrystie Street location and represents an integral, transitional link between the artists’ early art and their later, more widely known large-scale pictures. This exhibition is the artists’ fifth show with Lehmann Maupin.

At the beginning of their art-life, Gilbert & George developed their signature form of “Living Sculpture,” embodying a sense of “being” over “doing” and upending traditional modes of art practice. With their individual identities subsumed into this vision of animate sculpture, the artists became representations of the universal human condition, a central theme in their work. Their belief in “Art for All”—that art should strive for a meaningful connection to the viewer’s everyday life, rather than a connection that can only be understood through formal arts education—infuses their art with a democratic vigor and remains a vital aspect of their vision to this day.

The exhibition begins with a group of three black & white sculptures on video tape, IN THE BUSH (1972), GORDON'S MAKES US DRUNK (1972), and A PORTRAIT OF THE ARTISTS AS YOUNG MEN (1972), all shown on monitors. Produced with the legendary German Fernsehgalerie Schum, they portray Gilbert & George engaged in repetitive, minimal actions, echoing the qualities of their “Living Sculpture.” The artists’ embrace of the then-new technology through the use of film and video highlights a landmark shift in their art, allowing Gilbert & George to extend their living sculptures beyond a particular time and place and to broadcast their art to wider audiences.

The exhibition also includes THE WORLD OF GILBERT & GEORGE (1981), a feature-length film written and directed by the artists, projected on a large screen in the gallery’s main space. Brimming with Gilbert & George’s unique visual vocabulary, it functions as a social document of life in our modern urban world, examining issues of nationality and individuality, class tensions, and the artists’ preoccupations with religion, politics, sex, death, and human existence. A precursor to the myriad future documentaries about their life and art, this film is notable for the artists’ intense level of involvement in its production. From the storyboard to the shooting script, they instructed the director Philip Haas in minute detail, creating a unique art movie masterpiece.

Lehmann Maupin, in partnership with Anthology Film Archives, will present a special evening screening of THE WORLD OF GILBERT AND GEORGE and GILBERT & GEORGE: THE SINGING SCULPTURE on Tuesday, July 15 at 6:30pm at the gallery’s 201 Chrystie Street location. Producer Philip Haas, a longtime collaborator with the artists, will introduce the works. Please contact Graham Newhall at +1 212 255 2923 for more information.

A major solo exhibition of Gilbert & George’s work is on view at Nouveau Musée National de Monaco through November 2, 2014.

Gilbert & George (b. 1943 & 1942, Italy & England) have been creating art together since they met in 1967 at the St. Martin's School in London. As students, they adopted the form of "Living Sculptures" by walking through the streets and parks of London, their heads and hands coated with multi-color metallic powders. Later, they presented these sculptures in museums and galleries around the world, from New York to Japan, Europe to Australia. From the outset, Gilbert & George wanted to collapse the distance between art and the artist and the viewers.

Gilbert & George’s extensive exhibition history includes solo exhibitions at the Solomon R. Guggenheim Museum, New York (1985); Central House of the Artists, Moscow (1990); China Exhibition 1993, National Art Gallery, Peking, and The Art Museum, Shanghai; Musée d’Art Moderne de la Ville, Paris (1997); the Serpentine Gallery, London (2002); a 2007 retrospective at the Tate Modern, London, which traveled to the Haus der Kunst, Munich (2007), Castello di Rivoli, Turin (2008), de Young Museum, San Francisco (2008), Milwaukee Art Museum, Milwaukee (2008), and The Brooklyn Museum, New York (2008); the Kröller-Müller Museum, The Netherlands (2010); and the Laznia Centre for Contemporary Art, Poland (2011). In 2005, Gilbert & George represented Great Britain at the 51st Venice Biennale. The artists live and work in London, England.










Today's News

July 2, 2014

Chinese collectors pay huge sums to treasure artist Xu Beihong's heroic horses

Exhibition unveils new master plan designed by Frank Gehry for the Philadelphia Museum of Art

Exhibition reveals links between some of Picasso's work and programmes shown on French television

Artist Tracey Emin's unmade bed sells for $3.8 million at Christie's sale in London

President Vladimir Putin signs legislation banning swear words in art, films

Polish city's new statue by artist Bartosz Szydlowski cuts a urinating Lenin down to size

Sotheby's to offer Property from the Collection of Mrs. Paul Mellon this Fall in New York

Zaha Hadid's The Heydar Aliyev Center in Azerbaijan wins Design of the Year 2014

London gallery removes Leena McCall painting deemed too pornographic and disgusting

Magna Carta, inspiration for America's Founding Fathers, visits Museum of Fine Arts, Boston

ArtBinder, the leading mobile app for galleries, raises $3.17m for product innovation and global expansion

Display of fiercely battling saber-tooth cats from Dakota Badlands cuts to the chase in I.M. Chait's auction

Dr. Vanja Malloy appointed American Art Curator at the Mead Art Museum at Amherst College

Museum De Pont announces summer presentation the collection and recent acquisitions

'Andra Ursuta: Scytheseeing' on view at Kölnischer Kunstverein

25 Blythe Road announces paintings auction curated by Harry Moore Gwyn on 3-8 July

Aitor Lara wins the 2014 PHE OjodePez Award for Human Values for his series Children in Poverty in Spain

"American Trucks" by Ulysse Fréchelin: A stunning book and photographic exhibition

National Glass Centre announces £1 million funding success as the Centre celebrates anniversary

'Gilbert & George: Films and Video Sculptures, 1972-1981' opens at Lehmann Maupin

Van Gogh Museum awarded sustainability certificate

Moeller Fine Art launches Moeller Art Advisory; Closes Berlin gallery space

Miniature works of art on view at the Nelson-Atkins Museum in Kansas City

Astronomy Photographer of the Year 2014: Shortlisted images revealed




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful