BRUSSELS.- Galerie Greta Meert
presents the fourth solo exhibition by Louise Lawler (1947, Bronxville, USA).
Louise Lawler is a key figure of the American post-modern photography of the 1970s. Rooted in conceptual strategies, her work offers a reflection on the perception and institutional framework of contemporary art.
Lawlers pictures of artworks installed in the house of a private collector, the storage of a gallery, an auction house or a museum show exemplifies the importance of the contextual component for the mimetics of an art work. Our attention is deviated from the artwork to its environment. This shift also opens up our understanding of the art institution: a system of various activities (showing, collecting, conserving, selling) and actors (curator, gallerist, collector, art handler).
In No drones Louise Lawler shows a selection of works from her latest series. The tracings were conceived together with illustrator John Buller and first shown in the restrospective exhibition Adjusted at the Ludwig Museum, Cologne (2013). The black lining, tracing existing photographs of Lawler are executed in vinyl and directly applied to the wall. Some tracings exist in an edition of ten, others exist in a unlimited edition.
In her recent work Lawler revisits older pictures as a sort of appropriation of her own work. Just as the series Adjusted to fit, the tracings exist as a digital file that can be printed and reprinted on any format, depending the size of the wall on which it will be applied. The immediate relation of these works with the exhibtion architecture illustrate the artists contionous reflection on art and its structures.
Louise Lawler lives and works in New York. Recent solo exhibitions include the Museum Ludwig, Cologne (2013), Albertinum, Dresden (2012), Dia: Beacon, New York (2005), Museum für Gegenwartskunst, Basel (2004), Hirshhorn Museum and Sculpture Garden, Washington D.C. (1997), Kunstverein München (1995), Museum of Fine Arts, Boston (1990) and the MoMA, New York (1987). Her work was also selected for numerous group exhibitions in the Hammer Museum, Los Angeles (2014), Palazzo Grassi, Venice (2011), for the Whitney Biennial, the Whitney Museum of American Art, New York (2008, 2000, 1991), Institute of Contemporary Arts, London (2004), Museum of Contemporary Art, Chicago (2002), Kunsthalle Basel (2000), the New Museum of Contemporary Art, New York (1990, 1986, 1985), and the Museum of Contemporary Art, Los Angeles (1989, 1988).