Hermann Historica oHG announces results of antiquities, arms and armour sale
The First Art Newspaper on the Net    Established in 1996 Saturday, July 20, 2024

Hermann Historica oHG announces results of antiquities, arms and armour sale
A significant miniature casket, Michel Mann, Nuremberg circa 1600. HP: 10000 Euros.

MUNICH.- Approximately 7,300 lots from all specialist areas represented by the auction house – antiquities, arms and armour, works of art, hunting antiques, orders and collectibles from all fields of history and military history – came under the hammer in the 71st Auction of Hermann Historica oHG from 27 October to 7 November in Munich.

The highlights of the antiquities section proved to be the powerful artefacts crafted by ancient Egyptian sculptors. The announcement of the starting price of 5,000 euros triggered a veritable bidding frenzy with offers being placed in the room, on the telephones and in the internet for the torso of a granite statue, dating from the second millennium B.C. The body and gaze turning to face the beholder, the arms held firmly by its sides, the 23.5 centimetre tall statue boasted the characteristic contemporary beard braided beneath the chin and wig perched on the head, draped in two lengths over its shoulders. The hammer finally fell at 25,000 euros for this wonderful piece of archaic work. The head of a pharaoh from the same era sold for 8,500 euros, almost five times its estimate of 1,800 euros. Hewn from hard, sienna-brown rock, it also wore the plaited chin beard, together with a headdress featuring the rearing Uraeus serpent, the symbolic Egyptian cobra.

The demand for masterpieces created by the skilful hands of antique armourers and blacksmiths has remained at a gratifyingly high level for many years. No wonder, then, that the unique and beautifully crafted edged weapons and helmets on offer in this auction, their provenance in prestigious collections fully documented over many years in some cases, did not disappoint the international specialist buyers. With its high, green patinated skull, cheek pieces, short nasal bar and the typical repoussé borders around the edges of the eye openings, a Chalcidian bronze helmet dating from the fourth century B.C. changed hands for its starting bid of 18,000 euros. Moreover, the lots with their documented provenance in the famous Axel Guttmann Collection of Berlin were well received by private and institutional collectors alike. Listed at 14,000 and 8,000 euros respectively, a Pseudo-Corinthian bronze helmet, forged in Apulia during the fifth to the fourth century B.C. and an extremely rare Nordic Bronze Age sword, dating from the ninth century B.C., both found buyers for their estimated price. The objects had two characteristics in common: their outstanding condition and eye-catching herringbone embellishments. While the unusually elegant, completely conjoined helmet, with its distinctive forehead and eyebrow décor, was adorned with a continuous border, the early edged weapon displayed the pattern on the grip and the kidney-shaped pommel.

Works of art
According to tradition, the arms and armour catalogue opened with works of art, a field of collecting interest that, once again in this autumn auction, held a number of precious wunderkammer objects in store. One outstanding example, dating from the first half of the 14th century, was a double receptacle made of silver, consisting of two perfectly interlocking drinking bowls that formed a closed handle when fitted together. Decorated with engraved plaques and a beaded frieze, similar examples of this very early Gothic double cup, also known as a doppelscheuer, can be found in the Metropolitan Museum of Art in New York, for example. Although only moderately valued at 4,500 euros, spirited pre-sale bidding pushed the starting price for this decorative and highly interesting piece to over ten thousand euros. The hammer only fell at a gratifying final price of 19,000 euros in favour of the European trade. An engraved and lavishly gilded miniature casket by Michel Mann, stamped with the master's signature, prompted a connoisseur of the flawless craftsmanship of these incomparable, significant works to part with 10,000 euros, its reserve of 7,500 euros notwithstanding. Wrought circa 1600 in Nuremberg and measuring a mere 4.5 x 7.2 x 5 cm, the appeal of this dainty bijou lay in its outstanding condition and contemporary décor: the lid was adorned with depictions of Mary and Jesus, while the body bore portraits of the apostles.

Arms and Armour
In terms of variety and significance, the range of medieval edged weapons on offer in this Autumn Auction left nothing to be desired. In this regard, the sale of a splendid Gothic sword from the Battle of Castillon (1453) took centre stage. Over the past ten years, weapons originating from a group of approximately 80 medieval swords documented at the site of Lidoire, near the battlefield at Castillon-la-Bataille, have repeatedly come up for auction by Hermann Historica with great success. By virtue of its very wide, remarkably powerful and evenly tapering blade, the striking double-edged sword now being offered for sale was generally considered one of the most magnificent in the entire group. The tang still bore remnants of the wooden grip and the iron disc pommel was decorated with engraved ornamental lines and medallions. Of momentous historical significance, this unrivalled weapon has taken pride of place in a new collection for its limit of 35,000 euros ever since.

Equally worthy of note among the pole arms was an intricately etched halberd made for the trabant guard serving under Paris Count of Lodron, Prince Bishop of Salzburg (1619 – 1653). Both sides of the leaf presented the coat of arms of the highly regarded Prince Bishop, whose judicious politics preserved the Archbishopric Salzburg from the devastation of the Thirty Years' War, surrounded by interlaced strapwork, floral tendrils and warriors' heads. The decorative weapon from the armoury of the "Pater Patriae" fetched 13,000 euros, nearly tripling its estimate of 4,800 euros. Forged in the workshop of Wolfgang Stantler II of Passau in the late 16th century, an imposing two-hand sword in the form of a flamberge, which was particularly common in Switzerland and South Germany, was acquired for its opening bid of 7,500 euros.

Medieval armour worn by combatants and their steeds was not designed merely for their safety and comfort but also served as adornment. The exceptional elegance of a late Gothic sallet, forged in one piece circa 1490, presumably in Innsbruck, certainly excited widespread admiration. Made especially for jousting in the lists, the rare tournament helmet could not fail to impress owing to its heavy, massive construction, which caused lance points to be deflected back, thereby diminishing the force of the blows. Despite opening at 15,000 euros, this sum was quickly outbid and the rare helmet was finally snapped up for 18,000 euros. The buyers were no less fascinated by the superb workmanship of a 17th century Spanish blacksmith. In acknowledgement of the unique character of the pair of deluxe stirrups and rowel spurs, made of wrought iron with chiselled openwork and embellished with silver inlays and silver double-headed eagles in high relief, bids soon jumped from 6,500 euros to the hammer price of 17,000 euros.

Asia, Orient and Africa
The quality and diversity of the lots from Africa, the Ottoman Empire, India, Japan and China remained as compelling as ever. Bids were invited from 9,000 euros for one particularly exquisite highlight, a spectacular deluxe shashka dated 1913, which attested to the outstanding artisanal and creative potential of the oriental armourers of yesteryear. Finished with superlative craftsmanship throughout, the Daghestanian work of inimitable beauty, its pommel fully sculpted as a horse's head and its grip in heavy, partly gilt silver with a lavishly carved and nielloed décor, was sold to a collector for 22,000 euros. Furthermore, with a limit of 7,500 euros, the late 17th century Indian khanjar set with Burmese rubies, its jade grip adorned with lotus and iris blossoms chiselled in relief, did not disappoint and found a buyer for 9,500 euros. The announcement of lot number 2392 unleashed a ferocious bidding duel in which the starting price of 2,500 euros was soon consigned to history; the hammer finally fell at 14,000 euros. The highly coveted object was a gold-inlaid, Balkan Turkish miquelet carbine, its wooden stock adorned with engravings of scales, inlaid with gold and silver wire and featuring a fully sculptured dragon carved into the butt, each tooth appliquéd separately. An exceptionally elaborately worked piece, such as is seldom found on the market. However, the highest increase – more than 53 times the opening bid of 300 euros – was recorded for a three-legged Chinese incense burner in bronze, which fetched 16,000 euros. The base of the small receptacle, which sported handles on each side, was cast with the mark of the Hsuan Te dynasty reign (1426-35).

Military history and historical objects
The first day of the military history auction was entirely dominated by the Russian double-headed eagle. A Russian enthusiast was so taken with an extremely rare shashka for officers, dated 1932, that he paid the sensational price of 90,000 euros. Forged in the prestigious bladesmith workshops of Zlatoust, the weapon of honour was truly awe-inspiring, with a solid silver, enamelled miniature of the Soviet Red Banner Order appliquéd on the pommel, inviting bids from 35,000 euros. This decoration for heroic military feats was awarded to some of the most distinguished Soviet commanders. Only very few comparable weapons of honour are certified. However, they share one feature: they were only ever awarded to prominent military representatives, like generals and marshals. Dating from the tsarist period and equally rare was a dagger for officers, the blade adorned with the etched tsarist cipher "NII" and the Russian double-headed eagle, with an enamelled Order of St. George on the pommel. It found a new owner for 16,500 euros, its reserve of 3,500 euros notwithstanding. Also particularly impressive was a sabre M 1827 for officers of the Russian cavalry, forged in Zlatoust and etched on both sides, which was listed at 4,000 euros and sold for 10,500 euros. The blade bore a representation of the Treaty of Peace between Russia and Persia on the reverse and the Cyrillic inscription "For Turkmantschai 10th February 1828" on the obverse.

As in previous years, significant collectors' items from the courts of Europe's ruling houses were offered for auction. Once again this autumn, the interest in lots from the personal possessions of King Ludwig II of Bavaria (1845 – 1886) remained unabated. With its long, ebonised wooden handle, his large personal magnifying glass had survived intact since it was well protected in its black leather, two-piece case, embossed with a crowned cipher "L" in gold. Still in immaculate condition, therefore, it was offered to international buyers for 2,500 euros and now graces the collection of its new owner for 9,000 euros. Memorabilia from Austria's imperial house have invariably enjoyed enormous popularity and guaranteed gratifying final prices. Bids were invited from 1,000 euros for the handwritten envelopes from Empress Elisabeth addressed to the Kaiser during the 1860s and 70s, which were a gift from Archduchess Marie Valerie of Austria to her niece, Princess Elisabeth of Bavaria; the envelopes now changed hands for 2,600 euros. The original signature of Kaiser Franz Joseph I (1830 – 1916), in Hungarian, which is particularly uncommon, graced the patent of nobility issued to the renowned Hungarian journalist, Moriz Gans von Lúdassy (1825 – 1885). In beautiful condition, the colours still vibrant, the parchment came under the hammer for its limit of 2,500 euros.

Some exceptional pieces reflecting military history and splendour from the Kingdom of Bavaria also attracted much attention, including a helmet M 1852 for enlisted men and non-commissioned officers of the Royal Bavarian Hartschiere Life Guards, which sold for its starting price of 9,000 euros. The imposing helmet – the large parade issue – featured a nickel-silver skull crowned with a statant lion and bore the Bavarian coat of arms surmounted by a crown. No less rare was a complete, white and blue full-dress uniform of the same Guards, the front panel embroidered with the grand star of the Bavarian House Order of St. Hubert in gold and silver bullion; the sale was completed at a respectable 10,000 euros, more than double its estimate of 4,500 euros.

Exceedingly rare objects of museum quality from aviation history were likewise among the lots up for auction. At 25,000 euros, the winning bid for an airship cup, a goblet of honour awarded for successful aerial strikes, was more than two and a half times the reserve of 10,000 euros. Certified as awarded to Obersteuermann Adam Seibert on 20/21 March 1917 in recognition of the attack on Mudros, the silver-wrought goblet stood on ball feet; in addition to the occasion for the tribute, it featured a representation of the god Thor wielding his hammer, modelled on the sculpture by Fritz Behn (1878 – 1970) of Munich. A merit award for navy pilots, presented to Leutnant der Reserve Erdmann on 10 May 1918 according to the inscription and valued at 8,000 euros, finally found a buyer for 11,500 euros. Only very seldom were such decorations for valour awarded, the top piece in bronze in this case depicting two eagles writhing in combat.

Orders and Insignia
A number of magnificent decorations from Russia stood out particularly in the orders section; having changed hands, with few exceptions, they are set to return to their country of origin. For example, the elaborate, red enamelled, gold Cross 1st Class with Swords of the Order of St. Anna, opening at 18,000 euros, which achieved a very respectable 40,000 euros. Specialist buyers and collectors had been eagerly awaiting the sale of an Imperial and Royal Order of the White Eagle, dated 1863, which was offered for auction from 18,000 euros. In his day, the St Petersburg jeweller Johann Wilhelm Keibel (1788 – 1862) was the sole supplier authorised to produce the solid gold order with the cross of the White Eagle Order of Poland in translucent red and white enamel, mounted on the black enamelled Russian double-headed eagle. Probably one of the most beautiful of the 19th century, the outstanding order decoration – this exemplar presumed to be the last one created by the master – went on to fetch 27,000 euros. A significant, mid-18th century Imperial Order of the Saint and Orthodox Grand Prince Alexander Nevsky, which may be classified as museum-quality, fell slightly short of expectations, with the opening bid of 20,000 euros completing the sale.

The acquisitiveness of Russian collectors was not only limited to tsarist decorations; a cross of the highest Prussian order for military achievements, the Pour le Mérite, which may be considered unique, also found a buyer in the land of the double-headed eagle for 33,000 euros. The order cross of the legendary decoration for bravery, a magnificent, museum-quality piece of cultural and historical significance, was offered for sale in the typical production method of 1870/71, which is unlikely to be available again in this condition. A mere 38 orders are known to have been awarded for outstanding achievements in the Franco-Prussian War of 1870/71; as a result of the strict return obligation, very few examples are still in private ownership. Open to bids from 28,000 euros, the price reflected the absolute rarity and condition of this hollow-cast order cross, exquisitely wrought in gold.

From now on, the Breast Star to the Order of the Black Eagle, 1842, of historical significance as it was the personal decoration belonging to Prince Albert of Saxe-Coburg and Gotha (1819 – 1861), the husband of Queen Victoria of Great Britain (1819 – 1901), will take pride of place in a German collection. On 30 January 1842, Prince Albert was admitted to the former knightly order by King Friedrich Wilhelm IV of Prussia and awarded Prussia's highest decoration. The eight-rayed, faceted silver star depicted the eagle surrounded by the order motto "SUUM CUIQUE" - To each his own - and the double laurel branch engraved in gold on white enamel. Manufactured by the orders jewellers Rundell, Bridge & Rundell of London, who were in business only until 1842, and engraved with his personal insignia, this phaleristic sensation was open to bids from 10,000 euros, ultimately changing hands for 13,500 euros.

Fine antique firearms
Once again, the fine antique and modern firearms section reported extremely encouraging results. Even during the run-up to the auction, the rare pistol cases of premium quality had attracted considerable interest. The pièces de résistance included a deluxe pair of cased target pistols, dating from 1840/50, made by the supremely skilful court gun maker, Carl Daniel Tanner of Hanover. The profuse inlays were intricately engraved with gold-inlaid decorative tendrils on the locks and furniture, accentuating the significance of this superb example of the gun maker's craft. Despite being valued at 21,000 euros, a flurry of bids saw the price soar to 52,000 euros in no time at all. Produced circa 1650, a Teschen wheellock rifle (tschinke) also made a strong impression. With a final result of 24,000 euros, the strikingly beautiful firearm, its wheellock entirely covered in chiselled ornaments and the ornate walnut full stock embellished with engraved and blackened stag horn and mother-of-pearl inlays, went on to double its starting price of 12,000 euros. Despite their modest limit of 4,800 euros each, a magnificent flintlock pistol with gold-inlaid decorative tendrils, made in 1750 by Joseph Cano, the master gunsmith at the court of Madrid and a flintlock rifle adorned with hunting scenes from the workshop of the renowned Johann Deplan in Prague, circa 1740, both found a new owner for 13,000 euros.

All prices are net prices and are to be understood plus 23 percent surcharge.

Today's News

November 24, 2015

First monographic exhibition in Spain on the work of Ingres opens at the Museo del Prado

Metropolitan Museum celebrates Jacqueline de Ribes's wardrobe and life as a French aristocrat

Seeds discovered in excavations indicate prehistoric man living in the southern near east

Exhibition of Jackson Pollock's Black Paintings opens exclusively at Dallas Museum of Art

First exhibition to focus on Peter Blake's portraiture opens at Waddington Custot Galleries

Egypt to do more tests on King Tutankhamun's tomb in search for Nefertiti

Painting by the 17th-century Dutch painter Gerard van Honthorst on long-term loan to the Rijksmuseum

University of Arizona Museum of Art marks 30-year anniversary of stolen painting

Movie posters found under linoleum floor bring $219,000 at Heritage Auctions

Sale of Disneyland PeopleMover sets world record at Van Eaton Galleries this weekend

The Cleveland Museum of Art announces seminal publication on Chinese painting collection

Rubin Museum of Art acquires 18th century illustrated White Beryl manuscript

Painting by Franz von Stuck tops Ketterer Kunst's Auction of Old Masters & 19th Century Art

Broad Art Museum at Michigan State University appoints Steven L. Bridges as Assistant Curator

First solo show in the U.S. by Ling Jian on view at Klein Sun Gallery

Bonhams to offer the most famous golfing painting in the world

Exhibition celebrates the 130th birthday of avant-garde poet Velimir Khlebnikov

Exhibition of sculpture made from everyday materials by B. Wurtz on view at BALTIC

Exhibition dedicated to Hardijs Lediŋš, classic of Latvian avant-garde opens in Riga

"Ludwig Goes Pop and The East Side Story" on view at the Ludwig Museum in Budapest

The Firtash Foundation and Saatchi Gallery announce the shortlist for UK/RAINE

Hamilton Wood Type acquires archive of circus posters, plates and type from Enquirer Printing

Hermann Historica oHG announces results of antiquities, arms and armour sale

The New Foundation Seattle announces Martha Rosler as winner of inaugural 100K prize

Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .


Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Royalville Communications, Inc

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful