First monographic exhibition in Spain on the work of Ingres opens at the Museo del Prado
The First Art Newspaper on the Net    Established in 1996 Wednesday, July 17, 2024


First monographic exhibition in Spain on the work of Ingres opens at the Museo del Prado
Ingres offers a unique chronological survey of the artist’s career as a whole, revealing him in all his splendour. Photo: Museo Nacional del Prado.



MADRID.- The Museo del Prado presents Ingres, the first monographic exhibition in Spain on one of the most important painters in the history of art but an artist who, for complex historical reasons, is not represented in Spanish public collections. For this reason, the present comprehensive reassessment of the work of Jean-Auguste-Dominique Ingres offers visitors to the Prado a unique and outstanding opportunity to appreciate and analyse this French painter’s relationship with the artistic movements of his day – Neo-classicism, Romanticism and Realism – from which his style and ideology remained resolutely unaffected. Inspired by the Romantic quest for ideal beauty, which for Ingres arose from his fascination with the classical past and with the art of Raphael, he broadened the genres of portraiture, the nude and history painting. Ingres’ remarkable skills as a draughtsman also make him an outstanding exponent of this technique while revealing his ceaseless quest for perfection.

Nonetheless, Ingres’ art defies categorisation, given that he explored all the themes and aesthetic approaches of his time and rejected the hindrances implied by affiliating himself with a particular school, movement or style. His uniqueness is evident in the importance of the role he has played as a key forerunner of the language of the avant-garde movements and abstraction and the influence that he exercised on some of Spain’s most important painters, such as Federico de Madrazo, Pablo Picasso and Salvador Dalí.

As the generous lender of some of its most important works, the Musée Ingres in Montauban has been crucial for the presentation of this exhibition at the Prado. For this reason and with the collaboration of Acción Cultural Española as the co-organiser of the project, on 3 December and during the time the exhibition on Ingres is on display, the Prado will be exhibiting a series of 11 works from its collections at the Musée Ingres with the aim of offering a survey of portraiture in Spanish art.

Ingres offers a unique chronological survey of the artist’s career as a whole, revealing him in all his splendour. The exhibition thus opens with a seductive self-portrait that conveys his youthful energy, loaned from the Metropolitan Museum in New York, and closes with Selfportrait of Ingres aged 78 loaned from the Gallerie degli Uffizi in Florence, a work that transmits the master’s supreme artistic authority in his final years.

The exhibition pays close attention to Ingres’ activities as a portraitist, which gave rise to one of the most beautiful chapters of 19th-century art. Perfectly capable of precisely capturing his sitters’ characters, Ingres was able to depict both the imposing presence of an Emperor in the iconic Napoleon I on his Imperial Throne and the dreamy nature of an artist in François-Marius Granet from the Musée Granet in France. All these images reveal an authentic language that arose from the artist’s ongoing dialogue with the portraits he had studied in the Musée Napoleón and the ones he later saw in Italy. The portrait of Monsieur Bertin, loaned from the Louvre, which is a dynamic image of the fourth estate, or that of the Countess of Haussonville from the Frick Collection in New York offer a superb conclusion to Ingres’ endeavours in this genre.

Displayed alongside these work is a marvellous series of sensual female nudes. The Grande Odalisque from the Musée du Louvre, an image of pure nudity with no narrative justification, has been one of the most influential images in the history of modern painting. Ruggiero rescuing Angelica depicts a sensual, voluptuous woman who is a clear paradigm of contemporary eroticism, while The Turkish Bath from the Louvre, a legendary work that summarises Ingres’ fascination with repetition, champions the curve as the ideal form for expressing his tireless enthusiasm with the female body, once again located in an exotic context.

This survey of Ingres’ work also includes a focus on his interest in the genre of history painting, represented by works painted in Rome in which the artist measured himself against the power of the myths of Greco-Roman literature and of Homer and Virgil, as in Virgil reading the Aeneid (loaned from Brussels) and the Studies for “The Apotheosis of Homer”. This section also includes examples of Ingres’ “troubadour” paintings in which he gave free rein to his obsession with the artists of the past whom he most admired, including Raphael and Leonardo da Vinci, in works such as Raphael and La Fornarina (loaned from Ohio) and François I at the Deathbed of Leonardo da Vinci (from the Petit Palais, Paris). Finally, the exhibition analyses Ingres’ relationship with religious painting, represented in all its variants, from small-scale intimate works such as the moving Virgin adoring the Host from the Louvre to monumental compositions such as Christ among the Doctors.










Today's News

November 24, 2015

First monographic exhibition in Spain on the work of Ingres opens at the Museo del Prado

Metropolitan Museum celebrates Jacqueline de Ribes's wardrobe and life as a French aristocrat

Seeds discovered in excavations indicate prehistoric man living in the southern near east

Exhibition of Jackson Pollock's Black Paintings opens exclusively at Dallas Museum of Art

First exhibition to focus on Peter Blake's portraiture opens at Waddington Custot Galleries

Egypt to do more tests on King Tutankhamun's tomb in search for Nefertiti

Painting by the 17th-century Dutch painter Gerard van Honthorst on long-term loan to the Rijksmuseum

University of Arizona Museum of Art marks 30-year anniversary of stolen painting

Movie posters found under linoleum floor bring $219,000 at Heritage Auctions

Sale of Disneyland PeopleMover sets world record at Van Eaton Galleries this weekend

The Cleveland Museum of Art announces seminal publication on Chinese painting collection

Rubin Museum of Art acquires 18th century illustrated White Beryl manuscript

Painting by Franz von Stuck tops Ketterer Kunst's Auction of Old Masters & 19th Century Art

Broad Art Museum at Michigan State University appoints Steven L. Bridges as Assistant Curator

First solo show in the U.S. by Ling Jian on view at Klein Sun Gallery

Bonhams to offer the most famous golfing painting in the world

Exhibition celebrates the 130th birthday of avant-garde poet Velimir Khlebnikov

Exhibition of sculpture made from everyday materials by B. Wurtz on view at BALTIC

Exhibition dedicated to Hardijs Lediŋš, classic of Latvian avant-garde opens in Riga

"Ludwig Goes Pop and The East Side Story" on view at the Ludwig Museum in Budapest

The Firtash Foundation and Saatchi Gallery announce the shortlist for UK/RAINE

Hamilton Wood Type acquires archive of circus posters, plates and type from Enquirer Printing

Hermann Historica oHG announces results of antiquities, arms and armour sale

The New Foundation Seattle announces Martha Rosler as winner of inaugural 100K prize




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful