Original 'Star Wars' creators lift lid on special effects challenges
The First Art Newspaper on the Net    Established in 1996 Monday, December 23, 2024


Original 'Star Wars' creators lift lid on special effects challenges
Visual effects artists and producers attend The Academy Of Motion Picture Arts And Sciences Hosts Galactic Innovations: Star Wars And Rogue One event at the Samuel Goldwyn Theater on June 27, 2019 in Beverly Hills, California. Back Row (L-R): Denis Muren, Ben Burtt, Bruce Nicholson, Richard Edlund, John Dykstra and Harrison Ellenshaw. Front row (L-R): John Knoll, Kiri Hart, Marcia Lucas, Rachel Rose and Bill George. Robyn Beck / AFP.



BEVETLY HILLS (AFP).- Remember the scene when Luke Skywalker failed his first attempt to blow up the Death Star? Or when C3PO chased him up the stairs of his Tatooine desert home?

Of course you don't -- both were among countless improvised changes made to the original "Star Wars" due to budget, time and technological restraints, its creators explained at the Academy of Motion Picture Arts and Sciences in Beverly Hills on Thursday.

At an event celebrating visual effects innovation in the classic sci-films, luminaries who created George Lucas's 1977 blockbuster contrasted their world of filming -- and sometimes blowing up -- wooden Star Destroyer models with today's digital masterpieces.

"The technology and techniques of the 70s put considerable constraints on the way shots had to be staged," said John Knoll, chief creative officer of Lucasfilm effects company Industrial Light and Magic (ILM).

"By that I don't mean just whether it looked good or not but whether you could actually put the thing together at all!"

He pointed to the suit worn by C3PO actor Anthony Daniels, which severely restricted his vision and range of motion in the original films.

On two occasions where the robotic character is supposed to follow humans up or down stairs, editors had to cut or pan away just in time to obscure the impossibility of Daniels tackling the steps in his clunky suit.

By contrast, the human-shaped droid in 2016's Star Wars film Rogue One was entirely CGI.

While the first film was put together in a stuffy Los Angeles warehouse with no air-conditioning for $11 million, Rogue One cost $200 million to produce.

Marcia Lucas, who won an Oscar for editing "Star Wars," explained how she cobbled together an early impression of the film's climactic fight scene from World War Two footage, to assist the visual effects artists -- and realized a drastic change was required.

"In the script when Luke goes down and makes his trench run he uses the computer and he misses the shot," she said. "So he goes back up to a dogfight, he has to go down again and make a second run."

Viewing her footage, the team agreed to cut out the first run entirely.

"ILM was very pleased that they didn't have to do half of the special effects shots that happened when he made two runs," said Lucas, ex-wife of George, adding: "We saved some money!"


© Agence France-Presse










Today's News

June 30, 2019

Guardians of Apollo: the curators preserving the Moon mission's legacy

Fondation Maeght opens an exhibition featuring Joan Miro's exceptional graphic work

Sotheby's to auction the best-surviving NASA videotape recordings of the Apollo 11 Moon Landing

Exhibition celebrates five decades if Helen Frankenthaler's innovation in printmaking

Parrasch Heijnen Gallery participates in the multi-venue Dilexi Gallery retrospective

Exhibition features Don McCullin's photographs from his ambitious journey to the fringes of the Roman Empire

The Dalí welcomes summer with three new special exhibits

MOCO Hôtel des collections, an exhibition centre for international public or private collection opens in Montpelli

Pre-Columbian gold pushes American Indian and Tribal Art auction above $1 Million

Mary's New Home and other works: Alexander and Bonin opens a group show

SculptureCenter announces new Director Christian Rattemeyer

Abstract by Nature: Sean Kelly opens a group exhibition featuring major works by an international group of artists

The East Hampton Historical Society opens 'Thomas Moran Discovers the American West'

Zidoun-Bossuyt Gallery opens an exhibition of works by the French artist Louis Granet

Locks Gallery announces representation of Louise Fishman

London's Tower Bridge an icon at 125 years old

BelgianArtPrize 2020 shortlist announced

Davis Museum appoints Kara Schneiderman to leadership team

Baltimore Museum of Art opens a branch location at Lexington Market

Holabird Western Americana Collections' announces huge, 4,000-lot Americana auction

First glimpses of restored iconic Ray Harryhausen models commemorate late cinema titan's 99th birthday

France's Meyer new director of La Scala in Milan

Original 'Star Wars' creators lift lid on special effects challenges

Winners of the first Mansfield-Ruddock Prize for art announced

Beware! You're in for a Scare: The Ultimate Terror Movies to give you Goosebumps

Why is gold so beloved around the world

How to Find the Best Locksmith

6 Art Supplies That Every Artist Needs

How To Buy Best Party Dresses Are Online In 2019

Best art pieces by plastic artist Joana Vasconcelos

Read More, Write Less: The Strategy You Must Not Follow.




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
(52 8110667640)

Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful