Lisson Gallery now representing Bernard Piffaretti in New York

The First Art Newspaper on the Net    Established in 1996 Thursday, March 28, 2024


Lisson Gallery now representing Bernard Piffaretti in New York
Untitled, 2016, Acrylic on canvas, 150 x 150 cm (59 x 59 in). © Bernard Piffaretti, Courtesy Lisson Gallery.



NEW YORK, NY.- Lisson Gallery announced representation of Paris-based artist Bernard Piffaretti in New York. For his first exhibition in the Tenth Avenue location, Piffaretti will present new paintings alongside a small selection of earlier work, all composed using the signature duplication method in which the artist has worked for nearly four decades.

After first dividing a canvas into halves with a central vertical strip of paint, Piffaretti creates a typically graphic, abstract composition in bold color on one side, and then repeats the pattern on the other. The viewer’s ensuing challenge of trying to ascertain which painterly act occurred first strikes at the heart of Piffaretti’s conceptual concerns.

By highlighting our aesthetic and emotional tendencies for problem-solving and resolution the artist both affirms and restrains the narrative power of painting. Through this technique of mirroring or doubling an image, the artist continues the philosophical exploration of difference and repetition. His occasional Tondi and petits tableaux works, with their surprise blank haves, subvert our expectations, and further emphasise the efficient simplicity of the unique pictorial game being played.

Piffaretti began developing his method in the 1970s, settling on the central mark and division method in 1986. Conceived initially as a way for the artist to escape the painted gesture and expressionist influences, the procedure is not so much a critique of abstract painting but a comment on the concept of originality. For Piffaretti, the subject of his paintings is the process. His objective is to remove any trace of subjectivity through these meta-pictures.

This quasi-mechanical approach to painting has its roots in different moments of Post-War French painting – the varied projects of Daniel Buren, Michel Parmentier, Simon Hantaï and Claude Viallat have all informed the artist’s own development. Incorporating the philosophies of these artists, Piffaretti does not seek to mimic the appearance when ‘copying’ one side of a painting to the other, but instead re-creates the same movements in his painting process. In this sense invention and rehearsal happen in the same moment. By this very methodical act, the artist is investigating Abstract Expressionism’s romanticism of the spontaneous gesture.

Piffaretti’s paintings show no distinguishable trace of recurring theme or motif and include a variety of styles and visual vocabularies. However straightforward the strategy may be, and after the original impulses of Abstraction have long been questioned and tested by others, the creativity it allows in Piffaretti’s work is evidently boundless.










Today's News

August 21, 2019

Michael Jackson art show opens in Finland despite controversy

Butler Institute of American Art celebrates centennial with exhibition

English town celebrates local hero Ed Sheeran

Facelift of Cairo's Baron Palace sparks outcry

First sale from film fan's amazing rare poster collection - worth up to £100,000

Julien's Auctions announces Property from the Life and Career of Marilyn Monroe

Maurice Car Collection brings works by iconic artists, scientists to Heritage Auctions

MCA Denver announces Nora Burnett Abrams as next Director

Lisson Gallery now representing Bernard Piffaretti in New York

Bonhams Australia offers the collection of Sir Warwick and Lady Fairfax AC OBE

Dune Buggy driven by Steve McQueen in The Thomas Crown Affair to be auctioned by Bonhams

Principal contents of Mawley Hall to be offered at September Fine Sale

Bruce Museum receives grant for preservation and restoration of historic educational films

Multiple world records shattered en route to $11M tally for Heritage Platinum Night Sports Auction

Marc Straus announces the representation of Carlos Quintana

A £1,000 banknote from 1936 to be offered at Dix Noonan Webb

Shortlist exhibition of the Preis der Nationalgalerie 2019 opens in Berlin

DeCordova awards 20th Annual Rappaport Prize to Boston-based Visual artist Daniela Rivera

Edinburgh Art Festival: Award-winning Scottish-Siberian artist celebrates ecological entanglements

National Building Museum names recipient of 2019 Vincent Scully Prize

Public libraries Culture Pass provides 70,000 passes in first year, adds 17 cultural institutions

The Arkansas Arts Center announces the appointment of Dr. Victoria Ramirez as its new Executive Director

Fred Rister, French music partner of DJ Guetta, dies after cancer battle

A guide to buying gimbal for mirror less camera

Create and Unwind: 5 Helpful Tips for Destressing as an Artist




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful