CHESTNUT HILL, MASS.- The McMullen Museum of Art
at Boston College will present Indian Ocean Current: Six Artistic Narratives, which sheds light on the complex and crucial issue of climate change, focusing on the Indian Ocean region, where temperature changes have led to extreme weather events. On display from January 27 through May 31, 2020 in the Daley Family and Monan Galleries, it features leading artists Shiraz Bayjoo, Shilpa Gupta, Nicholas Hlobo, Wangechi Mutu, Penny Siopis, and Hajra Waheed, whose works are defined by their deep ties to the lands surrounding the Indian Ocean.
This exclusive exhibitionwhich comprises videos, collages, paintings, sculptures, interactive installations, and photographsexplores the contemporary legacy of the long movement of people, things, and ideas across the Indian Ocean, according to organizers. The open and plural societies of the Indian Ocean world came under threat from the mid-twentieth century when decolonization created new nation-states that were divided, at times, by hastily erected borders. Today, these borders are losing their meanings as the Indian Oceans waters rise.
The McMullen is pleased to present six leading contemporary artists from lands bordering the Indian Ocean, said Inaugural Robert L. and Judith T. Winston Director of the McMullen Museum of Art Nancy Netzer, a BC professor of art history. Each probes different aspects of the oceans rising waters due to global warming and their resulting consequences for the migration of peoples inhabiting the region. The Museum hopes that this exhibition will bring greater awareness to the complex problems facing the Indian Ocean world and, through accompanying programs with scientists, humanists, and social scientists, invites its audience to engage in dialogue about one of the most pressing issues of our contemporary moment.
The Indian Ocean is one of the worlds great waterways and humans have crossed it for thousands of years, said exhibition co-curator and BC Professor of History Prasannan Parthasarathi. Presenting the work of six artists with close ties to the region, Indian Ocean Current explores pressing issues such as the legacy of the long movement of peoples, the impact of nations and borders on this plural world, and the future of that world as the oceans waters rise with global warming.
Indian Ocean Current: Six Artistic Narratives
Though the rich history of the Indian Ocean has been much explored, its present-day manifestations remain less studied. Indian Ocean Current probes complex and vexing questions such as: How do we make sense of the great mixing of peoples in the Indian Ocean world? How do we conceive of the water that links distant shores? How do we address the borders that now divide spaces that for so long were undivided? What do the rising waters resulting from global warming portend for the future of the Indian Ocean and the inhabitants of its bordering lands?
In the exhibition, artistic narratives are in conversation with the findings of scientists as animations, maps, films, and interviews illuminate the unusual geology of the Indian Ocean and the myriad, catastrophic effects of climate change in that region and across the globe. Included are more than eighty works by Bayjoo, Gupta, Hlobo, Mutu, Siopis, and Waheed loaned by the artists, private collectors, Museum Voorlinden, Wassenaar, and Ed Cross Fine Art, Galleria Continua, Lehmann Maupin, and Stevenson Cape Town.
Included in the exhibitions climatological sections are: a film on the Mauritian fishing industry, Vey nou Lagon; an animation on the formation of the Indian Ocean basin; interviews with scientists from Massachusettss Woods Hole Oceanographic Institution; climatological maps and animations featuring a background to understanding global warming in the Indian Ocean; and an interactive display for visitors to explore the effects of rising waters internationally.
The acclaimed contemporary artists showcased in Indian Ocean Current have been widely exhibited.
Shiraz Bayjoo (b. 1979) is a Mauritian artist based between London and Mauritius, whose multidisciplinary practice of video, painting, photography, and sculpture employs archival photographs and artifacts to explore the social, political, and historical conditions integral to Mauritian cultural identity and the wider Indian Ocean region.
Shilpa Gupta (b. 1976) lives and works in Mumbai where she studied sculpture. Her work has been exhibited internationally, including at the Berlin, Havana, Kochi-Muziris, Liverpool, Sharjah, and Venice biennials.
Nicholas Hlobo (b. 1975) was born in Cape Town and works in Johannesburg, where he creates two- and three-dimensional hybrid objects from ribbon, leather, wood, and rubber detritus. His commentary on the democratic realities of South Africa and concerns with the changing international discourse of art remain at the core of his practice.
Wangechi Mutu (b. 1972) was born in Nairobi. In her paintings, collages, films, performances, and sculptures she dissects, reconstitutes, and recontextualizes images to construct new ways of looking at what we have already seen, or highlights what we have never perceived. Her work has been the subject of numerous solo shows.
Penny Siopis (b. 1953) is honorary professor at the University of Cape Town, where she lives, and works in painting, installation, and film/video. In addition to numerous solo exhibitions, she has participated in the Gwangju, Havana, Johannesburg, Sydney, Taipei, and Venice biennials.
Hajra Waheed (b. 1980) was born in Calgary and lives and works in Montréal. Her multidisciplinary practice ranges from interactive installations to collage, video, sound, and sculpture, and explores the nexus between security, surveillance, and the covert networks of power that structure lives, while addressing the traumas and alienation of displaced subjects affected by legacies of colonial and state violence. Her work is in the permanent collections of prominent museums.
Exhibition Catalogue, Curators, and Organizers
Parthasarathi edited the exhibition catalogue. With essays by experts in environmental studies, postcolonial studies, literature, and history, it brings multiple lenses to bear on the work of the six featured artists and the complicated histories of the Indian Ocean world. Through a variety of mediums and forms, these artists grapple with the past, present, and future of the Indian Ocean. Contributors trace the connections that spanned the Indian Ocean, the movement of peoples, and the evolution of plural societies. Indian Ocean Current opens up an artistic, historical, cultural, and political conversation about an area of the world famed for its cosmopolitanism but threatened by nationalism and global warming.
Organized by the McMullen Museum of Art, Indian Ocean Current: Six Artistic Narratives has been underwritten by Boston College with major support from the Patrons of the McMullen Museum and Liliane and Christian Haub in honor of Marie-Liliane 13, Maximilian 14, and Constantin 17 Haub.
Co-curators: Salim Currimjee is an architect and artist based in Mauritius and works in the Indian Ocean region. In 2015 he founded the Institute of Contemporary Art Indian Ocean, an independent, nonprofit foundation that is a platform for art education and public art programming in Mauritius. It honors the cultural diversity of the country and seeks to activate critical thinking and dialogue through the arts of the region. Prasannan Parthasarathi is professor of South Asian history at BC. He is the author of The Transition to a Colonial Economy: Weavers, Merchants and Kings in South India, 17201800, The Spinning World: A Global History of Cotton Textiles, and Why Europe Grew Rich and Asia Did Not: Global Economic Divergence, 16001850, which received the Jerry Bentley Book Prize of the World History Association and was named a Choice magazine outstanding academic title. He is working on a study of agriculture and the environment in nineteenth-century South India.