|
The First Art Newspaper on the Net |
|
Established in 1996 |
|
Sunday, November 3, 2024 |
|
Solo for flute, airport terminal and one listener |
|
|
Stephanie Winker plays the flute for Anna Fink in a one-on-one recital at Stuttgart Airport in southern Germany on Sunday, May 10, 2020. A lucky group of concertgoers experienced live music for the first time since lockdown, in a series of ultra-intimate recitals. Louisa Marie Summer/The New York Times.
|
NEW YORK (NYT NEWS SERVICE).- On Sunday afternoon, Patrick Stein walked into Terminal 1 at Stuttgart Airport, normally one of the busiest in southern Germany.
Hed been there hundreds of times before, having once worked at the airport. Except this time was different. The hangar-like building for once wasnt teeming with passengers struggling to check weighty bags into flights, or rushing to get through security. In fact, the terminal was eerily empty, except for two chairs.
One of the chairs was for Stein. In the other sat Stephanie Winker, a flute player, waiting to give Stein his first experience of live music since Germany went into lockdown in March.
Stein said in a telephone interview that he had known the concert was going to be a strange event. It was, after all, a one-on-one, 10-minute performance; he was not allowed to speak to the musician or even to applaud at the end.
On Sunday, there were 12 one-on-one concerts at the airport, with most audience members having won their place in a Facebook contest. Similar events have been taking place in Stuttgart throughout May, at sites from gardens to museums, organized by Winker and three local orchestras. Concertgoers can book online to take part.
What Stein hadnt expected, he said, was how moving the experience would be. After sitting down opposite Winker more than 6 feet apart to maintain social distancing the pair gazed into each others eyes, as the musician decided which piece to play.
It was such an intimate moment, Stein, 29, said. It was like she was reading my mind.
Winker then lifted her instrument and launched into the Allemande from Bachs Partita in A Minor for solo flute. It immediately hit me right in my heart, Stein said. But that was not just the thrill of hearing live music again, Stein said. He had just heard that exact same melody in his car on the way to the airport albeit as a sample in a novelty pop song.
It was, like, Are you kidding me? Stein said. She had read my mind!
Winker said in a telephone interview that she had come up with the idea for one-on-one shows last year while thinking of new ways to put on concerts at a chamber music festival. She had been inspired by Marina Abramovic, the performance artist, whose 2010 work The Artist Is Present, at the Museum of Modern Art in New York, involved the artist staring into the eyes of anyone who sat opposite her.
Winker said she immediately wanted to revive the concert series when lockdown began. When corona came, and there were all these rules where the only thing you can do is be 2 meters apart from everyone, I just thought, Wow. One-on-one concerts would be the only form of performance that could work in this moment, she said.
Attendees said they certainly found the intimate scale of the event moving, even in such bizarre surroundings. Ive never felt such a connection between musician and audience, said Maike Knauer, 19, one of the concertgoers, in a written statement.
Kai Gniffke, the director-general of SWR, a public broadcaster connected to one of the orchestras involved in organizing the concert series, said he, too, had been moved. When he sat down opposite Markus Tillier, a cellist, he had felt sad, he said, thinking about how this was the only way he could experience a concert, maybe for months.
Tillier looked into his eyes, then started to play a slow, mournful piece. It was exactly what I needed in that situation, Gniffke said.
Hanno Dönneweg, a bassoonist at the SWR Symphony Orchestra, who performed at the airport Sunday, said his experience of being in the building this time was very different. Normally when I go into the airport, I only have a few minutes until the plane leaves, and Im stressed and rushing to the security check and Im looking at my watch, he said, in a telephone interview. Today, it was totally calm and empty.
The setting brought home just how much the world had changed because of the pandemic, he added. Nothing is moving anymore, he said. Everything has come to a stop.
Dönneweg played for four women, he said. Some walked up to the performance area confidently, he said, others nervously tried to avoid eye contact. He said he had been nervous, too. Sometimes during playing Im thinking, Does she like it? Does she like bassoon? Would she be happier with a violin or cello? he said.
During the last performance, the audience member appeared to cry, he recalled. I didnt know if she was sad, maybe thinking of someone she had lost, or she was happy because of the music.
He desperately wanted to play a grand concert hall again, he added, to play complicated, loud works in front of one or two thousand people. But the emotions with this are totally different, he said. He had connected with people Sunday in a way he never would have managed in a large space. Maybe we should keep doing it after, he said.
© 2020 The New York Times Company
|
|
Today's News
May 15, 2020
When the virus came, some museum curators lost years of work
My weekend binge online at Frieze
Sainsbury Centre acquires a group of 29 major works by Elisabeth Frink
Moderna Museet in Stockholm and Malmö to reopen on June 16
Sotheby's scales up 'Watches Weekly' to three sales per week
Online sale featured a generous offering of advertising, toys and historic objects
Jonathan Crockett named Chairman of Asia at Phillips
Thomas Sokolowski, 70, dies; put art in the service of AIDS activism
Galerie Miranda reopens with he exhibition 'The Place of the Dry, Dry', by Chloe Sells
Royal Collection Trust publishes 'Japan: Courts and Culture'
Richard Gilder, donor to parks, museum and history, dies at 87
NYU Abu Dhabi Art Gallery launches first-ever digital archive
Jonathan Adewumi, who made everyone feel at home, dies at 57
LaiSun Keane announces a solo exhibition of Native American artist and sculptor Raven Halfmoon
Takesada Matsutani presents a series of previously unseen works at Hauser & Wirth
How lockdown spelled stardom for 3 play-at-home musicians
Solo for flute, airport terminal and one listener
James Hyman Gallery presents online exhibition to address physical and mental health
German dramatist, Vatican critic Rolf Hochhuth dead at 89
Turner Auctions + Appraisals to offer collection of posters from World Wars I & II
With galleries closed, a moment for net artists to shine
De Buck Gallery opens an exhibition of works by Hiba Schahbaz
Artangel and Freelands Foundation launch new initiative to support emerging artists
National Gallery and Art Fund foster new museum talent
Best skincare advice from Consulting Dermatologists that you should be aware of
Advantages of approaching Portland Temporary Staffing Agency
What Is A Firewall And How Does It Work?
How to Top up Wechat Wallet for Foreigner without China bank Card in 2020
|
|
|
|
|
Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography, Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs, Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, . |
|
|
|
Royalville Communications, Inc produces:
|
|
|
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful
|
|