The First Art Newspaper on the Net   Established in 1996 Monday, August 10, 2020


Will the last Confederate statue standing turn off the lights?
A man on a motorcycle exchanges words with supporters of a Juneteenth event at the statue of Robert E. Lee at Lee Circle in Richmond, Va., June 20, 2020. The statue has become the site of an unlikely community space. That may change abruptly with new restrictions from the police. Carlos Bernate/The New York Times.

by Ezra Marcus



RICHMOND (NYT NEWS SERVICE).- Until three weeks ago, Lee Circle, which is named for the 130-year-old statue of Gen. Robert E. Lee that stands some 60 feet high at its center, attracted few visitors beyond the occasional tourist or weekend sunbather.

But as protests over police brutality and racism, ignited by the killing of George Floyd while he was in policy custody, have spread across the country, and Confederate monuments have been torn down in many cities, crowds of people have been showing up to this little park on Monument Avenue every day.

At first it was to protest. Now the crowd resembles something of a block party.

Children and families mill about and take photos. Food stands, voter registration tents, portable basketball hoops and a lending library have popped up. And there is often music and dancing: On a recent weekday afternoon, a woman sat in a folding chair playing a cello in front of the statue while a Beyoncé song blared from a portable speaker in a booth where volunteers were handing out water bottles.

One night, a local band covered Rage Against the Machine songs for a crowd of moshing young people. R&B star Trey Songz held a candlelight vigil there on Juneteenth. And the next morning, a Saturday, newlyweds posed on the statue in white wedding attire. A crowd gathered and cheered when the couple raised their fists.

The towering bronze and stone Confederate statue still stands at the middle of it all, despite an order by the governor of Virginia, Ralph Northam, that it be taken down. The move has been blocked by a temporary injunction from a Richmond circuit court, and the situation is complicated further by a new state law goes into effect July 1 that gives local governments the authority to remove monuments on their own. The governor is still promising to remove the statue.

But the monument’s appearance has changed dramatically. Over the last few weeks, visitors have tagged the enormous base with a kaleidoscopic array of graffiti, including the protest messages of “stop killing us” and “defund the police.”

Paint canisters are left for others to use, and new words appear every day. At night, an artist named Dustin Klein, who produces visual displays for EDM concerts, projects images of figures including Harriet Tubman and George Floyd on the monument. The park’s grass has turned brown and patchy from so much use.

Even as protesters elsewhere in Richmond continued to clash with police, Lee Circle had become something of a round-the-clock community space — a site of “public gatherings that never before existed,” as The Richmond Times-Dispatch put it.

That may change abruptly. On June 22, state and local police announced that the grounds would “close to the public from sunset to sunrise” and that “unlawful activity” in the park was prohibited, including “climbing on the statue or its steps,” and affixing “additional banners, flags, posters or other objects” to the statue. (On Tuesday morning, President Donald Trump tweeted his intent to pass an executive order authorizing “the Federal Government to arrest anyone who vandalizes or destroys any monument, statue or other such Federal property in the U.S. with up to 10 years in prison.”)

Within an hour of the announcement, more than 100 activists gathered at the park, preparing for a clash with the police. As lightning flashed overhead, they stood on the statue’s stone steps, many carrying firearms or makeshift shields. Police lights were visible down Monument Avenue in either direction.

“I’ll be on the front lines,” said Brian Jones, 32, referring to the possibility for fighting. “How would I explain it to my kids if I wasn’t?”

Ultimately, the police did not try to enforce the curfew, though many people believe they will do so this week. Those who have created a new community base at the park said they plan to resist the crackdown as long as they can.

“This is my family,” said one activist, who declined to give her name. “This is a safe place for us.” She had tears in her eyes.

Community Born of Necessity
Last week, Travis and Tori Sky, 32 and 29, brought their son Major, 4, to the monument to celebrate his graduation from kindergarten, coaxing him to raise a fist in front of the altered statue for a photo. “Even if he doesn’t remember, we can tell him that he was here,” Travis Sky said.

Asked what he thought of the graffiti beneath his feet, Major said: “I like all of the colors.”

“Does any of this mean anything to you?” Sky asked.

“Mmm … no,” Major said, grinning.

Several weeks before, on May 30, hundreds of activists marched down Monument Avenue, which is one of Richmond’s wealthiest streets, calling for removal of the five Confederate statues that give it its name.




On the evening of June 1, the police tear gassed a protest at Lee Circle about half an hour before a curfew, initially claiming that protesters were violent before later apologizing. The marches continued, and then people started showing up all the time, even outside of organized marches.

One of the people tear gassed was Ida Allen, 32, who works as a bartender. The incident galvanized her to set up a tent in the park to hand out water bottles and snacks to protesters. From there, she and a friend, Ashley Cottingham, 29, organized their efforts into a new group called Richmond Action Alliance, which aims to support the protest movement and register people to vote in order to create “a real change,” Allen said.

“It’s a place where we have cookouts, we have great conversations,” she said of the new community that is forming at Lee Circle. “It’s just a place of love and where people with like minds can congregate.”

Eli Swann, a volunteer for the Richmond Action Alliance, has spent many of the past 15 days in the park, he said, handing out water and helping people register to vote. He said the altered statue “looks greater than it ever did.”

The Fight Over the Statue’s Future
On June 8, a lawsuit against Northam was filed by William C. Gregory, who is described in the legal filing as the great-grandson of the couple that transferred the Robert E. Lee statue from private property to the state.

His lawsuit argues that the state, through the deed and an 1889 resolution of the General Assembly, agreed to “faithfully guard” and “affectionately protect” the monument — and that removing it from Lee Circle would breach that agreement. A Virginia judge issued an injunction against any state action while the court battle plays out.

On June 15, a group of homeowners on Monument Avenue filed a separate lawsuit, claiming that removing the statue would end the neighborhood’s designation as a National Historic Landmark district, causing them to suffer “the loss of favorable tax treatment and reduction in property values.” (While the Lee statue is owned by the state, the other four Confederate statues are owned by the city. Richmond Mayor Levar Stoney has promised to remove them, too.)

Only one of the homeowners is named in the Monument Avenue lawsuit: Helen Marie Taylor, 96. She recently gave an interview to The Washington Post in which she called the protesters “scoundrels” and “graffiti goons.” A phrase tagged on the Lee statue in the days after the article was published seemed to offer a rejoinder: “YOUR TAX STATUS IS RACIST.”

The attention to the park has drawn a spectrum of characters, onlookers and counterprotesters. One morning an older Black man stood on the statue ledge with a placard and a megaphone demanding that people acknowledge Lee’s contribution to the Mexican-American War. Another day, four men sat silently at a table passing out literature, their T-shirts promoting a Jews for Jesus website.

Virginia is an open-carry state, and firearms are not an uncommon sight at Lee Circle: On a recent Saturday morning, several armed groups met in front of the statue for an impromptu gun show, comparing high-caliber rifles with elaborate scopes. Two men with pistols on their belts showed up another morning, holding American flags to mock anti-racism protesters, yelling “loot and riot” in the same cadence many people use to chant “Black Lives Matter.”

Activists say they have tracked threats posted by white supremacist groups on Facebook, and early on June 20, a SWAT team arrested a man with a gun for trespassing on the roof of a building overlooking the park. He was later identified as an officer with the Richmond International Airport Police Department. On another occasion, police detained several individuals who were armed with assault-style rifles and handguns after a pickup truck ran into a group of bicyclists near the statue. One of the people was later arrested and charged with possession of a firearm by a felon, according to The Richmond Times-Dispatch.

Partly in response to counterprotesters, some individuals have begun showing up armed to keep the peace and protect the community, they said. On July 1, a previously passed ban on carrying firearms into public parks and buildings in Richmond will go into effect.

Whether the statue stays, it seems the public has decided that the space will continue to serve a different purpose than as a shrine to the Confederacy. A large wooden sign on the park says: “Welcome to Marcus-David Peters Circle,” a reference to a man who was shot and killed by police in Richmond in 2018 during a mental health crisis.

Dozens of laminated memorial placards have been posted in a circle along the outer rim of the park and the base of the statue. Each has the name, photo and brief biography of a Black person killed by police, including George Floyd and Eric Garner, as well as George Stinney, a 14-year-old boy executed in South Carolina after an unfair trial in 1944. Visitors leave flowers and candles and stuffed animals there.

Living History
On Juneteenth, hundreds of people attended the celebration and candlelight vigil at Lee Circle organized by several local groups as well as Songz, a native of Petersburg, Virginia. “I’m scared for my son,” he told the crowd from the base of the monument. “They’re taking our lives as if they can and keep walking. They keep living their life, go home to their families after they take one of ours. I ain’t going.”

Before he spoke, a DJ warmed up the crowd as the sun set. Four elementary school-age boys danced to Kendrick Lamar’s “Alright” on the monument’s ledge. A Black family posed on one side of the monument with fists raised, wearing shirts that read: “I am my ancestors’ wildest dream.”

On another side of the statue, two young women posing in caps and gowns celebrated their high school graduation. And across the street, a man named Darryl Jones served up free pulled-pork sandwiches from a grill. In a message on the mobile payment platform Venmo, he described his mission as “providing for the protesters,” adding an emoji of a black fist.

As the gatherings at Lee Circle have continued, some Richmond residents are visiting the statue for the first time. “Before now, I would have just driven by this, not giving it no mind, because, you know, it’s a Confederate monument,” said Michael Weaver, 22, an urban planning student at Virginia Commonwealth University.

Now he doesn’t want to leave the park. “I’ve never seen anything like it,” he said of the statue. “How it looks right now, with all that artwork on it? That’s a history piece right there.”

© 2020 The New York Times Company










Today's News

June 24, 2020

Curators urge Guggenheim to fix culture that 'enables racism'

Nationalmuseum Sweden returns a painting to a Polish museum

Life hatched from soft eggs, some a foot long, in dinosaur era

Venus Over Manhattan announces worldwide representation of the Estate of Roy De Forest

Swiss Made UNLOCKED: Sotheby's launches a brand-new multi-disciplinary online auction

Jack Kirby anchors Comics & Comic Art Auction filled with iconic pieces

Mike Childs, A Journey of Grids, Color and Curvilinear Forms 2004 to 2020 on view at David Richard Gallery

Eli Wilner Frame Restoration Grant awarded to the Museums at Washington and Lee University

The Bruce Museum announces major new donation to its mineral collection

Prodigy musician Maxim donates new artwork to 'United for Change' an anti-racism fundraising exhibition

Michael Bruno's fight to support small businesses in New York State

Carol Rowan's exquisite graphite renderings now on view at Sam Shaw Contemporary

Narine Arakelian's performance art introduces Empathy Aesthetics, a response to the COVID-19 pandemic

Christie's partners with Asian Cultural Council to auction three important artworks

National Endowment for the Arts announces 2020 National Heritage Fellowship recipients

Will the last Confederate statue standing turn off the lights?

Stedelijk Museum opens interdisciplinary exhibition "In the Presence of Absence"

Anti-racism protests turn spotlight on icons of US history

A 1978 play plucked from the slush pile gets a timely new reading

England hospitality and tourism sector to reopen from July 4

Christie's Classic Week Online totals $13.4 million

A $3.7 million record haul thanks to Walt Disney, Charlie Brown, The Simpsons and other animated favorites

Christie's to offer works from the Suñol Soler Collection

Jean Raspail, whose immigration novel drew the far right, dies at 94

Exciting School Trip Itineraries For Artistic Minds

How interior stairs, kitchen, and lobby interior design give your home contemporary & stunning looks?

Top 8 Leading Video Editing Applications Available In The Market

Tips to Repair and Revive Your Skin

Ximivogue's product design

Choosing between Separation and Online Divorce




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez

Royalville Communications, Inc
produces:

ignaciovillarreal.org avemariasound.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. The most varied versions
of this beautiful prayer.
Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful