Exhibition of new paintings by Stanley Whitney on view at Gagosian Rome

The First Art Newspaper on the Net    Established in 1996 Friday, March 29, 2024


Exhibition of new paintings by Stanley Whitney on view at Gagosian Rome
Stanley Whitney, Gagosian Rome, September 10 – October 17. Courtesy Gagosian and the artist. Photo: Matteo D'Eletto, M3 Studio.



ROME.- Gagosian is presenting new paintings by Stanley Whitney. Originally scheduled to open in April, but delayed by the pandemic, this is his first exhibition with the gallery and his first major exhibition in Rome, where he lived for five years during the 1990s. It features paintings produced both in New York and in the artist’s studio near Parma, Italy.

Whitney’s vibrant abstract paintings unlock the linear structure of the grid, imbuing it with new and unexpected cadences of color, rhythm, and space. Deriving inspiration from sources as diverse as Piet Mondrian, free jazz, and American quilt making, Whitney composes with blocks and bars that articulate a chromatic call-and-response within the bounds of each canvas.




Whitney has spent decades experimenting with the seemingly limitless potential of a single compositional method, loosely dividing square canvases into multiple registers. The thinly applied oil paint retains his active brushwork and allows for a degree of transparency and tension at the borders between each rectilinear parcel of vivid color. In varying canvas sizes, he explores the shifting effects of his freehand geometries at both intimate and grand scales as he deftly lays down successive blocks of paint, heeding the call of each color.

Although Whitney has been deeply invested in chromatic experimentation throughout his career, he consolidated his distinctive approach during a formative trip to Italy in 1992, shifting his compositions from untethered amorphous forms to the denser stacked arrangements that characterize his mature style. It was Roman art and architecture—including the imposing facades of the Colosseum and the Palazzo Farnese and the stacked shelves of funerary urns on display at the National Etruscan Museum—that informed Whitney’s nuanced understanding of the relationship between color and geometry.

Italy remains a central and enduring source of inspiration for Whitney, who spends his summers painting at his studio near Parma. When working there, he adapts his palette to the surrounding history, permitting muted colors—rounded beiges and browns, and Pompeiian red—to assume prominence in his rich and varied compositions. These warm hues appear in full force in Bertacca 3 (2019), one of large canvases that Whitney painted in Italy. Here, he re-creates the shade of vermilion featured throughout the Boscoreale frescoes at the National Archaeological Museum in Naples, transposing this jewellike tone onto canvas in dense strips and lozenges of paint, then directly juxtaposing it against the cardinal red that he developed in the United States. Thus Whitney’s intercultural chromatic contrasts create a dynamic interplay of space and mass, bringing the rhythms of the classical past into conversation with the active present.










Today's News

September 29, 2020

Early works by Edward Hopper found to be copies of other artists

Ai Weiwei supports Assange with silent protest

Britain to return looted 4,000-year-old plaque to Iraq

Paris finally bows to Coco Chanel's flawed greatness

He Art Museum designed by Tadao Ando opens to the public on 1st October

A new Zwirner gallery with an all-Black staff

Jewellery auction to star the largest Burmese 'Royal Blue' Sapphire offered at Sotheby's in the last two decades

Head of Auschwitz Memorial seeks easing of Nigerian boy's prison sentence

Exhibition of new paintings by Stanley Whitney on view at Gagosian Rome

Major retrospective features rarely seen works by virtuoso woodcarver Elijah Pierce

Bonhams goes Pop

Works by Pino Pascali and Lucio Fontana lead Christie's Thinking Italian Art and Design sale

British photographer Richard Ansett & Tim Williams Fine Art release two new editions of Grayson Perry portraits

Chisenhale Gallery opens Thao Nguyen Phan's first solo exhibition in the UK

Sterling Associates announces highlights of Estates Auction

UK invites the world to collaborate on musical soundscape Expo 2020 Dubai

Bonhams announces promotion of Leslie Roskind to Head of Jewellery, Hong Kong

Two possibly unique watches by Patek Philippe and Rolex lead Sotheby's sale

Turkey seeks new life for submerged tourist town

At last - the online guide art and antiques dealers have been waiting for

Live, urgent, but with a slightly recycled feel

Art Rotterdam: 22nd edition will be held from 4-7 February 2021

Letter written in 1943 by Albert Einstein condemning racism in the U.S. is for sale

Newlands House opens a major retrospective of Ron Arad's work

Usage of Bitcoins in the fashion industry

The Resounding Success of Blackjack

Can Art Be Truly Appreciated When Only Sold Online?

What to Do in Case You Get Injured Due to Bad Infrastructure?

What Colours And Music Do Casinos Choose And Why?

7 Most Popular Driveway Surfaces and What to Know about them

Famous Works of Art That Portray Gambling

How to measure ROI for an SEO strategy

The connection between Belviq and cancer

What Casinos Have Good Art Exhibits?

Causes of birth injuries related to negligence

Learning About the Best Roulette Tips for Online Games

It's a Smart Move with Home Smart




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful