Virtual Cotsen Textile Traces Global Roundtable will explore the rich traditions of lacemaking
The First Art Newspaper on the Net    Established in 1996 Saturday, November 9, 2024


Virtual Cotsen Textile Traces Global Roundtable will explore the rich traditions of lacemaking
Italy, 17th century. Cotsen Textile Traces Study Collection T-0703.



WASHINGTON, DC.- The third annual virtual Cotsen Textile Traces Global Roundtable explores the rich traditions of lacemaking through examples from the Cotsen Textile Traces Study Collection at The George Washington University Museum and The Textile Museum in Washington, D.C., October 12 and 13.

The Cotsen Textile Traces Global Roundtable: Lacing Around the World and Across Time includes some fifteen international scholars, artists and designers, who will present multiple dimensions of the global art, from its history and globalization to innovations, fashion and artistic creativity. This program is a partnership with Bard Graduate Center, New York, and Textilmuseum St. Gallen, Switzerland, and is supported through the Cotsen Textile Traces Study Collection Endowment.

Those interested in attending the roundtable should register early in order to receive links and details for joining each day of the roundtable on Zoom, as well as a full program with the detailed schedule.

The Cotsen Textile Traces Study Collection represents a lifetime of collecting by business leader and philanthropist Lloyd Cotsen (1929-2017). Comprised of nearly 4,000 fragments from all over the world, the collection offers insights into human creativity from antiquity to the present. Cornerstones of the collection include fragments from Japan, China, pre-Hispanic Peru and 16th- to 18th-century Europe. The entire collection is available online.



Italy, 1580-1629. Cotsen Textile Traces Study Collection T-2845.

Wednesday, October 12: Situating Lace: Traditions and Transmission

10-10:30 a.m.
Introduction
Lori Kartchner, curator of education, The George Washington University Museum and The Textile Museum, Washington D.C.
John Wetenhall, director, The George Washington University Museum and The Textile Museum, Washington D.C.
Emma Cormack, associate curator, Bard Graduate Center, New York
Marie-Eve Celio-Scheurer, art historian, academic coordinator, Cotsen Textile Traces Study Center, The George Washington University Museum and The Textile Museum, Washington D.C.

Panel 1: 10:30-11:30 a.m.
Needle Lace, Bobbin Lace: Traditions and Transmissions
Diana Greenwold, Lunder Curator of American Art, National Museum of Asian Art, Smithsonian Institution, Washington D.C.
Cecilia Gunzburger, lecturer, decorative arts and design history, the George Washington University and Smithsonian Institution, Washington D.C.
Sarah Besson Coppotelli, head of collections, Musée et château de Valangin, Switzerland

Panel 2: 11:30 a.m.-12:30 p.m.
Mimicking Lace
Sumru Krody, senior curator, The Textile Museum Collection, The George Washington University Museum and The Textile Museum, Washington D.C.
Vaishnavi Kambadur, assistant curator, Museum of Art & Photography (MAP), Bengaluru, India



France, c. 1725. Cotsen Textile Traces Study Collection T-0598.

Thursday, October 13: Exploring Global Traditions and Industrial Innovations in Contemporary Creativity

10-10:30 a.m.
Keynote Opening
Emma Cormack, associate curator, Bard Graduate Center, New York
Ilona Kos, curator, Textilmuseum St. Gallen, Switzerland
Michel Majer, professor emerita, Bard Graduate Center, New York

Panel 3: 10:30 a.m.-11:30 p.m.
Handmade Lace Today
Caroline Kipp, curator of contemporary art, The George Washington University Museum and The Textile Museum, Washington D.C.
Elena Kanagy-Loux, collections specialist, Antonio Ratti Textile Center, The Metropolitan Museum of Art, New York
Nidhi Garg Allen, founder and CEO, Marasim, New York/India

Panel 4: 11:30 a.m.-12:30 p.m.
Industrial Innovations
Elena Kanagy-Loux, collections specialist, Antonio Ratti Textile Center, The Metropolitan Museum of Art, New York
Jérémy Gobé, artist, founder, Corail Artefact, France
Rose-Lynn Fisher, artist, United States




Rose-Lynn Fisher (b. 1955), "Tears & Lace (Last tear I ever cry for you)," United States, 2009-2016. Cotsen Textile Traces Study Collection T-3256a, b. © Rose-Lynn Fisher.

Image credits
Cotsen Textile Traces Study Center.
Photos by Bruce M. White Photography.
Courtesy of The George Washington University Museum and The Textile Museum.










Today's News

September 22, 2022

Virtual Cotsen Textile Traces Global Roundtable will explore the rich traditions of lacemaking

Tyler Mitchell: From glossy magazines to a mega gallery

Senga Nengudi wins the 2023 Nasher Prize for Sculpture

Robert Fripp lightens up

Sydney museum sends visitors into an oil tank (and an artist's imagination)

Presentation at Xavier Hufkens showcases all five decades of Giorgio Griffa's career

Almine Rech announces opening of new U.S. flagship: Tribeca, New York City

The Cleveland Museum of Art announces new acquisitions

Hauser & Wirth New York opens an exhibition of Jenny Holzer's most recent works

Aperture Foundation lands a new headquarters

Belgian artist Sophie Kuijken opens an exhibition at Galerie Nathalie Obadia

Fort Gansevoort features twelve new large-scale works by Dawn Williams Boyd

Olivia Plender opens her second exhibition at Maureen Paley

Opening today: James Fuentes presents Keegan Monaghan: Indicator

The 'alien goldfish' finds a home

Success for "Provenance Revealed: Galerie Steinitz" - doubles the pre-sale estimate

DIA to collect works focused on automotive, industrial, and decorative design

A welcome gust of weird, and adventures in shadow puppetry

'Beetlejuice' to close on Broadway

New exhibition celebrates mumok's 60th anniversary

Significant works by Thomas Struth and Hilla & Bernd Becher headline Heritage's October Photography Auction

Alchemy Gallery opens a solo show featuring the vibrant, fantastical works of Christina Allan

SculptureCenter presents the first U.S. exhibition of artist Henrike Naumann

Latin Artists' New Media Work About Migration Awarded In The UK

Tips To Make Food More Delicious and Save Money

How Disney+ has Impacted the Streaming World over the Time

Ready to Invest in a Luxury RV? Here Are 4 Things You Need to Know

Virtual Reality artists nominated for Lumen Prize

How do discount vouchers function, and what are they?

Taking Your Procreate Skills To The Next Level

How to Treat Melasma.

Does Careprost Eyelash Serum Perfect for Eyelash Growth?

How AI and Blockchain Influenced R&D in Indian Pharma

Features of Honeywell Thermostat - Installation Process

Differentiate between U Part Wig Human Hair, Glueless Human Hair, and Undetectable Lace Wigs - Luvme Hair

The Pros and Cons of Gambling

Seeking to Work in the USA or Settling Down There? Then Check Out NAFTA Professional List Periodically




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful