Starting August 4th, the exhibition R² Rūsiņ Rozīte, part of the cycle The Generation, is presented in the right wing galleries of the 2nd floor of the main building of the Latvian National Museum of Art
in Riga (Jaņa Rozentāla laukums 1).
Maximal minimalist, R², is how Rūsiņ Rozīte (19431978) defined himself. The artists creative versatility was phenomenal graphic art, painting, book illustration, stage design. Rūsiņ thought and worked quickly, he was present at the academys balls, theatre performances and events. This intensity of processes and the broad circle of friends was a sort of necessity for getting to know different spheres of life, and Rūsiņ appeared and disappeared in this self-made social whirlwind like a flash.
Rūsiņ Rozīte entered the art scene effortlessly: started his education, like many, at the Janis Rozentāls Art High School under teacher Edgars Iltners, joined the Art Academy in the Department of Painting, but ended up with graphic artists, at the same time still considering painting to be his priority. Rūsiņ passion often exasperated professor Artūrs Apinis, since he often cut his drawings unacademically deep, making the etching plates unusable for a second time. Already during his studies, Rozītes clear, laconic style with a concisely expressive, symbolic message had taken shape. In art, Rūsiņ kept his characteristic impulsiveness under control, realising his ideas with maximum precision, since in order to achieve what is possible one must desire the impossible.
On the first floor of a darkly-painted house in Vecāķi with a roof sheeted in black tar paper there was an empty room with white walls. This was the defiantly simple rationalism in which the most significant of Rūsiņ works were made in the late 1960s Mathematicians, Writers, Artists Still Life, The Drunken Chair, The Black Sun. He spent his summers painting while winter was the time for graphic art.
Still being a last-year student, Rūsiņ responded to his friend, young director Juris Strengas invitation to make the stage design for Estonian playwright Mati Unts play Kāda būsi, mana pasaule? [What Will You Be, My World?] (1967). For the Dailes Theatre, it was something unusual a black stage, the white square of the boxing ring, planed chairs from white wood. The actors played in an absolutely minimalist space while the director commented on the proceedings from the auditorium during the performances.
Rūsiņ Rozīte was the first stage minimalist. Stage designs for three further plays followed, yet his proposals encountered objections from the artistic council and the resulting compromises provided no satisfaction to either the director or the artist.
Theatricality is also characteristic of Rūsiņ Rozītes work in painting and graphic art. At first sight, the image appears clear and unequivocal, but then the curtain to its surreal life is raised. An immaterial presence like vapour envelops objects and living creatures that appear on the stage of Rūsiņ Rozītes art.
Geometry is of crucial importance in Rozītes works. Endless rows of arches, long walls, straight lines, unfilled fields or meshes from industrial constructions objects multiple appearances across different works are means of conveying a feeling of vastness, solitude and stillness.
The use of reverse perspective in still-life paintings is another element typical of the artist. At the same time, this oddness involves something light and childishly cheerful, making it possible to observe the objects with even greater attention. What is humanly mundane in this symmetrically accurate order approaches the meaning of a sign or symbol. The essence of peace and beauty is what is revealed in the purity of colours and the spatial perfection of the objects volumes. Everything is rationally considered and brought to universal stillness. Perhaps that is what melancholy squared in sharp outline could look like.
The exhibition includes works from the collections of the Latvian National Museum of Art, Artists Union of Latvia, Zuzāns Collection and several private collections. -Text by Ilze Putniņa
The Generation Cycle
Each generation belongs to an era. The Latvian National Museum of Arts (LNMA) exhibition cycle The Generation began in 2016, focusing on art of the second half of the 20th century. The cycles programme is realised in the 4th Floor Exhibition Halls and since 2021 also in the right wing exposition halls on the 2nd floor of the main building of LNMA. The exhibitions devoted to many important figures in Latvian art have been held, such as Boriss Bērziņ, Felicita Pauļuka, Daina Riņķe, Henrijs Klēbahs, Līvija Endzelīna, Hilda Vīka, Gunārs Krollis, Demma Skulme, Romualds Geikins, Daina Dagnija, Jānis Pauļuks, Māra Kaociņa, Inta Celmiņa, Auseklis Bauķenieks, Gunārs Cīlītis, Jānis Aivars Karlovs, Biruta Baumane, Lea Dāvidova-Medene, Imants Vecozols, Rūsiņ Rozīte. There are exhibitions in preparation for Aija Jurjāne, Rolands Kaņeps, Līga Purmale. -Text by Elita Ansone
Ilze Putniņa, Curator of the Latvian Painting Collection (2nd Half of the 20th 21st Century) / Latvian National Museum of Art
Author of the exhibition design concept:
Curator of the exhibition cycle The Generation:
Dr. art. Elita Ansone, Head of Collections and Scientific Research Department ARSENĀLS
(2nd Half of the 20th 21st Century) / Latvian National Museum of Art
The Latvian National Museum of Art
Exhibition from The Generation cycle
4 August 2023 7 January 2024