Steinbrener/Dempf & Huber installs Victory Spikes in Munich
The First Art Newspaper on the Net    Established in 1996 Saturday, December 21, 2024


Steinbrener/Dempf & Huber installs Victory Spikes in Munich
In Victory Spikes, the top of the monument is covered with spikes. Although the spikes that are commonly used to repel pigeons are approximately 10 centimeters long, the spikes used in this installation are scaled-up, measuring 3.5 meters.



BERLIN.- Victory Spikes, created by the Viennese artist collective Steinbrener/Dempf & Huber, addresses the ongoing international discourse regarding historical monuments and the debate over demolishing controversial structures. The installation will be exhibited in Munich until November 20, 2022.

Making a case for not effacing the past, Victory Spikes comments on new ways to update a monument’s historical relevance – with the aim to revitalize Munich’s ambivalent Victory Gate (Siegestor). The monument was originally constructed between 1843–1850 as a war memorial dedicated to the Bavarian army, and after the Second World War, it was repurposed as a shrine for peace.

In Victory Spikes, the top of the monument is covered with spikes. Although the spikes that are commonly used to repel pigeons are approximately 10 centimeters long, the spikes used in this installation are scaled-up, measuring 3.5 meters.

By greatly increasing the size of the spikes – viewers are encouraged to imagine a gigantic dove, the quintessential symbol of peace. What is deliberately left open is the question whether the scaled-up spike defence against an oversized dove alludes to the almost forgotten peace movement of our time – or to a sabre-rattling and general military build-up.

Victory Spikes is part of the Past Statements Program, in conjunction with Public Art Munich and the Institute of Local History and Remembrance Culture at Munich’s Department of Arts and Culture.

The Steinbrener/Dempf & Huber collective consists of sculptor Christoph Steinbrener, photographer and graphic designer Rainer Dempf, and architect Martin Huber.

The group has participated in numerous solo and group exhibitions, installations, and art interventions in numerous museums and cultural centers throughout Europe and in the USA, including the DAC/Danish Architecture Center in Copenhagen; Museo Valenciano de la Ilustración y de la Modernidad in Spain; the Swiss Architecture Museum in Basel; the Museo d’Arte Moderna Ugo Carà in Muggia, Italy; Expo Milano; Fundacion Canal in Madrid; and Julia C. Butridge Gallery, Dougherty Arts Center in Houston, Texas.

In Austria their work has been shown at the Museum of Natural History, the Kunsthalle Wien, and the Zoo Schönbrunn in Vienna; the Kunsthaus in Mürz; Landesgalerie Niederösterreich in Krems; Ötscher-Tormäuer Nature Park in Wienerbruck; and OÖ Kulturquartier, Kunstraum Dornbirn, and Center for Contemporary Art in Linz.

Permanent installations created by the collective include in Vienna, commissioned by the Viennese public art agency KÖR; and Critical Mass, commissioned by SPZ in Dornbirn, Austria.










Today's News

September 23, 2022

Schantz Galleries opens an exhibition of cast glass from Sweden by Bertil Vallien

Galería RGR opens a solo exhibition of works by Julio Le Parc

Ernie Barnes and Fred Eversley headline Post-War & Contemporary Art Auction at Hindman

Christie's New York announces The Roger Sant Collection

Exhibition at the Belvedere explores the tree in art

Gagosian opens an exhibition of new and recent works by Sarah Sze

A new audience and a long-awaited return: Hilma af Klint and "The Ten Largest" at Moderna Museet

The Philadelphia Museum of Art opens 'River of Forms: Giuseppe Penone's Drawings'

Miller & Miller announces highlights included in Canadiana & Folk Art Auction

Exhibition highlights the careers of three PDNB artists that passed away within the past nine months

Colby College announces Lyons Arts Lab

Freeman's Books & Manuscripts Auction kicks off fall season with sale of rare colonial first edition

Ralph Lemon receives The Whitney's 2022 Bucksbaum Award

Ogden Contemporary Arts presents: Ideal Home

HistoryMiami Museum announces Natalia Crujeiras as new CEO and Executive Director

Jerwood/Photoworks Awards 4: Heather Agyepong and Joanne Coates

Steinbrener/Dempf & Huber installs Victory Spikes in Munich

Lawrie Shabibi opens an exhibition of works by Nathaniel Rackowe

Bisma Hussain's first solo exhibition opens at Over the Influence

Carol Burnett leading campaign to rename theater for Hal Prince

Tracey Emin to offer 'Like A Cloud Of Blood (2022)' to raise funds

Silverlens presents the first New York solo gallery shows by artists Martha Atienza and Yee I-Lann

Immersive art experience The Awakening opens at the Honolulu Museum of Art

Yinka Ilori's creative practice explored for first time at the Design Museum




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
(52 8110667640)

Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful