Engaging the community: Wilhelm Klotzek's participatory art sparks dialogue in public places
The First Art Newspaper on the Net    Established in 1996 Friday, January 3, 2025


Engaging the community: Wilhelm Klotzek's participatory art sparks dialogue in public places
Wilhelm Klotzek, “Montags im Museum“, installation view Kunsthalle Osnabrück, 2024. Courtesy Wilhelm Klotzek, Klosterfelde Edition and Kunsthalle Osnabrück. Photo: Thomas Krüger.



OSNABRÜCK.- Wilhelm Klotzek creates many different forms of art. Installations, sculptures, miniature models, poster series or text as forms of storytelling. [An installation is a work of art in space].The public space often plays an important role in his works. Places such as parks, squares or streets. Because he thinks: This is where important questions are negotiated together. Questions of socialisation with art, design and politics. [Socialisation means here: How have we learnt to deal with art, design and politics? From childhood onwards. How do we deal with it? What experiences have we had?]. Wilhelm Klotzek finds: Memories come together in public places. Private memories, but also shared memories of important moments in history. Wilhelm Klotzek tells of this in his humorous visual language.

Located in the inner courtyard of the Kunsthalle Osnabrück, Wilhelm Klotzek has created an “outdoor museum.” Museums have been around for a long time. Their significance has developed over the course of history. They are public institutions for the cultivation and communication of culture. A museum, however, can only show a limited selection of things. Who decides what knowledge and values should be conveyed in museums? And how are they communicated? For Wilhelm Klotzek, all these questions are the starting point for his playful, participatory installation. [Participatory means here: The visitors are invited to join in].

The installation is set up like a classic exhibition: plinths, picture frames, seating and sculptures. The sculptures look like visitors. In other words, everything that belongs in an exhibition is there. Only the art is missing. But there are labels on the picture frames and plinths. So the visitors can visualise the works of art.

The installation is an invitation to visitors and art mediators. They can all actively use the museum. Appropriate it. They can fill the empty frames and plinths. In their own minds or in workshops with the art mediation team.

Wilhelm Klotzek shows that a museum does not have to be a place of quiet and serious contemplation. It can also be a lively meeting place for everyone.

Wilhelm Klotzek (DE) is a sculptor who lives and works in Berlin. Among others, Klotzek has shown solo exhibitions at Galerie Kosterfelde Edition, Berlin (2023, 2021, 2020 and 2018), Galerie Tobias Naehring, Berlin (2020, 2019, 2017) and Institut für Kunst im Kontext, Berlin (2017). He has participated in major group exhibitions, including the 6th Sculpture Triennial, Bingen, DAS MINSK, Kunsthaus, Potsdam (both 2023), Kunstverein Reutlingen and the Institut für Auslandbeziehungen (Ifa) Stuttgart & Berlin (both 2022). Wilhelm Klotzek has been teaching as a professor in the sculpture department at the Kunsthochschule Berlin Weißensee since 2023.










Today's News

December 31, 2024

Seville museum showcases restored sculptures of Japanese martyrs

Breaking boundaries: Bruce Nauman's ON/WITH illuminates a media art maestro

Fundación Mapfre celebrates Peggy Guggenheim's pioneering "31 Women" exhibition

Nadia Khodossievitch-Léger: Unveiling the Avant-Garde woman at Musée Maillol

Book review: Andy Warhol and Friends by Steve Schapiro

Nicolás Muller: A wandering lens captures the soul of Spain and a generation

Nivaagaards Art Collection acquires Carl Bloch's masterpiece Portrait of H.C. Andersen

Tai Kwun launches exhibition revealing the transformation of Hong Kong's Happy Valley neighbourhood

German sculptor Meuser opens his sixth at Galerie Nordenhake Berlin

First-ever solo exhibition in Canada of Swedish artist Lap-See Lam on view at The Power Plant

Havoc has prevailed as a theme throughout the four-decade-long career considered here

First comprehensive institutional solo exhibition in Germany by Elodie Seguin on view at The PEAC Museum

BnF Celebrates Excellence in Photography with Fourth Annual Awards Exhibition

The Musée de Cluny hosts an exhibition on medieval carved decorations from the Notre-Dame Cathedral

Engaging the community: Wilhelm Klotzek's participatory art sparks dialogue in public places

Marta Herford exhibits designs by the winners of the 11th RecyclingDesignprize

ARCH is presenting the exhibition Icon Arms by Patricia Treib

MPM The Picasso Museum ends 2024 with nearly 800,000 visitors

One of the largest retrospective solo exhibitions Christian Andersson's work on view in Sweden

The Serralves Museum presents the largest monographic exhibition by Francisco Tropa




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
(52 8110667640)

Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful