PARIS.- Not since the early 1980s have cathedral sculptures in storage at the museum been the subject of such in-depth research. The exhibition “Making Stones Speak. Notre Dame’s Medieval Sculptures” vows to deepen our knowledge on these collections by revealing the findings of a major research and restoration programme, underway since 2022.

Since its creation, the Mus閑 de Cluny has been the main conservation site for Notre Dame sculptures. The ‘Notre-Dame room’ is presenting the main sculpted fragments from the cathedral, discovered in 1977 beneath a Parisian town house, including the famous faces of kings alongside other pieces that once adorned the building and have since been preserved in museums. It is almost 40 years since these sculptures were last researched and restored. The current restoration work at the cathedral and the resultant high level of scientific study have created an opportunity for the museum to re-examine its own collections. 2022 saw it launch a research and restoration programme on a selection of pieces, conducted in partnership with the Centre de recherche et de restauration des mus閑s de France (C2RMF) and the Laboratoire de recherche des monuments historiques (LRMH).

The exhibition shines a new light on iconic works from the Mus閑 de Cluny collection. In addition to works usually on display in the Notre-Dame’s sculpture hall are pieces never before shown to the public. A selection of fragments allow us to imagine what has disappeared from the cathedral today, such as the bodies of the colossal statues in the Galerie des rois. An entire document dedicated to the statue of Adam, a masterpiece of Gothic sculpture, details its eventful history right up to present day. The exhibition recreates the layout of restored fragments from the Sainte-Anne portal and the lintels of the Last Judgement portal. It also showcases traces of polychromy that were recovered from these works.

The event is an opportunity to unveil to the public for the first time around 30 fragments of rood screen dating back to the 1230s, which were uncovered during preventive archaeological research by Inrap (Institut national de recherches arch閛logiques pr関entives) from spring 2022 onwards. Thanks to a loan from Inrap and scientific support from the 蝜e-de-France Drac, the unprecedented presentation of these fragments has been made possible through work to stabilise fragile elements, funded by the public institution Reb鈚ir Notre-Dame de Paris which is project managing the restoration work. It allows visitors to admire the incredibly well-preserved iconography and polychromy, which is all original. This selection is set against fragments discovered by Viollet-le-Duc in the 19th century and others on loan from the Mus閑 du Louvre and 蝜e-de-France Drac.

Almost 120 works are interspersed along the visitor route, with carved decorations from both the exterior and interior of the Notre-Dame before the damage inflicted in modern times. Furthermore, the exhibition features loans from major institutions such as the Mus閑 du Louvre and Mus閑 Carnavalet – Histoire de Paris as well as stonework from the cathedral and private collections which provide context to these works and explore the subject in greater depth.

The exhibition “Making Stones Speak. Notre Dame’s Medieval Sculptures” is organised by the Mus閑 de Cluny – Mus閑 National du Moyen 耮e in unique partnership with Inrap. It benefits from the “Notre Dame de Paris : Ever Closer to Reopening” label, coordinated by the Reb鈚ir Notre-Dame de Paris public establishment, which is in charge of the cathedral’s restoration.

The curatorial team is spearheaded by Damien Bern�, Head Curator at the Mus閑 de Cluny and responsible for sculptures.