The First Art Newspaper on the Net   Established in 1996 Thursday, September 24, 2020


Mary Quant exhibition hits 400,000 visitors in time for the designer's 90th birthday
Installation view.



LONDON.- To celebrate Mary Quant’s 90th birthday, the V&A announced that its exhibition, Mary Quant, has welcomed 400,000 visitors, making it the museum’s third most popular fashion exhibition ever, after Christian Dior: Designer of Dreams and Alexander McQueen: Savage Beauty.

The show has now surpassed Wedding Dresses 1775-2014 (316,852 visitors) and Balenciaga: Shaping Fashion (272,564 visitors) to also make it the most successful show ever housed in the museum dedicated fashion gallery (Gallery 40).

The record-breaking show will close at the V&A in South Kensington on 16 February before it begins its journey to V&A Dundee. Tickets for the show in Dundee will be available from 20 February and it will open to the public on 4 April as part of V&A Dundee’s Fashion 2020 season.

Quant personified the energy and fun of swinging London and was a powerful role model for the working woman. Challenging conventions, she popularised the miniskirt, colourful tights, and tailored trousers – encouraging a new age of feminism. The miniskirt would go on to become an icon of the time and sparked a new creative scene in London and beyond.

Receiving unprecedented access to Dame Mary Quant’s Archive, as well as drawing on the V&A’s extensive fashion holdings, which include the largest public collection of Quant garments in the world, the show brings together over 120 garments as well as accessories, cosmetics, sketches and photographs – the majority of which have never been on display before.

In June 2018, we launched a call-out to the public to track down rare Quant garments from wardrobes around the country. Receiving over 1,000 responses, 35 objects from 30 individuals were selected alongside personal stories from the owners and 50 photographs of the women wearing their beloved Quant clothes. These objects and stories transformed the exhibition narrative, uncovering rare examples such as a very early and unlabelled blouse, a hat sold at Bazaar, and colourful PVC raincoats.

Claire Fiander, exhibition lender from the #WeWantQuant campaign, said “I am still as excited about fashion and style as I was when I bought the dress aged 17, and to be included in such an exhibition makes the whole obsession worth it. Wearing the dress always made me feel like I ‘belonged’.”

From small boutique to international lifestyle brand, Quant revolutionised British fashion with energy, flair and rebellion. Mary Quant provides an unrivalled, and clearly popular, insight into the career of one of Britain’s most revolutionary and important fashion designers.










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