ArtDaily PhotoGalleries

The Dallas Museum of Art opened a new exhibition that explores individual and collective meanings through works of art, sacred objects, and design. In this image: Charles White, Study for Mural – Baccus Medical Building, 1961, charcoal on paper, Dallas Museum of Art, TWO x TWO for AIDS and Art Fund, 2020.5. © The Charles White Archives.

Attributed to Antonio Pereda y Salgado, The Sacrifice of Isaac, c. 1659, oil on canvas, Dallas Museum of Art, The Karl and Esther Hoblitzelle Collection, gift of the Hoblitzelle Foundation, 1987.36

Dorothy Austin, Slow Shuffle, c. 1939, carved plaster, Texas Art Fund and Early Texas Art Fund, 2001.47

Glenn Ligon, Untitled (America), 2018, neon and paint, Dallas Museum of Art, TWO x TWO for AIDS and Art Fund, 2019.28.A-G, © Glenn Ligon; Courtesy of the artist, Hauser & Wirth, New York, Regen Projects, Los Angeles, Thomas Dane Gallery, London, and Chantal Crousel, Paris

Fannie B. Shaw, Prosperity is Just Around the Corner, 1930-1932, appliquéd cotton, Dallas Museum of Art, anonymous gift, 1998.209

Jammie Holmes. Photo by Daisy Avalos, courtesy of the artist and Library Street Collective

Jeffrey Gibson, I WANNA STAY HERE WITH YOU FOREVER, 2019, repurposed punching bag, repurposed wool army blanket, glass beads, metal studs, tin jingles, artificial sinew, nylon fringe, and steel, Dallas Museum of Art, TWO x TWO for AIDS and Art Fund, 2019.87. Courtesy of the artist and Roberts Projects, Los Angeles, California. © Jeffrey Gibson

Lorna Simpson, Blue Turned Temporal, 2019, ink, watercolor, and screenprint on gessoed fiberglass, Dallas Museum of Art, TWO x TWO for AIDS and Art Fund, 2020.16, © Lorna Simpson. Courtesy the artist and Hauser & Wirth. Photo: James Wang

Matthew Wong, The West, 2017, oil on canvas, Dallas Museum of Art, Dallas Art Fair Foundation Acquisition Fund, 2017.28. Courtesy of the Matthew Wong Foundation and Karma, New York

Oshay Green, Untitled, 2020, cement, black pigment, and resin on canvas, Dallas Museum of Art, Lay Family Acquisition Fund, 2020.24. Courtesy AND NOW

Rufino Tamayo, Dog Howling, 1960, color lithograph, Dallas Museum of Art, Foundation for the Arts Collection, gift of Marvin Small, 1963.120.FA. © 2020 Tamayo Heirs / Mexico / Artists Rights Society (ARS), New York

Installation view of To Be Determined. Photo: John Smith, courtesy of Dallas Museum of Art.

Mel Bochner, Language is Not Transparent (English/Spanish), 1969/2019, oil pastel and vinyl paint on wall, Dallas Museum of Art, TWO x TWO for AIDS and Art Fund, 2020.18, © Mel Bochner. Image courtesy of the artist and Marc Selwyn Fine Art, Los Angeles