Embodied Knowledge: Queensland Contemporary Art’ encompasses large-scale sculptural installation, photography, painting, video and performance.
Embodied Knowledge: Queensland Contemporary Art’ encompasses large-scale sculptural installation, photography, painting, video and performance.
Callum McGrath / Australia b. 1995 / Responsibilities to time (detail) 2019 / Purchased 2021. Queensland Art Gallery | Gallery of Modern Art Foundation / Collection: Queensland Art Gallery | Gallery of Modern Art / Image courtesy: Callum McGrath.
Erika Scott / Australia b. 1987 / The Reservoir Of Cruel Miracles (work in progress) 2022 / Mixed media / 400 x 362 x 362cm / Commissioned for ‘Embodied Knowledge’ by QAGOMA / Courtesy: Erika Scott / Photograph: Joe Ruckli, QAGOMA.
Ethel Murray / Girramay/Jirrbal peoples/ Australia b.1964 /
Rope Bigin (shield) (detail) 2016 / Image courtesy: Ethel Murray and Joann Russo, Girringun Aboriginal Art Centre.
Ethel Murray with Rope Bigin (shield) 2016 / Image courtesy: Ethel Murray and Joann Russo, Girringun Aboriginal Art Centre.
Heather Marie (Wunjarra) Koowootha / Wik-Mungkan and Yidinji/Djabugay peoples / Australia b.1966 /The land lady 2015 / Purchased 2020 with funds from Brian and Megan Sheahan through the Queensland Art Gallery | Gallery of Modern Art Foundation / Collection: Queensland Art Gallery | Gallery of Modern Art / Photograph: Natasha Harth, QAGOMA.
James Barth / Australia b.1993 / Gleaming, I’m shown 2021 / Oil screenprinted and brushed on aluminium composite sheet / 86 x 69cm / Private collection, Brisbane / Image courtesy: James Barth and Milani Gallery, Brisbane / Photograph: Carl Warner.
Janet Burchill and Jennifer McCamley / Australia b.1955 & 1957 / Affliction (from ‘Simone Weil Project’) 2021–22 / Courtesy: Janet Burchill and Jennifer McCamley and Neon Parc, Melbourne / Image courtesy: Janet Burchill and Jennifer McCamley and Neon Parc, Melbourne / Photograph: Andrew Curtis.
Janet Burchill and Jennifer McCamley / Australia b.1955 & 1957 / Attention (from ‘Simone Weil Project’) 2021–22 / Courtesy: Janet Burchill and Jennifer McCamley and Neon Parc, Melbourne / Image courtesy: Janet Burchill and Jennifer McCamley and Neon Parc, Melbourne / Photograph: Andrew Curtis.
Jenny Watson / Australia b. 1951 / Private Views and Rear Visions (detail) 2021 / Synthetic polymer paint on printers’ proof / 48 pieces: 100 x 72cm (each) / Photograph: Natasha Harth, QAGOMA / Image courtesy: The artist and QAGOMA
/ Photograph: Natasha Harth, QAGOMA.
Jenny Watson / Australia b. 1951 / Private Views and Rear Visions (detail) 2021 / Synthetic polymer paint on printers’ proof / 48 pieces: 100 x 72cm (each) / Photograph: Natasha Harth, QAGOMA / Image courtesy: The artist and QAGOMA
/ Photograph: Natasha Harth, QAGOMA.
Jenny Watson / Australia b. 1951 / Private Views and Rear Visions (detail) 2021 / Synthetic polymer paint on printers’ proof / 48 pieces: 100 x 72cm (each) / Photograph: Natasha Harth, QAGOMA / Image courtesy: The artist and QAGOMA
/ Photograph: Natasha Harth, QAGOMA.
Justene Williams / Australia b.1970 /The Vertigoats 2021 / Mixed media / Installed dimensions variable / Purchased 2021 with funds from the Contemporary Patrons through the QAGOMA Foundation / Collection: QAGOMA / Photograph: Natasha Harth, QAGOMA.
Léuli Eshraghi / Samoan, Persian, Guangdong and European peoples / Australia QLD b.1986 / Study for AOAULI 2020 / Léuli Eshraghi photographed by Stuart Miller / Courtesy: Léuli Eshraghi.
Léuli Eshraghi / Samoan, Persian, Guangdong and European peoples / Australia QLD b.1986 / TAEAO (SINA LOA) (detail of work in progress) 2021/22 / Artificial intelligence–assisted digital print on silk with singlechannel audio: 3:12 minutes /Installation commissioned for ‘Embodied Knowledge’ by QAGOMA / Original digital commission by Australian Centre for Contemporary Art,
Melbourne / Image courtesy: Léuli Eshraghi.
Megan Cope / Quandamooka people / Australia b.1982 / The tide waits for no one (detail) 2020–21 / Kiln cast glass, mineral sand, lightbox / 250 pieces: 40 x 200(cir.) cm (installed) / Courtesy: Megan Cope and Milani Gallery, Brisbane /Photograph: Brenton McGeachie.
Megan Cope / Quandamooka people / Australia b.1982 / Untitled (Glass Dugong bones) 2020 (installation view, UNSW Galleries, Sydney 2020) / Image courtesy: Megan Cope and Milani Gallery, Brisbane.
Moilang (Rosie) Ware / Torres Strait Islander awman (woman) / Australia b.1959 / Sea of Plenty 2010 / Commercial cotton fabric, block printed / 400 x 113cm / Commissioned for ‘Land, Sea and Sky: Contemporary Art of the Torres Strait Islands’. Purchased 2011 with funds from Thomas Bradley through the Queensland Art Gallery Foundation / Collection: Queensland Art Gallery | Gallery of Modern Art / Photograph: Natasha Harth, QAGOMA.
Moilang (Rosie) Ware / Torres Strait Islander awman (woman) / Australia b.1959 / Shipwrecks 2010 / Commercial cotton fabric, block and screen printed / 400 x 113cm / Commissioned for ‘Land, Sea and Sky: Contemporary Art of the Torres Strait Islands’. Purchased 2011 with funds from Thomas Bradley through the Queensland Art Gallery Foundation / Collection: Queensland Art Gallery | Gallery of Modern Art / Photograph: Natasha Harth, QAGOMA.
Ryan Presley / Marri Ngarr people / Australia b.1987 / Blood Money Dollar Fanny Balbuk (detail) 2011 / Watercolour on paper / Dimensions variable / Image courtesy: Ryan Presley and Milani Gallery, Brisbane.
Embodied Knowledge: Queensland Contemporary Art’ encompasses large-scale sculptural installation, photography, painting, video and performance.
