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ArtDaily PhotoGalleries
PhotoGallery: Winifred Knights at Dulwich Picture Gallery
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Winifred Knights, The Marriage at Cana, 1923, Oil on canvas, 184 x 200 cm, Collection of the Museum of New Zealand Te Papa Tongarewa. Gift of the British School at Rome, London, 1957. © The Estate of Winifred Knights
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Winifred Knights, Scenes from The Life of Saint Martin of Tours, c.1928-33, Oil (or possibly tempera) on canvas with glazing, 73 x 159.5 cm, Milner Memorial Chapel, Canterbury Cathedral. Reproduced courtesy of the Dean and Chapter, Canterbury Cathedral. © The Estate of Winifred Knights
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Winifred Knights, The Santissima Trinita, 1924-30, Oil on canvas, 102 x 112 cm, Private Collection. © The Estate of Winifred Knights
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Winifred Knights, The Deluge, 1920, Oil on canvas, 152.29 x 183.5 cm, Tate: Purchased with assistance from the Friends of the Tate Gallery 1989. © Tate, London 2016. © The Estate of Winifred Knights
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Winifred Knights, Illustration to Christina Rossetti’s Goblin Market, 1916, Pen and ink and watercolour on paper, 21.4 x 17.9 cm, © UCL Art Museum, 4966, University College London. © The Estate of Winifred Knights
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Winifred Knights, Full-length Seated Female Nude, three-quarter view, 1917, 39 x 31.5 cm, UCL Art Museum, 6055, University College London. © The Estate of Winifred Knights
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Winifred Knights, Compositional Study for A Scene in a Village Street with Mill-hands Conversing, 1919, Pencil and watercolour on paper, 22.5 x 29 cm, © UCL Art Museum, 4980, University College London. © The Estate of Winifred Knights
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Winifred Knights, Portrait of Anna Matilda Fryer, 1920, Oil on canvas, 50.8 x 40.7 cm, © UCL Art Museum, 5089, University College London. © The Estate of Winifred Knights
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Winifred Knights, Compositional study for The Deluge, 1920, Oil over pencil on paper, 26.7 x 31.9 cm, © UCL Art Museum, 6690, University College London. © The Estate of Winifred Knights
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Winifred Knights, Cartoon for The Deluge, 1920, Pencil on paper, squared, 147.3 x 177.8 cm, The Wolfsonian – Florida International University, Miami Beach, Florida, The Mitchell Wolfson, Jr Collection. © The Estate of Winifred Knights
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Winifred Knights, Study of a sleeping woman for The Santissima Trinita, c. 1924, Pencil on paper, 19.7 x 25.7 cm, © Trustees of the British Museum. © The Estate of Winifred Knights
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Winifred Knights, Study of Gigi il Moro, three-quarter rear view reclining, for The Marriage at Cana, 1922, Pencil on tracing paper, 17.6 x 26.7 cm, © Trustees of the British Museum. © The Estate of Winifred Knights
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Winifred Knights, Self-portrait, 1920, Pencil on tracing paper, 9.5 x 7 cm. © Trustees of the British Museum. © The Estate of Winifred Knights
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Winifred Knights, A view to the east from the British School at Rome, 1921, Oil on panel, 26 x 23.8 cm, Private Collection. © The Estate of Winifred Knights
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Winifred Knights, Portrait of Millicent Murby, September 1917, Pencil on paper, 16.5 x 11 cm, Collection of Martin Palmer. © The Estate of Winifred Knights
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Winifred Knights, The Goose Girl, May 1918, Pencil and watercolour on paper, 29.5 x 19.5 cm, Collection of Robin de Beaumont. © The Estate of Winifred Knights
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Winifred Knights, Self-portrait sketching at a table, c. 1916, Watercolour over pencil on paper, 38.5 x 24 cm, Private Collection. © The Estate of Winifred Knights
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Winifred Knights, The Potato Harvest, 1918, Watercolour over pen and ink on paper, 29.7 x 38.5 cm, Private Collection. © The Estate of Winifred Knights
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Winifred Knights, Compositional study for The Marriage at Cana, c. 1922, Oil on paper, squared, 31.1 x 35 cm, Private Collection. © The Estate of Winifred Knights
ArtDaily
Winifred Knights, Leaving the Munition Works, 1919, Watercolour over pencil on paper, 27 x 32 cm, Private Collection. © The Estate of Winifred Knights
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Winifred Knights, Edge of Abruzzi; boat with three people on a lake, 1924-30, Oil on canvas, 68.5 x 68.5 cm, Private Collection. © The Estate of Winifred Knights
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Thomas Monnington, Portrait of Winifred Knights, 1934, Pencil on paper, 23.8 x 30 cm, Collection of Catherine Monnington. © The Artist's Estate
ArtDaily
Winifred Knights, Landscape study for Edge of Abruzzi; boat with three people on a lake, 1924, Thinned oil over pen and ink on tracing paper, 28 x 38 cm, Private Collection. © The Estate of Winifred Knights
ArtDaily
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