ArtDaily PhotoGalleries

The First Art Newspaper on the Net

Established in 1996

Thursday, November 21, 2024

ArtDaily PhotoGalleries

ArtDaily

For Twice in Dublin, Nathalie Du Pasquier responds to and transforms the minimalist architecture of Kerlin Gallery’s John Pawson-designed space. A site-specific installation houses a suite of new paintings and assemblages—configuring blocks of colour, line and shape into unexpected relationships.

ArtDaily

For Twice in Dublin, Nathalie Du Pasquier responds to and transforms the minimalist architecture of Kerlin Gallery’s John Pawson-designed space. A site-specific installation houses a suite of new paintings and assemblages—configuring blocks of colour, line and shape into unexpected relationships.

ArtDaily

For Twice in Dublin, Nathalie Du Pasquier responds to and transforms the minimalist architecture of Kerlin Gallery’s John Pawson-designed space. A site-specific installation houses a suite of new paintings and assemblages—configuring blocks of colour, line and shape into unexpected relationships.

ArtDaily

For Twice in Dublin, Nathalie Du Pasquier responds to and transforms the minimalist architecture of Kerlin Gallery’s John Pawson-designed space. A site-specific installation houses a suite of new paintings and assemblages—configuring blocks of colour, line and shape into unexpected relationships.

ArtDaily

For Twice in Dublin, Nathalie Du Pasquier responds to and transforms the minimalist architecture of Kerlin Gallery’s John Pawson-designed space. A site-specific installation houses a suite of new paintings and assemblages—configuring blocks of colour, line and shape into unexpected relationships.

ArtDaily

For Twice in Dublin, Nathalie Du Pasquier responds to and transforms the minimalist architecture of Kerlin Gallery’s John Pawson-designed space. A site-specific installation houses a suite of new paintings and assemblages—configuring blocks of colour, line and shape into unexpected relationships.

ArtDaily

For Twice in Dublin, Nathalie Du Pasquier responds to and transforms the minimalist architecture of Kerlin Gallery’s John Pawson-designed space. A site-specific installation houses a suite of new paintings and assemblages—configuring blocks of colour, line and shape into unexpected relationships.

ArtDaily

For Twice in Dublin, Nathalie Du Pasquier responds to and transforms the minimalist architecture of Kerlin Gallery’s John Pawson-designed space. A site-specific installation houses a suite of new paintings and assemblages—configuring blocks of colour, line and shape into unexpected relationships.

ArtDaily

For Twice in Dublin, Nathalie Du Pasquier responds to and transforms the minimalist architecture of Kerlin Gallery’s John Pawson-designed space. A site-specific installation houses a suite of new paintings and assemblages—configuring blocks of colour, line and shape into unexpected relationships.

ArtDaily

For Twice in Dublin, Nathalie Du Pasquier responds to and transforms the minimalist architecture of Kerlin Gallery’s John Pawson-designed space. A site-specific installation houses a suite of new paintings and assemblages—configuring blocks of colour, line and shape into unexpected relationships.

ArtDaily

For Twice in Dublin, Nathalie Du Pasquier responds to and transforms the minimalist architecture of Kerlin Gallery’s John Pawson-designed space. A site-specific installation houses a suite of new paintings and assemblages—configuring blocks of colour, line and shape into unexpected relationships.

ArtDaily

For Twice in Dublin, Nathalie Du Pasquier responds to and transforms the minimalist architecture of Kerlin Gallery’s John Pawson-designed space. A site-specific installation houses a suite of new paintings and assemblages—configuring blocks of colour, line and shape into unexpected relationships.

ArtDaily

For Twice in Dublin, Nathalie Du Pasquier responds to and transforms the minimalist architecture of Kerlin Gallery’s John Pawson-designed space. A site-specific installation houses a suite of new paintings and assemblages—configuring blocks of colour, line and shape into unexpected relationships.

ArtDaily

For Twice in Dublin, Nathalie Du Pasquier responds to and transforms the minimalist architecture of Kerlin Gallery’s John Pawson-designed space. A site-specific installation houses a suite of new paintings and assemblages—configuring blocks of colour, line and shape into unexpected relationships.

ArtDaily

For Twice in Dublin, Nathalie Du Pasquier responds to and transforms the minimalist architecture of Kerlin Gallery’s John Pawson-designed space. A site-specific installation houses a suite of new paintings and assemblages—configuring blocks of colour, line and shape into unexpected relationships.

ArtDaily

For Twice in Dublin, Nathalie Du Pasquier responds to and transforms the minimalist architecture of Kerlin Gallery’s John Pawson-designed space. A site-specific installation houses a suite of new paintings and assemblages—configuring blocks of colour, line and shape into unexpected relationships.

ArtDaily

For Twice in Dublin, Nathalie Du Pasquier responds to and transforms the minimalist architecture of Kerlin Gallery’s John Pawson-designed space. A site-specific installation houses a suite of new paintings and assemblages—configuring blocks of colour, line and shape into unexpected relationships.

ArtDaily

For Twice in Dublin, Nathalie Du Pasquier responds to and transforms the minimalist architecture of Kerlin Gallery’s John Pawson-designed space. A site-specific installation houses a suite of new paintings and assemblages—configuring blocks of colour, line and shape into unexpected relationships.

ArtDaily

For Twice in Dublin, Nathalie Du Pasquier responds to and transforms the minimalist architecture of Kerlin Gallery’s John Pawson-designed space. A site-specific installation houses a suite of new paintings and assemblages—configuring blocks of colour, line and shape into unexpected relationships.

ArtDaily

For Twice in Dublin, Nathalie Du Pasquier responds to and transforms the minimalist architecture of Kerlin Gallery’s John Pawson-designed space. A site-specific installation houses a suite of new paintings and assemblages—configuring blocks of colour, line and shape into unexpected relationships.

Close

Gabriele Münter

The Horror Show!

New Images in the Age of Augustus

Alexander McQueen

Kongkee: Warring States Cyberpunk

Freedom of Movement

Gabriella Boyd @ GRIMM

Fondazione Elpis

Frances Macdonald

Terms of Belonging

The seduction of beauty

Mehmet Sinan Kuran

Barbara Hepworth

Amon Carter acquisitions 2022

Jean-Michel Basquiat in Montreal

The Global Life of Design

Nancy Ford Cones

Ever Present: First Peoples Art of Australia

Carolee Schneemann

The Cynthia & Heywood Fralin Collection

Fragile Crossings

Indigo Waves and Other Stories

Carolina Caycedo

Embodied Knowledge

Arley Hall & Gardens

Radical Landscapes

Brandywine Workshop @ Harvard Museums

Frank Brangwyn:

Geoffrey Chadsey

Guillaume Leblon

Kazuko Miyamoto

Robert Rauschenberg

At the Dawn of a New Age

The More You Look The More You See

The New Black Vanguard

Julian Schnabel @ Pace

Plastic: Remaking Our World

WHO ARE YOU: Australian Portraiture

Miró. His Most Intimate Legacy

Murillo: Picturing the Prodigal Son

The 8 X Jeff Koons

Jules Tavernier and the Elem Pomo

Life Between Islands

Fabergé in London: Romance to Revolution

The Last Judgment

Golden Shells and the Gentle Mastery of Japanese Lacquer

Le Design Pour Tous

New Galleries of Dutch and Flemish Art

Anke Eilergerhard

Andrea Marie Breiling

Gabrielle Chanel

Hughie O'Donoghue

Nathalie Djurberg & Hans Berg

The King’s Animals

Karlo Kacharava

Suzanne Valadon

Summer Exhibition 2021

Alison Elizabeth Taylor

RIBA National Award winners 2021

Richard Twose Past Imperfect

34th Bienal de São Paulo

Afterlives: Recovering the Lost Stories of Looted Art

Arcadian Feedback

French Impressionism from MFA

Yukinori Yanagi

Music of the ‘80s

Modern Gothic: The Inventive Furniture of Kimbel and Cabus, 1863–82

British Art Show 9

Sporting Fashion: Outdoor Girls 1800 to 1960

Design 1900 – Now

Chicago Comics: 1960s to Now

WOOD WORKS: Raw, Cut, Carved, Covered

Agostino Bonalumi

Sophie Taeuber-Arp & Hans Arp: Cooperations – Collaborations

Future Retrieval

Clarice Beckett

Kim Tschang-Yeul

Joaquín Orellana

Michener Art Museum Collection

Phyllida Barlow

Monir Shahroudy

Thierry Goldberg

Rosie Lee Tompkins

TIM VAN LAERE GALLERY

Genesis Tramaine

Anne Truitt Sound

Islamic Metalwork

Klaas Rommelaere

To Be Determined

Turner Bursaries

Old Royal Naval College

Peter Lindbergh: Untold Stories

Canova | Thorvaldsen

Mia Photo Fair 2020

Susan Rothenberg (1945 – 2020)

Art After Stonewall

Vincent Michéa

Niclas Riepshoff

Florian Slotawa

Sculpture by the Sea

Among the Trees

Swissness Applied

Historic Thomas Center

Asian Art Museum

Inventing Acadia

State of Extremes

Keith Haring | Jean-Michel Basquiat:

Nashashibi/Skaer

Cars: Accelerating the Modern World

On the spiritual matter of art

Charlotte Perriand

Alighiero Boetti

Post-Impressionist Living

William Christenberry

James Rosenquist

Fondazione Prada

Modern Primitives

Mississippi Museum of Art

2018/19 Cultural Gifts Scheme

Massimo Bottura at Sotheby's

The Donum Estate

Art After Stonewall 1969-1989

Odunpazari Modern Museum

National Gallery of Australia

Bonhams Bonmont Sale

Wellcome Collection

Ámà: The Gathering Place

Venice Film Festival

Exhibit Columbus

Edinburgh Art Festival

The Colonial National Historical Park

Ed Sheeran exhibition

Thannhauser Collection

Photography & Video Art @ Bucerius Kunst Forum

Joan Jonas in Porto

Root Canal at Vleeshal

Olga Picasso. CaixaForum Madrid

Pure Fiction @ Marian Goodman

Hokusai x Manga @ MK&G Hamburg

Manolo Valdes @ Marlborough

Portrait(s) Photography Festival

Painting 2.0 at mumok

Winifred Knights at Dulwich Picture Gallery

Cindy Sherman in Brisbane

RIBA’s first global architecture award

Heinz Mack at Galerie Perrotin

Weinstein Gallery explores Surrealism and the Avant -Garde

Pedro Friedeberg at Ruiz-Healy Art

Wilhelm Lehmbruck at the Leopold Museum

Fundació Joan Miró updates its permanent exhibition

Art and the Child

Gauguin to Picasso at the Phillips Collection

Hahnloser Collection at Museum Marmottan Monet

Ernest Hemingway: Between Two Wars

Picasso sculpture at MoMA

Piero di Cosimo Retrospective Premieres at National Gallery of Art

Mark Rothko's Harvard Murals

‘Jean Dubuffet: Soul of the Underground on view at MoMA’

Supermodels: Then and Now - Group exhibition opens at CWC Gallery in Berlin’

Francis Bacon and Henry Moore: Terror and Beauty

"Paris 1900, The City of Entertainment" at the Petit Palais

Graphic Design: Now in Production at RISD Museum

Gauguin: Metamorphoses at MoMA

Dedication ceremony for Herb Alpert's sculpture "Freedom"

Sochi Winter Olympics 2014

National Cathedral in Washington

Frank Lloyd Wright and the City: Density vs. Dispersal

Esprit Montmartre. Bohemian Life in Paris around 1900

Founder:
Ignacio Villarreal
(1941 - 2019)

Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez

Royalville Communications, Inc
produces:

ignaciovillarreal.org	avemariasound.org	juncodelavega.com	facundocabral-elfinal.org
Founder's Site.	The most varied versions of this beautiful prayer.	Hommage to a Mexican poet.	Hommage